Francesco Cangiullo Art
1910s Futurist Francesco Cangiullo Art
Paper
1920s Surrealist Francesco Cangiullo Art
Paper
21st Century and Contemporary Surrealist Francesco Cangiullo Art
Paper
21st Century and Contemporary Surrealist Francesco Cangiullo Art
Archival Paper
Early 2000s Surrealist Francesco Cangiullo Art
Paper
1970s Surrealist Francesco Cangiullo Art
Lithograph
21st Century and Contemporary Contemporary Francesco Cangiullo Art
Paper
1960s Contemporary Francesco Cangiullo Art
Paper
21st Century and Contemporary Contemporary Francesco Cangiullo Art
Paper
Early 20th Century Impressionist Francesco Cangiullo Art
Paper, Pastel
20th Century Futurist Francesco Cangiullo Art
Wool, Felt, Thread
Early 2000s Pop Art Francesco Cangiullo Art
Paper, Mixed Media, Permanent Marker, Lithograph, Offset, Board
Artist Comments
The bison and the beetle have a prehistoric elegance about them that I thought would compliment each other perfectly. Symbolically, both represent life and mortality, which has been on my mind lately. To Native Americans, bison are symbolic of sacred life and abundance. And in ancient greek mythology the beetle became revered as a symbol of rebirth and immortality -- its daily journey across the sky became an allegory of human life. The Wallpaper collection is a juxtaposition of masculine meets feminine. I wanted to create a unique series that stands apart from traditional nature paintings, where the wild and somewhat prehistoric aspects of my animals featured contrast against their delicate backdrops. In addition to this, many of my paintings are created with a little bit of underlying symbolism usually sparked from a world event or life moment that I am experiencing. I concentrate on this theme as a therapeutic mantra throughout the creation of the painting. For each painting, different techniques and layers of design are implemented when creating the wall paper effect. To keep the patterns consistent I create a stencil to outline the shapes of my hummingbirds, bugs and fish, and then I hand paint each shape individually. In the areas where I wanted a little more chaos, I would forgo the stencil and eyeball each design. My animals are always painted first, and then I layout the design around them.
About the Artist
Australian-born Alana Clumeck...
21st Century and Contemporary Surrealist Francesco Cangiullo Art
Acrylic
1970s Surrealist Francesco Cangiullo Art
Porcelain
Early 20th Century Modern Francesco Cangiullo Art
Oil, Wood Panel