David Hess Art

Very rare. From part of a limited edition bound catalog produced by Galleria Flaviana on the occasion of Lucio Fontana's exhibition in 1966, during the artist's lifetime. There are t...

Inspired by a coastal walk looking over the cliff. ADDITIONAL INFORMATION: Linocut print on Paper Edition of 10 20 H x 20 W cm (7.87 x 7.87 in) Sold unframed Image size: Height: 2...

Pen and ink on paper, laid down on canvas, mounted to wooden scroll bars Signed and dated lower right: “Drawn by N. B. Rogers August. 1843” Inscribed with an ownership inscription on the verso: Rev. E. D. Daniels, Palmer, Mass. Provenance: Rev. Eugene Davidson Daniels, Palmer, Massachusetts, 1871 This extraordinary manuscript map is a rare survivor of the devotional and educational culture of New England in the first half of the nineteenth century. Although at first glance resembling a large-scale engraving or printed publication, this precisely rendered wall map was entirely drawn by hand, the product of meticulous research by a minister working in isolation in rural Maine. The map shows New Testament era cities, towns, tribal areas, and political borders as well as physical features such as rivers, lakes, mountains, and hills (indicated by half-tone cross-hatching). On to this geographically accurate rendering of the Holy Land, Rogers has located and inscribed significant locales mentioned in the Gospels and has annotated these places with relevant citations from the Bible. He further records these by plotting the travels of Jesus on what resemble a series of trails across the Holy Land. Each is distinguished by a different pattern of dots and dashes – correlated to an explanatory table at the lower right. From this we know that these lines document the “Flight into Egypt and return,” “Travels of Christ from Nazareth to Jerusalem and return,” “Travels from the commencement of his Ministry to the first Passover,” “Travels from the first and the second Passover,” “Travels from Jerusalem to Galilee after the 2nd Passover,” and “Travels from the third Passover to the Crucifixion.” An inset map of “Jerusalem...

If red is your colour, this is a great way to personalize a space. This artwork on paper exudes an air of femininity, blending acrylic paint with a vintage lace collage. The focus is...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gold, as issued by Bartolomeo Paoletti (1757-1834) and his son Pietro Paoletti (1801-1847). These ‘Grand Tour’ souvenirs were brought home by wealthy European travellers. Rome was the ultimate destination and a tour of the treasures contained in its many museums complemented a young man’s education. Collecting boxes and faux bindings containing plaster casts of ancient gems...

This detailed artwork on paper puts emphasis on design and composition. A navajo inspired pattern is created using traditional design elements. The high contrasting, geometric patter...

This detailed artwork on paper puts emphasis on design and composition. A Navajo inspired rug motif is created using traditional design elements with a contemporary outcome. Symmetry...

Uday Mondal - Untitled, 31 x 22 inches (unframed size) Acrylic on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society in a responsible, lucid and coherent fashion. They are thought-provoking and give a new perspective to art. The most interesting things about his artworks are that they transcend politics, religion, and gender striking a chord with the viewers. About the Artist and his work : Born : 1976. Education : 1999 : BFA in Painting from the Indian Art College, Rabindra Bharati University, Kolkata 2002 : MFA in Painting from MS University, Baroda. Solo Shows : 2006 : Gallery Beyond, Mumbai 2005 : Jehangir Art Gallery, Mumbai 2001 : Solo Show at Baroda. Group Shows : 2010 : IMA Foundation, London & Jehangir Art Gallery by Pink Ginger Arts, Mumbai 2009 : ‘Art Expo’ Mumbai ; ‘Cutting Chai’ curated by Sandhya Bordewekar, Sarjan Art Gallery, Baroda & Online show ‘IMA foundation’ London. 2008 & 09 : ‘Spandan IV’ Gallery Articulate, Yash Birla Group, Mumbai 2006,07 & 08 : ‘Summer Show’ CIMA Art Gallery, Kolkata 2008 : ‘Emerging India’ Henry Moore Gallery, London by Art Alive Gallery 2007 : ‘Singapore Art Fest’, Singapore ; “Synchrome 4’ Tao Art Gallery, Mumbai & Akar Prakar, Kolkata & ‘Reality Bytes’ three men show...

Bartolomeo Paoletti (1757-1834) and Pietro Paoletti (1801-1847). Original nineteenth century plaster cameo seals edged in folded paper and tipped with gold, as issued by Bartolomeo Paoletti (1757-1834) and his son Pietro Paoletti (1801-1847). These ‘Grand Tour’ souvenirs were brought home by wealthy European travellers. Rome was the ultimate destination and a tour of the treasures contained in its many museums complemented a young man’s education. Collecting boxes and faux bindings containing plaster casts of ancient gems...

A fine pastel winter landscape of Dublin, New Hampshire looking east toward Pack Monadnock by American artist Alexander Robertson James (1890-1946). James, nephew of writer Henry James, was born in Cambridge, MA, studied painting while living with Abbott Thayer...

Book is in Pristine Condition and still sealed in Original Packaging. Signature Hand-signed by artist, Hand Signed By the artist Harland Miller as an edition of only 100. Certificate of authenticity Included from New Union Gallery...

Uday Mondal - Untitled, 13 x 19 inches (unframed size) Acrylic & Pastel on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society in a responsible, lucid and coherent fashion. They are thought-provoking and give a new perspective to art. The most interesting things about his artworks are that they transcend politics, religion, and gender striking a chord with the viewers. About the Artist and his work : Born : 1976. Education : 1999 : BFA in Painting from the Indian Art College, Rabindra Bharati University, Kolkata 2002 : MFA in Painting from MS University, Baroda. Solo Shows : 2006 : Gallery Beyond, Mumbai 2005 : Jehangir Art Gallery, Mumbai 2001 : Solo Show at Baroda. Group Shows : 2010 : IMA Foundation, London & Jehangir Art Gallery by Pink Ginger Arts, Mumbai 2009 : ‘Art Expo’ Mumbai ; ‘Cutting Chai’ curated by Sandhya Bordewekar, Sarjan Art Gallery, Baroda & Online show ‘IMA foundation’ London. 2008 & 09 : ‘Spandan IV’ Gallery Articulate, Yash Birla Group, Mumbai 2006,07 & 08 : ‘Summer Show’ CIMA Art Gallery, Kolkata 2008 : ‘Emerging India’ Henry Moore Gallery, London by Art Alive Gallery 2007 : ‘Singapore Art Fest’, Singapore ; “Synchrome 4’ Tao Art Gallery, Mumbai & Akar Prakar, Kolkata & ‘Reality Bytes’ three men show...