Items Similar to Extensive English Rural Victorian Cottage landscape
Want more images or videos?
Request additional images or videos from the seller
1 of 8
John SyerExtensive English Rural Victorian Cottage landscapeCirca 1880
Circa 1880
About the Item
John Syer was a landscape painter, and the father of James S (q.v.).
Syer studied with J. Fisher, a miniaturist in Bristol and exhibited his works at the Royal Academy 1846 - 75, British Institute, Suffolk Street, New Watercolour Society, Grosvenor Gallery and elsewhere.
Syer painted landscapes and coastal scenes with figures, often in Devon and Wales.
Works by the artist are in Art Galleries in Bristol, Leeds, Leicester and Sheffield.
This piece has well painted trees, sky and an extensive landscape...A wonderful piece.
- Creator:John Syer (1844 - 1912, English)
- Creation Year:Circa 1880
- Dimensions:Height: 17 in (43.18 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Framed in the original Victorian Antique Frame..With original gilding. Their is slight damage to the lower right of the frame.
- Gallery Location:Woodbury, CT
- Reference Number:1stDibs: LU50731852923
John Syer
John Syer was a landscape painter and the father of James S. Born in Atherstone in 1815, Syer studied with J. Fisher, a miniaturist in Bristol. He exhibited his works at the Royal Academy of Arts from 1846–75, British Institute, Suffolk Street, Royal Institute of Painters in Water Colours, Grosvenor Gallery and elsewhere. Syer painted landscapes and coastal scenes with figures, often in Devon and Wales. Works by Syer are in art galleries in Bristol, Leeds, Leicester and Sheffield. He died in July 1885, in Exeter.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1983
1stDibs seller since 2016
405 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Woodbury, CT
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- 19th century English Harvest landscape with horses, farmers, children, familyLocated in Woodbury, CTHenry Brittian Willis English plough team at rest during harvest Summertime. A painting by Henry Brittiam Willis capturing a 19th-century English plough team, complete with horses,...Category
1850s Victorian Landscape Paintings
MaterialsCanvas, Oil
- 19th century English marine Sailing scene of Dutch fishing boats by a harborBy Henry King TaylorLocated in Woodbury, CTHenry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...Category
1850s Victorian Landscape Paintings
MaterialsCanvas, Oil
- 19th century English fox hunter on his horse oil in a landscape with fox houndsBy William Joseph ShayerLocated in Woodbury, CTWilliam Joseph Shayer English sporting painter from the 19th century. He painted mostly on a small scale with great detail and quality. The son of William Shayer senior he must ha...Category
1870s Victorian Animal Paintings
MaterialsCanvas, Oil
- 19th century English Victorian oil landscape with figures, a stream and treesBy Henry John BoddingtonLocated in Woodbury, CTHenry John Boddington. 19th century English landscape with figures by a riverside. Simply one of the finest quality English landscape Ive ever had the pleasure of owning . This i...Category
1850s Victorian Landscape Paintings
MaterialsCanvas, Oil
- 19th century English still life of fruit, apples, pears, birds nest, flowersLocated in Woodbury, CT19th century English still life of flowers , fruit, birds nest in on a mossy bank by Ellen Ladell Purchasing Ellen Ladell's 19th-century English still life of flowers, fruit, and a ...Category
1880s Victorian Still-life Paintings
MaterialsCanvas, Oil
- Antique oil 19th century View of Venice, The Grand Canal VeniceBy William MeadowsLocated in Woodbury, CTView of the Grand Canal in Venice by one of England's best-known landscape and Venetian painters. This example is a very well-painted piece and is a great composition. It is framed in an English Classic running pattern frame. Tracing the story of William Meadows, the son of James Meadows, is sometimes a little difficult. In earlier census returns he gave his place of birth as Epping, but in later census returns he said that he was born in Mountnessing in about 1825. Between 1841 and 1901 William is recorded as William James, William George, and in 1881 simply as George, and these apparent changes of name were explained by a chaotic personal life which contrasts with his tranquil paintings of the English countryside and Venice. An entry in The Fine Arts Journal in 1847, concerning the Theatre Royal, Dumfries, reveals that "The scene-painter is Mr. W.J.Meadows, the son of Mr. Meadows, of the Surrey”. Initially, William had begun his career by following in the family footsteps at one of the theatres where his grandfather had performed. However, his training as a scene painter most probably came closer to home under his father's tuition, possibly at The Lyceum Theatre in London in 1844. (See the previous page on James Meadows for further details). In 1850, William married Lydia Maria Jarvis (born in Norwich c.1826) at St Pancras Old Church, close to St Pancras Station in London. By the time that the census was taken the following year, William and Lydia were living at 16, High Street in Poole, Dorset. So far it has been not been possible to identify a census entry for 1861 for the couple. However, when William exhibited "A scene in Surrey' at the Royal Hibernian Academy of Arts in Dublin in 1865, he gave his address as 187, Hampstead Road, London, not far from the St Pancras area once again. The reason for William's obscurity in the 1861 census may lie partially in his financial difficulties, as well as his frequent changes of address. In 1864, The Law Journal's list of impending bankruptcy proceedings included an entry for "Meadows, William George (known as William James Meadows), artist, of Old Kent Road, previously of Beal Road, Old Ford, previously of Wanstead Flats, Wanstead". A family source has revealed that William tried changing career not long afterward, when he became the landlord of The Black Bull Inn in Fyfield in Essex on the 9th November 1866, and that he "gave an opening dinner there" on 29th November 1866. However, if William was trying to achieve financial stability by changing careers, the 1871 census would suggest that it was an unsuccessful interlude. In 1871 William was recorded under the name of William George but is identifiable as the same person by his age, place of birth, and the personal details of his wife. He no longer gave his profession as an artist, but as an "Eating Housekeeper", back in the East End of London and living at 200, High Street in Shoreditch. Two servants were living with the couple, but more unusually there was also another resident, whose occupation was listed as "bailiff in possession". The presence of a live-in bailiff, therefore, seems to suggest that William's financial difficulties were far from over. In addition to his financial woes, William’s marriage to Lydia also appears to have been a stormy affair. In 1867 in London she petitioned for a divorce from William, although she must have been initially reconciled to him as the couple was living together (with their bailiff!) in 1871. However in 1874, Lydia once again petitioned for a divorce and this time the separation was definitive, and Lydia moved to a separate address in Holborn where she was living at the time of the 1881 census as a "retired publican". William, meanwhile, married for a second time in Southwark in 1875, under the name of William George Meadows. His second wife, Helen Grace Higgs, was born in Tipperary in Ireland in about 1841. By the time of the 1881 census, the couple was lodging over a pub at 87, High Holborn in London, where William is recorded simply as "George Meadows, Landscape painter". In the 1891 census, the couple was lodging at The Green Dragon...Category
1890s Victorian Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- Fishermen Unloading the Day's Catch, Dover /// Antique Victorian Ship SeascapeLocated in Saint Augustine, FLArtist: John Cheltenham Wake (English, 1837-1882) Title: "Fishermen Unloading the Day's Catch, Dover" *Signed and dated by Wake lower left Year: 1874 Medium: Original Oil Painting on Canvas Framing: Recently framed in a green and gold ornate gesso moulding Framed size: 16.5" x 24.5" Canvas size: 12" x 20" Condition: One area in upper left sky professionally restored. In otherwise very good condition Notes: Provenance: private collection - Vero Beach...Category
1870s Victorian Landscape Paintings
MaterialsCanvas, Paint, Oil, Gesso
- Victorian landscape painting of Scottish fishing boats moored in a bayLocated in Harkstead, GBA very tranquil scene of fishing boats moored in harbour with a sunlit sea beyond. Painted with a most attractive palette of blues and greens and with a pleasing composition that le...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- 19th Century seascape oil painting of Penzance harbour, CornwallBy William Edward WebbLocated in Moreton-In-Marsh, GloucestershireWilliam Edward Webb British, (1862-1903) Penzance Harbour Oil on canvas, signed Image size: 29 inches x 45.5 inches Size including frame: 38 inches x 54.5 inches A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb. In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- Pair of 19th Century landscape oil paintings of lakesBy Nils Hans ChristiansenLocated in Moreton-In-Marsh, Gloucestershire**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 27 INCHES X 21 INCHES** Nils H Christiansen Danish, (1850-1922) Sunset Over the Lake & Moonlight over the Lake Oil on canv...Category
19th Century Victorian Landscape Paintings
MaterialsCanvas, Oil
- Pair of 19th Century seascape oil paintings of ships at anchorBy Adolphus KnellLocated in Moreton-In-Marsh, Gloucestershire**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 9.75 INCHES X 12.75 INCHES** Adolphus Knell British, (b.1849, fl.1870-1890) Shipping in the Morning & Shipping in the Eveni...Category
19th Century Victorian Landscape Paintings
MaterialsCanvas, Oil
- 19th Century Scottish landscape oil painting of Highland cattle at Loch LinnheBy Charles Jones (b.1836)Located in Moreton-In-Marsh, GloucestershireCharles Jones British, (1836-1892) Highland Cattle by Loch Linnhe Oil on canvas, signed with monogram & dated (18)87, inscribed verso Image size: 23.25 inc...Category
19th Century Victorian Animal Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
New Victorian
English Victorian 1880
English Cottage
Cottage Antique
The Antique Cottage
Victorian Oil Landscape
Cottage Landscape
Victorian Oil Painters
Painting Of Cottages
Victorian English Oil
Wales Landscapes
Oil Victorian Royal
British Victorian Landscape Paintings
John English Oil Painting
Antique Suffolk
Victorian Cottage
Victorian English Landscape Oil
Suffolk Landscape