Ahzad Bogosian

Across the Lake - Serene Landscape with Expansive Sky & Calm Water, Original Oil

2020

The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrig...

The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrig...

The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrig...

The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrigued her. This fragile balance between nature and her subject matter is as delicate as a paper lantern set adrift upon the sea. "Ocean Echo" captures this delicate balance in a an exquisitely executed painting . Two paper lanterns emanate a warm glow, as they cast rays of gold upon the water's surface. This acrylic painting is on a cradled panel which is beautiful on its own or can be floated in a frame. Contact the gallery for framing options. Christina Haglid Ocean Current acrylic on panel 6h x 6w in 15.24h x 15.24w cm CMH043 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. Wit...

This medium sized minimalist painting depicts subtle shift of color from gold to cream and then to pale blue and violet in a luscious sky that dominates this painting. The lower half of the painting shows a tree-dotted horizon and a lush, rich green foreground. This art is framed is a dark wood frame. Ahzad Bogosian Out Towards the River oil on panel 35h x 28w in 88.90h x 71.12w cm Ahzad Bogosian SOLO EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago 2007 Landscapes, Ann Nathan Gallery, Chicago, IL 2006 Quiet Light, Ann Nathan Gallery, Chicago,IL 2004 Distant Light, Ann Nathan Gallery, Chicago, IL 2003 Sky, Ann Nathan Gallery, Chicago, IL 2002 Vista, Ann Nathan Gallery, Chicago, IL 1999 Locus Gallery, St. Louis, MO 1998 Vedanta Gallery, Chicago, IL Lisa Kurts Gallery, Memphis, TN 1997 Vedanta Gallery, Chicago, IL Locus Gallery, St. Louis, MO 1996 Margaret Harwell Art Museum, Poplar Bluff, MO Sherry French Gallery, New York, NY GROUP EXHIBITIONS 2012 2012 Alumni Exhibition, Fine Arts Gallery, Fontbonne University, St. Louis, MO 2010 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2009 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Selections, Ann Nathan Gallery, Chicago 2008 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2007 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Palm Beach 3 Art Fair, West Palm Beach, Fl 2005 SOFA Chicago, Ann Nathan Gallery, Chicago, IL Art Chicago, Butler Field, Ann Nathan Gallery, Chicago, IL 2004 VISION 9, Ann Nathan Gallery, Chicago, IL Art Chicago, Navy Pier, Ann Nathan Gallery, Chicago, IL 2003 Five Views of the Midwest, Margaret Harwell Art Museum, Poplar Bluff, MO (traveling exhibition: Sikeston, MO; Cape Girardeau, MO; Louisiana, MO) 2002 Art of the 20th Century, Ann Nathan Gallery, Park Avenue Armory, New York, NY 2002 Art Chicago, Ann Nathan Gallery, Chicago, IL 2002 The State We're In...Landscapes of the Heartland, Chicago Botanic Garden, Glencoe, IL 2001 Ever Green, Ann Nathan Gallery, Chicago, IL Locus Gallery, St. Louis, MO 2000 Watercolor USA, 2000, Springfield Art Museum, Springfield, MO Old/New, A.D. Brown Building, St. Louis, MO 1999 Locus Gallery, St. Louis, MO Walnut Street Gallery, Springfield, MO First Annual Realism Invitational, Jenkins-Johnson Gallery, San Francisco, CA West Palm Beach Art Expo (Lisa Kurts Gallery), West Palm Beach, FL Power of Water – The Great Lakes Show, traveling exhibition 1998 Jenkins-Johnson Gallery, San Francisco, CA The Four Seasons, Sherry French Gallery, New York, NY In/Form V, St. Louis, MO 1997 Midwestern Landscapes...

Acrylic and oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works between Quebec & Valence, France.

Acrylic & oil on wooden panel

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

"Lucy & Ethel", 2017, Oil, acrylic, colored pencil and collage on wood panel by Francesca Reyes. It was created in 2017 and measures 24" H x 36" W x 1" ...

Oil, acrylic, ink and sand on wood panel Purple, blue, aqua, black, teal, indigo, violet, lavender, gray Geometric abstraction

"Door #12 (Magazines)" (2018) by Francesca Reyes Original oil, acrylic and paper on wood panel; measures 8" H x 6" W x 1" D From the artist's door series, depicting doors that she h...