Dave Powell

Native American Girl with Doll

Bob Scriver (American 1914-1999) "2 Seconds To Go" 1971 Bronze approx. 24" H. x 12W Signed and Titled on the Base Ed. 18/35 sculptor who carried on the realist...

Preparing to Ride By. George B. Marks (American, 1923-1983) Signed and Dated Throughout his artistic career, George Marks’s work was always guided by the...

The Holdup of the Overland Stagecoach By. Gordon Phillips (American, 1927-2011) Initialed and Edition 493/750 Gordon Phillips was born in 1927 in Boone, North Carolina. He studied a...

Carl Kauba (1865-1922) "Native American in Canoe" Polychrome Bronze Signed approx 5.5 x 10 x 2.75 inches This Austrian sculptor was born in Vienna in 1865. His teachers were Karl Waschmann (1848-1905), known for his ivory sculptures and portrait plaquettes of contemporary celebrities, and Stefan Schwartz (1851-1924), who exhibited in Paris, including the Exposition Universelle of 1900 where he won a gold medal. Kauba's intricate bronzes, imported to the United States between 1895 and 1912, were cast at the Roman Bronze Works. Kauba was part of the nineteenth-century tradition of polychrome bronze sculpture. There were several types of patinas on a single statue: he could render the color of buckskin, variously tinted shirts, blankets, feathers, as well as beaded moccasins. Reportedly, Kauba came to America around 1886. Inspired by the Western tales of German author Karl May, he traveled to the West and made sketches and models. Critics, however, pointed out inaccuracies of costume and other details. For instance, the guns that his "mid-nineteenth-century" figures use are models produced after 1898. Apparently he did all of his works back in Vienna. Besides the variety of color, Kauba's bronzes show a great range of textures and his style is highly naturalistic. The sculptor loved ornament, some of which he rendered with coiled wire for reins, rope and feathers in headdresses. He successfully rendered figures in motion and often executed compositions with more than one figure. Berman (1974) illustrates non-Western subjects by Kaula, such as the pendants Where? and There (ca. 1910), a seated Scottish couple, impressive in the expressions and the details on patterned fabrics of both sitters. Another genre piece is Buster Brown...

Carl Kauba "Study Aim" c. 1920 Bronze with Brown Patina Signed approx. 9.5 x 10 x 4 This Austrian sculptor was born in Vienna in 1865. His teachers were Karl Waschmann (1848-1905), known for his ivory sculptures and portrait plaquettes of contemporary celebrities, and Stefan Schwartz (1851-1924), who exhibited in Paris, including the Exposition Universelle of 1900 where he won a gold medal. Kauba's intricate bronzes, imported to the United States between 1895 and 1912, were cast at the Roman Bronze Works. Kauba was part of the nineteenth-century tradition of polychrome bronze sculpture. There were several types of patinas on a single statue: he could render the color of buckskin, variously tinted shirts, blankets, feathers, as well as beaded moccasins. Reportedly, Kauba came to America around 1886. Inspired by the Western tales of German author Karl May, he traveled to the West and made sketches and models. Critics, however, pointed out inaccuracies of costume and other details. For instance, the guns that his "mid-nineteenth-century" figures use are models produced after 1898. Apparently he did all of his works back in Vienna. Besides the variety of color, Kauba's bronzes show a great range of textures and his style is highly naturalistic. The sculptor loved ornament, some of which he rendered with coiled wire for reins, rope and feathers in headdresses. He successfully rendered figures in motion and often executed compositions with more than one figure. Berman (1974) illustrates non-Western subjects by Kaula, such as the pendants Where? and There (ca. 1910), a seated Scottish couple, impressive in the expressions and the details on patterned fabrics of both sitters. Another genre piece is Buster Brown...

"La Cothurne" 1901 Gilt Bronze Approx 21.5" High (to raised hand) Signed and Dated Foundry Mark "Susse Freres" Originally modeled in white biscuit porcelain this Greek dancer is a from a set of eight created for a dining table. They were immediately successful when they were exhibited in the Sevres pavilion at the 1900 Exhibition. Individual figures could be ordered and "La Cothurne" proved the most popular. Their success led to the firm of Susse buying the right to cast versions in metal. Agathon Leonard (1841-1923) is one of the well-known French Art Nouveau sculptors. Born in Lille in 1841, he first studied there before moving to Paris where he studied at the Ecole des Beaux Arts under Eugene Delaplanche. He gained recognition at the annual Expositiones Universelles, winning a Silver Medal there in 1889 and gold in 1900. His most important piece, Jeu L'echarpe, was the best known series of Sevres production at the turn of the century and sold out at the 1900 Expo in Paris and later was given as a gift by the French Gov't to Nicholas II at the Hermitage. His bronzes were cast at the Susse Freres Editeurs Foundry. He worked also in marble, quartz and ivory. He also produced Art Nouveau medallions...

Buffalo Cow by Charles Rumsey, a bronze sculpture that dates C.1910 and may be part of the preparation for the Manhattan Brie Frieze executed in 1916. ...

A sweet woman who loved people (especially babies), animals and honeysuckle.

Farmer Han and the Farmer's Wife by Dee Clements Figurative Bronze Pair. Excellent condition. Has been reviewed by the artist. Farmer Han, measures 33x11x14", limited edition of 21,...

"Athena I" is a bonded bronze on black marble base. edition of 50 - bronze w/ other finishes are available. Echoing the spirit of masters of Equestrian art like Stubbs, Gericault, B...

Signed on base: "Hazel Brill Jackson". Also with artist's monogram. In fine condition. Hazel Brill Jackson (Born December 15, 1894, in Philadelphia) spent most of her early childhood in Italy. Attending the Scuola Rosatti in Florence, Jackson enjoyed afternoons at the zoo, pursuing her favorite pastime: drawing animals. World War I forced the return of the Jackson family to the United States where they settled in Boston. Hazel spent the next four years at the Boston Museum School, where she studied with Bela Pratt and Charles Grafly. Jackson returned to Rome after the war, where she worked with Angelo Zanelli and later had her own studio. With such works as Roman Work Horse and Ned (Mussolini's favorite jumper), she began to exhibit both in Rome and Florence, and eventually became a member of the Circolo Artistico di Roma. The sculptress returned to the United States in 1935 and opened a studio in Newburgh, New York. She continued to sculpt animals, concentrating on horse and dog portraits. Jackson had one-woman shows at the Guild of Boston Artists in 1938 and in 1968. In 1945, she was awarded the Ellin P. Speyer Prize by the National Academy of Design in New York City for Play-Day and Romance (a mare and foal group) and in 1949, she won the same prize for Indian Antelope. Hazel Jackson is represented in the Brookgreen Gardens collection by The Listeners, a sculpture group of raccoons, which was placed there in 1964. Don Quixote, now at Wellesley College won Jackson the Mahonri Young...

Penche Monet is an exploratory piece that reveals the depth of Richard MacDonald’s study of classical ballet as he builds toward the realization of a central coda for a grand monumen...