Shepard Fairey

Dark Wave

2020

A superb, dark and evenly-printed impression of this very scarce lithograph by Camille Pissarro and George W. Thornley. Printed in light brown on Chine appliqué. The deluxe edition o...

Porter's first color lithograph. A very good impression on Arches with strong colors. Signed and numbered 25/100 in pencil. Printed by Mourlot, New York. Published by Brooke Alexande...

A superb, richly-inked impression of this extremely scarce etching and drypoint. Second state (of 2). Edition of approximately only 10. Signed in pencil by Marin. Published by Alfred...

A superb, richly-inked impression of this etching. Edition of 150. Signed in pencil, lower left.

A very good impression of this color drypoint and aquatint. Third state (of 3). Edition of 150. Signed and inscribed "No. 25" in pencil, lower right.

A superb, richly-inked impression of this etching and drypoint, printed in dark brownish black on antique cream laid paper. Second state (of 3). Edition of approximately 30. Signed w...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

These colorful, exuberant and expressionistic works depict a series of hand-drawn Miami beach and tourism postcards in various states of permutation and collapse, at times curling in on themselves and dissolving into glorious, saturated scribbles, the final piece printed with shimmering silver in twenty nine colors. The Arles reference (inspiration for much of Van Gogh's work, and home at various points to Picasso, Gaugin, and Jacques Réattu) reveals Morley's penchant for art history reference in his art. Malcolm Morley, Arles/Miami, 1973. A portfolio of five lithographs. All stones and plates were drawn by the artist and the editions pulled at the Shorewood Atelier in New York. Each edition consists of 150 lithographs on Arches paper plus 25 Artist's Proofs on Rives BFK paper. Portfolio 63/150. Shorewood Atelier. Each lithograph is signed and numbered in pencil by the artist. A copy of this portfolio is in the collection of MoMa, New York, Yale University Art Gallery, Connecticut, Harvard Art Museums, Boston, Minneapolis Institute of Art Collection, Minneapolis, and Brooklyn Museum, Brooklyn. "MIAMI SILVER" - Twenty-one colors printed from five stones and one plate. 23¼" × 34. "MIAMI POSTCARD...

Michael Gross (Hebrew: מיכאל גרוס‎; 1920 – 4 November 2004) was an Israeli painter, sculptor and conceptual artist. Michael Gross was born in Tiberias in the British-administered Palestine in 1920. He grew up in the farming village of Migdal. In 1939-1940, he left to study at the Teachers’ Training College in Jerusalem. In 1939, while he was away, his father was murdered by Arabs, and the family farm and home were destroyed. This event impacted on his work as an artist. From 1943 to 1945, he studied architecture at Technion – Israel Institute of Technology in Haifa. From 1951 to 1954, he studied art at the École nationale supérieure des Beaux-Arts in Paris. He returned to Israel in 1954 and settled in the artists’ village of Ein Hod. Gross's works are imbued with the light and spirit. They are minimalist, but never pure abstraction, always tied to natural form and laden with feeling. In his early paintings, Gross simplified form in order to concentrate on proportion, broad areas of color, and the size and placement of each element. This reductive process was also notable in his sculptures, whether in painted iron or other materials such as white concrete. In later paintings, he often juxtaposed large off-white panels with patches of tone, adding textured materials such as wooden beams, burlap and rope. Gross’s rough, freely-brushed surfaces, along with the use of soft pastel coloring, conjure up images of the Israeli landscape. Education 1936-1940 Teachers Seminary, Jerusalem 1943-1945, Technion, Haifa, architecture, studied sculpture with Moshe Ziffer. 1951-1954 Beaux Arts, Paris with Michel Guimond Teaching 1954 - 1954 Higher School of Education, Haifa. 1957-1960 Bezalel Academy of Arts and Design, Jerusalem 1960-1980 Oranim Art Institute, Tivon Awards 1964: Hermann Struck Prize 1967: Dizengoff Prize 1971...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Pre...

Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadish...

Abstract Composition, 1959 Silkscreen Lithograph "Phoenix". This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Jacob We...