Madoura Furniture

Pablo Picasso Hibou 1954 Pichet tourné H. 24,5 cm. Larg 13 cm R.A terre de faience blanche, décor à l'oxyde sur émail blanc Bleu Tiré à 500 exemplaires Edition Picasso, Madoura. Répe...

Original unique ceramic pitcher vase in the form of a fish by Pablo Picasso "Sujet poisson". Picasso's association with the Madoura Studio was for over 25 years, making it one of the...

Pablo Picasso Grosse tête, profil gauche, 1965, Sculpture en terre H. 28 cm, Larg. 9,5 cm R.A Coulage à la barbotine Blanc Tiré à 50 exemplaires numérotés R.747 à gauche Editon Pi...

Pablo Picasso (1881-1973, Espagnol) Oiseau à la huppe 1952 Cendrier rond tourné D. 14,5 cm R.A terre de faience blanche, décor à la paraffine oxydée, émail blanc, Noir, Tiré à 500 ex...

Pablo Picasso Petite chiuette 1949 Pichet tourné H. 14 cm Larg. 13 cm R.A Terre de faience blanche, décor aux engobes, intérieur couverte Beige, vert, noir,bleu Tiré à 200 exemplair...

Pablo Picasso "Chouette Femme" Original Picasso ceramics in white terracotta, with coloured slip and glaze. Annotated "Edition Picasso" and "Picasso / Madoura" on the underside. Ed...

Vintage ceramic egg figure from Atelier Madoura, Vallauris, France (circa 1960s). This egg-sized ceramic figure is painted with a stylized suited man w...

Vintage ceramic egg figure from Atelier Madoura, Vallauris, France (circa 1960s). This egg-sized ceramic figure is painted with a stylized suited man w...

Pablo Picasso tile 'Little bearded Face' created in 1968 December, 1969 January, red earthenware clay, square sized 17 cm x 17 cm. printed and numbe...

The engraved and brush painted ceramic plate, Visage Gris (Grey Face) is one the most iconic pieces created by Pablo Picasso (1881 - 1973) at the Madoura workshop in Vallauris, France. It is said "all portraits are self portraits". In this work, we see Picasso's wistfulness, vulnerability and humor set within a beautiful image representing both the sun and the moon, the masculine and the feminine. Picasso mastery of form, image, composition and subtle color is evident in a work that resonates transcendence. Created in 1953, Pablo Picasso ceramic Visage Gris (Grey Face), 1953 A.R. 206 is a Madoura white earthenware clay, knife engraved under partial brushed glaze with decoration in engobes (green, black, white) from the edition of 500. This work is stamped with the 'Madoura PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO’ pottery stamps on the reverse. Dimensions: 12 3/8 x 15 1/8 x 1 5/8in (31.4 x 38.3 x 4.1cm). Madoura was an artisan workshop created by Georges and Suzanne Ramie which collaborated with Picasso in the fabrication and hand painting of the works. Pablo Picasso designed 633 different ceramic editions between 1947 and 1971 at the Madoura workshop, with a number of variants and unique pieces resulting from these initial works. He began by creating simple, utilitarian objects such as plates and bowls, but later produced more complex forms, including pitchers and vases — their handles occasionally shaped to form facial features, or anatomical parts of his animal subjects. Picasso remains one of the highest-grossing artists at auction today, and the range of his ceramics means it's possible to find both a good investment and a beautiful object. Visage Gris is among the most important. A Short Biography follows: Pablo Picasso revolutionized the art world and to many is THE artist of the 20th century. He is famous for his role in pioneering Cubism with Georges Braque and for his melancholy Blue Period pieces. Original signed Picasso lithographs and prints are a sure investment. Madoura Picasso ceramics are highly collectible in their own right. As one of the most influential Modern artists of the 20th century, Pablo Picasso is renowned as a legendary artistic master to this day. Born on October 25, 1881 in Malaga, Spain, Pablo Picasso was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture. Picasso was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Edouard Manet, Gustave Courbet, and Henri de Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain – all in the years 1899 to 1904. Before he struck upon Cubism, Picasso went through a prodigious number of styles – realism, caricature, the Blue Period, and the Rose Period. These distinguished styles are apparent in the unique original works as well as Picasso ceramics, lithographs, linocuts, and etchings that he created later in his life. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and focuses on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style, La Vie (1903), currently located in Cleveland’s Museum of Art, was created in memory of his childhood friend, the Spanish poet Carlos Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso’s features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. The Rose Period began around 1904 when Picasso’s palette brightened and is dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is Family of Saltimbanques (1905), currently in Washington, D.C. at the National Gallery, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space. In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and female figures seen frontally or in distinct profile, as in early Greek art. One of the best examples of this style is in the Albright-Knox Gallery in Buffalo, NY, La Toilette (1906). Several pieces in this new, classical style were purchased by Gertrude Stein (the art patron and writer) and her brother, Leo Stein. With his groundbreaking 1907 painting Les Demoiselles d’Avignon...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Pablo Picasso (1881-1973) "Cruchon Hibou" jug in...

Rare form original Pablo Picasso Femme sculptural vase or ewer for Madoura Ceramics. Documented model number A.R. 297 hand sculpted and hand painted in the Madoura factory. A timless...

Stamped Madoura under the base. This design extremely rare design, executed in a green-glazed ceramic, features two semi-cylindrical "wings" attached on either side of a central colu...

Engraved Face Plate by Pablo Picasso for Madoura.

Pablo Picasso Rare fish in profile (AR 130) Oval platter Width 25.5 cm Length 33.5 cm Edition of 50 but unique color. framed

Madoura, very large ceramic platter attributed to Suzanne Ramie, Vallauris.

Pablo Picasso (1881-1973, Espagnol) Oiseau n°96 1963 Assiette ronde D. 25 cm R.A terre de faience blanche, décor à l'engobe et émail sous couverte partielle au pinceau, patine noire ...

Little Horse Plate no. 61 (AR 470). Signed and numbered No. 61. Edition Picasso Madoura 60/150. Diameter: 25.5 cm.

Pablo Picasso/ MadouraTaureau dans l'arène 1948 (Ramié 80). Plat rectangulaire en terre de faïence blanche. Tampons "Madoura plein feu" "CR" et "Edition Picasso" Edition à 450 exempl...

This elegant black glazed ceramic plate showcases the refined craftsmanship of the renowned Madoura workshop. With its soft asymmetrical form and deep, lustrous black glaze, the piece exudes a minimalist yet organic aesthetic. The surface has subtle variations in tone, enhancing its handmade character. Under the base, it bears the distinctive Plein Feu stamp, a hallmark of authentic Madoura production, signifying high-temperature firing that ensures durability and brilliance. This piece is not only functional but also collectible, embodying the legacy of fine Provençal ceramics...

Extremely rare set of ten plates with generous shape, fretworked sides and white glazes. Atelier Madoura is inseparable from the ceramic work of Pablo Picasso and its founder Suzann...

A Ceramic Bottle by Jacques Bro for " Atelier Madoura " Vallauris France 1970's. Very elegant shape. Pretty shades of colors. Stamped under the base. In very good condition. Hei...

Vallauris Madoura vase, France, 1960. Madoura Plein Feu Stamp, Suzanne Ramie H 30,5 , D 6,5 bottom cm.

This vibrant green glazed ceramic plate is a striking example of Madoura’s artistry. Shaped like a stylized leaf, it captures both elegance and a touch of whimsy. The glossy glaze hi...

Suzanne Ramié (1907-1974,) France. Ceramic large white plate by renowned France artist Suzanne Ramié having a white-milky glaze. Stamped on th...

Vallauris Madoura vase, France, 1960 Madoura Plein Feu stamp, (hard to see) Suzanne Ramie Measures: H 29 , D 14 bottom cm.