Christo Sharpe

Christo Sharpe, Orange Tree, Original Painting, Art Online

2020

Palma Verde [2021] original and hand signed by the artist oil on canvas Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This is a painting from my architectural series of works. I love to paint modernist architecture and here in this painting I wanted to capture the emerald greens and turquoise blues of the building and sky against the heat and desert colours of the mountains and terrain. I like to paint palm trees cactii and flora and organic shapes and place them against the straight lines of the modern architecture. This painting is painted on a painted side thick edged canvas and is ready to hang. Discover original architectural paintings online with Wychwood Art and in our Oxfordshire art gallery by artist Karen Lynn...

Villa Olivos by Karen Lynn [2021] This is a painting from my modernist pool series of paintings. In this particular painting I loved the shape of the kidney shaped pool and I placed...

Treeline III By Ana Bianchi [2020] Please note that insitu images are purely an indication of how a piece may look Landscape with windswept trees. Discov...

Vauxhall Bridge [2014] Original Landscape Oil Paint on Canvas Complete Size of Unframed Work: H:51 cm x W:76 cm x D:4cm Sold Unframed Please note that insitu images are purely an ind...

This is an oil painting of the iconic house in California designed by the famous architect Richard Neutra. I love to paint this house from many different angles and always focusing o...

Charlie Baird Blue Shutters Original Painting Oil Paint on Canvas Framed Size: H 58cm x W 66cm x D 3cm Sold Framed in a Grey Frame Please note that in si...

Stillness. 2022. Oil on canvas, 55x38 cm Contemporary painting with gondolas by artist Clara M. Aguasca in pink colors

Landscape painting of Speedway gas station sign by Edie Nadelhaft- oil on canvas, 10 x 20 inches An avid motorcyclist, Edie Nadelhaft takes annual weeks-long tours of the country's ...

Realistic landscape painting by Edie Nadelhaft - Oil on canvas, 16 x 20 inches. An avid motorcyclist, Edie Nadelhaft takes annual weeks...

Landscape painting, evening road scene titled "May 27 (8.59pm)" by Edie Nadelhaft - oil on canvas, 36 x 48 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

Landscape painting, deserted beach road scene titled "Race Point Road" by Edie Nadelhaft - oil on canvas, 24 x 30 inches Edie Nadelhaft's paintings focus on the visual nuances and p...

Landscape painting, evening road scene titled "Long Pond Road Again" by Edie Nadelhaft - oil on canvas, 12 x 16 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...