Luke Anderson

Wildfire Season

2021

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing the essence of the seemingly mundane scenes around town: an old salon, a decaying house with a fence made of skis, a vintage trailer park. His work is influenced by the work of American regionalists Edward Hopper and Grant Wood, Japanese printmaking, and German Expressionism. Travis Walker is the founder and director of Teton Artlab, a nonprofit arts organization that provides studio space for artists. He was born in 1976 in Tokyo, Japan, and earned his BFA in Painting and Printmaking in 2000 from Virginia Commonwealth University. Recent group exhibitions include the 2012 Western Visions Show and Sale and the 2013 and 2012 Takin' It to the Streets Art Fair, among many others. Solo exhibitions include "American Dreams" in 2012 at Cowboy Coffee...

Beau Carey (born 1981) is an American painter and educator based in Albuquerque, NM. He embeds himself in challenging environments to experience and record ...

Bayard Hollins' work explores the link between abstraction and figurative representation. Although the lines back to classical realism can be traced, Hollins' approach is absolutely ...

Les Thomas has long recognized painting as a language in its own right, and its diversity in terms of poetic and conceptual messages, exhibited by each individual picture. Les Thom...

Beau Carey (born 1981) is an American painter and educator based in Albuquerque, NM. He embeds himself in challenging environments to experience and record a sense of place. Carey ha...

My paintings are the primary way in which I try to understand the complexities of the region where I live. Most of my work is built on themes of human perception, the boundaries and ...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

The artwork is signed on the front. One of the most recognized Uruguayan painters of his generation, Ignacio Iturria (Montevideo, Uruguay, b. 1949) is known for his surreal interpr...

The artwork is signed and dated on the front. Carlos Hernández Guerra Born in El Callao, state of Bolívar, in 1939. He studies at the School of Plastic and Applied Arts of Caracas in 1955-59, with such teachers as: Rafael Ramón González, Marcos Castillo, Pedro Angel González, Juan Martín Durbán, Juan Vicente Fabbiani and Alejandro Otero. In 1959 he is granted the Rome Prize of the 20th Venezuelan Official Art Salon. He travels to Paris in 1960, to study at the Higher School of Fine Arts of Paris, while taking simultaneous courses in Art Sociology at La Sorbonne University under the prestigious professor Pierre Francastel. In 1960 he obtains the Antonio Esteban Frías Prize, Official Art Salon, Caracas, and in 1961, the First Prize of the Annual Golden Fish Salon, Caracas. After returning from Paris, in 1962-64, he is incorporated to the teaching staff of the Armando Reverón School of Plastic Arts of Barcelona. In 1963 he participates in the “Three Awarded Young Men” show at the Mendoza Hall. Along with Manuel Espinoza, he is co-founder of the Experimental Art Center (CEA) of the University of the Andes (ULA), where he teaches drawing and painting and heads the center of painting technology from 1964 to 1968. In 1968 he enters the State School of Fine Arts of Berlin, in Germany, under Professor Hans Trier. In 1972 he takes part in the “Latin American Artists” exhibition carried out at the Museum of Modern Art of Paris. In 1973, he becomes a member of the teaching staff of the Cristóbal Rojas Art School while also teaching drawing at the Neumann Institute in Caracas. In 1977, along with Alirio Palacios...

The artwork is signed and dated on the front. Carlos Hernández Guerra Born in El Callao, state of Bolívar, in 1939. He studies at the School of Plastic and Applied Arts of Caracas in 1955-59, with such teachers as: Rafael Ramón González, Marcos Castillo, Pedro Angel González, Juan Martín Durbán, Juan Vicente Fabbiani and Alejandro Otero. In 1959 he is granted the Rome Prize of the 20th Venezuelan Official Art Salon. He travels to Paris in 1960, to study at the Higher School of Fine Arts of Paris, while taking simultaneous courses in Art Sociology at La Sorbonne University under the prestigious professor Pierre Francastel. In 1960 he obtains the Antonio Esteban Frías Prize, Official Art Salon, Caracas, and in 1961, the First Prize of the Annual Golden Fish Salon, Caracas. After returning from Paris, in 1962-64, he is incorporated to the teaching staff of the Armando Reverón School of Plastic Arts of Barcelona. In 1963 he participates in the “Three Awarded Young Men” show at the Mendoza Hall. Along with Manuel Espinoza, he is co-founder of the Experimental Art Center (CEA) of the University of the Andes (ULA), where he teaches drawing and painting and heads the center of painting technology from 1964 to 1968. In 1968 he enters the State School of Fine Arts of Berlin, in Germany, under Professor Hans Trier. In 1972 he takes part in the “Latin American Artists” exhibition carried out at the Museum of Modern Art of Paris. In 1973, he becomes a member of the teaching staff of the Cristóbal Rojas Art School while also teaching drawing at the Neumann Institute in Caracas. In 1977, along with Alirio Palacios...