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Muscular Nude Male Bronze After Eugene Marioton - Bronze Statue

Early 20th Century

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  • Nude Girl Venus doves grapes Art Deco Vénus Bronze colombes aux raisins
    By Auguste Gilbert Privat
    Located in Miami, FL
    Wonderful deep rich green patina, signed and dated on base lower right Alexia Rudier Foundry
    Category

    1920s Art Deco Nude Sculptures

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  • Art Deco Sculpture - Art Deco Bronze, Nude Venus doves grapes
    By Auguste Gilbert Privat
    Located in Miami, FL
    This Art Deco bronze Nude Venus doves and grapes are a perfect artistic statement depicted in a wonderfully stunning deep rich green patina. This appears to...
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    1920s Art Deco Nude Sculptures

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  • Nude Girl and Swan Bronze
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    This stylized figural study captures a young girl restraining a struggling swan trying to take flight purportedly by Marius Jean Antonin Mercié, bearing the incised signature “Mercié” on the base.. The work is quite heavy weighing in about 65 lbs and boasts an opulent dark patina. Unlike his signature work Gloria Victis, that has numerous versions, reproductions and casts, Girl and Swan may be of just a few casts or may be unique. With Barbedienne foundry mark on the tree stump behind the left foot. Mercie used Barbedienne for many of his works. Purchased from Toulouse Antiques...
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    Located in Miami, FL
    Beautifully proportioned and handsome nude male bronze with Roman classically refined features after the Antique . It looks best with a key lighting th...
    Category

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    Materials

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  • Victory - Athletic Young Man in Classical Pose, ( Female Sculptor )
    By Evelyn Beatrice Longman
    Located in Miami, FL
    Evelyn Beatrice Longman was a trailblazing female artist getting major commissions at the very begining of the 20th century. Having lived in New York City, I used to walk by the li...
    Category

    Early 1900s Academic Figurative Sculptures

    Materials

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  • Art Deco Bronze , French Nude Girl Dancer Danseuse
    By Francois Emile Popineau
    Located in Miami, FL
    Feminine Nude Bronze with black patina Signed on Base 31 inches Paris Listed in Major Art books Iconic pose of both arms pressed close to the body with ...
    Category

    1930s Art Deco Nude Sculptures

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    Located in Soquel, CA
    Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston. Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts, Born in Waterloo, New York, Randolph John Rogers became an expatriate* sculptor of idealized figures, portraits, and commemorative works in Neo-Classical* and Realist* styles. He worked in clay, plaster, marble and bronze, and lived both in Italy and the United States. He made 167 examples of Nydia in two sizes (varies depending on base height) 36" and 54'. Rogers was raised in Ann Arbor, Michigan, and as a young man did woodcuts* for the local newspaper, The Michigan Argus, and also worked as a baker's assistant and a dry goods clerk. In 1847, he moved to New York City, where he hoped to find work as an engraver*, but failing to do so, worked in a dry goods store owned by John Steward...
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