Sergio de Castro Art
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Artist: Sergio de Castro
French Argentine Modernist 74.47 Abstract Expressionist Painting
By Sergio de Castro
Located in Surfside, FL
Sergio de Castro (15 September 1922 – 31 December 2012) was a French-Argentinian
Sergio de Castro was born in Argentina, in an aristocratic family of Spanish origins (Galicia and the Basque Country), the House of Castro. His father was a diplomat, which is why, from 1923 until 1932, Castro lived in Switzerland with his parents and his two sisters. During these years he visited cities like Lausanne, Geneva and Turin.
In 1933 he entered a Jesuit school in Montevideo and he started studying music. He discovered poetry by learning to speak and write in Spanish. He was specially touched by the works of César Vallejo. Through the years Castro would become close friends with writers like Octavio Paz, Julio Cortázar, Samuel Beckett, Kostas Papaioannou and Georges Schéhadé. Later, during a trip to Uruguay, he met Joaquín Torres García, with whom he studied painting and monumental art from 1941 until 1949. In 1942 he moved to Argentina, where he would live until 1949. Castro was also friends with other artists like Nikos Hadjikyriakos-Ghikas, Maria Helena Vieira da Silva and Arpad Szenes.
In 1945 he found a job as a secretary in the Astronomy Observatorium of the city of Córdoba, where we also worked as the assistant to the musician Manuel de Falla in Alta Gracia, until his death in 1946. In 1945 and 1946 he had a grant from the French government to study musical composition. During the year of 1946 he had an exhibition in New York City among other members of Torres Garcia's workshop. That same year he traveled to the northeast of Argentina and the south of Perú to study pre-columbian art with Gonzalo Fonseca, Julio Uruguay Alpuy and Jonio Montiel.
In 1949 he started teaching History of Music in the new music school of the city of La Plata. His work as a musician drew attention from relevant figures such as Wilhelm Furtwängler, Aaron Copland and Juan José Castro. He quit this job when he got a grant from the French government to improve his musical studies in Paris, where he settled in November 1949. Since 1951 he devoted himself exclusively to painting.
In 1955, his friend the German writer and translator Edith Aron introduced him to Julio Cortázar, who would become a close friend of him. Castro inspired the character of Etienne in Cortázar's novel Rayuela (Hopscotch). In the book is featured the intimate friendship of the protagonist, Horacio Oliveira, with his companion in the Serpent Club, whom he often visited in his studio in Paris. In 1960 he won the Hallmark Prize in New York. In 1979 he obtained the French nationality.
In 1980 he showed his works at the Argentinian pavilion in the 39th Venice Biennale. He was associate professor in the Human Sciences Faculty of the University of Strasbourg from 1981 until 1986. In 1997 he became Officer in the Ordre des Arts et des Lettres. In 2006, Sergio de Castro made a 220-work donation to the Fine Arts Museum of Saint-Lô. He was also a close friend of the musician Alberto Ginastera, who made reference to Sergio de Castro and his first works in his notes on modern Argentinian music. Castro died 31 December 2012 in Paris. He is buried in the Montparnasse cemetery, in Paris, close to his dear friend Samuel Beckett.
Monumental works
Two wall paintings for the Martirené Pavilion of the Hospital Saint-Bois (1942), in Montevideo (Uruguay), in collaboration with Joaquín Torres García and his disciples, among which Castro was the youngest.
The Creation of the Universe (1956–1958), 6m x 20m stained-glass window. Castro worked with painter and glass-maker J. J. K. Ray (1898–1979) in Paris.
Selected Exhibitions
1952 Galerie Jeanne Castel Paris
1954 Galería Bonino Buenos Aires and Galerie Pierre Loeb, Paris
1956 Galerie Rive Gauche, Paris
1958 Matthiesen Gallery, London
1959 documenta 2 Kunst nach 1945 Kassel
1961 Matthiesen Gallery, London
1963–64 Galeria Lorenzelli, Bergamo and Milano
1964 Galería Bettie Thommen, Basel
1965 Kunstverein Hamburg Retrospektive
1966 Musée d'Art et d'Histoire, Fribourg, Switzerland (retrospective)
1966 Recklinhausen, Variationen über ein Thema, Städtische Kunsthalle
1970 Retrospektiven in Oslo, Kunstforering, and Kunst Industriemuseet, Copenhagen, Kunstforening, Oslo, Kunstforening, Holstebro
1972 Wildenstein Gallery, London Landscapes of Light
1974 Galerie Jacob, Paris
1975 Kunsthalle Bremen, Retrospektive, Berlin Tempelhof, Kunstamt (Berlin Festival)
1975–76 Retrospective exhibition the Musée des Beaux-Arts de Caen (68 artworks from 1956 to 1966), France
1979 Hommage à Pierre Loeb, Musée d'Art Moderne de la Ville de Paris
1980 39th Venice Biennale
1987 French Institute London. Museo de Arte Moderno de Buenos Aires
1988 Galerie des Ambassades y Galerie Galarte, Sergio de Castro, Natures Mortes, 1958–1965. Paris/ Bayeux, Diocesan Museum of Sacred Art
1989 Galerie des Ambassades, Paris
1991–92 Romont, Swiss Stained Glass...
Category
1970s Abstract Expressionist Sergio de Castro Art
Materials
Paper, Oil
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It is with her commitment to a lifelong, organic process that Jenny Nelson has achieved what so many artists and creatives work for; a language and a technique that is very much her own. She has wooed audiences here and abroad with consistently exquisite and balanced abstract paintings in neutral palettes of blues and grays that give way to pops of pink and orange. But to pin her as solely an abstractionist would be limiting her skill and versatility as a painter. Classically trained at Bard College, Nelson’s thorough knowledge of composition and color relationships as experienced through drawing from life are the tools that prepared her to work in abstraction and develop her technique. Nelson begins all her paintings the same way; she mixes an extensive palette of colors, preps the square canvas, and goes to town obliterating the surface with lots of color and wild gestures using oil sticks and brushes. After sitting with the discomfort and rawness that remains, Nelson turns the canvas around and around until a shape or color comes to the foreground. The next step is reductive as she blocks out bits of chaos with a solid color applied with a palette knife, oil sticks and brushes. Tension is built through the push and pull of paint as it is layered over colors and unruly forms. Nelson studies the painting at all stages of this process, waiting for it to communicate the next step until harmony and balance is achieved. Each work, with its own identity demanding attention and complete surrender to the process, may seem daunting at the onset. But Nelson is comforted by the perspective that painting is infinite and each new canvas is just one of many, therefore easing her expectations. Some pieces in this new body of work differ from previous paintings in that the abstractions are once again rooted in life. Inspired by the photographs of artist Joseph Podlesnik, Nelson uses his architectural and observational compositions as the framework for her new work. While the origins of the photographs’ subjects are not recognizable in the finished painting, she channels the energy discovered in his real-life findings to her canvas for a result that is entirely abstract. Invigorated by this approach, Nelson bravely moves forward, prepared to shift genres if that is where her journey takes her. A graduate of Bard College, Jenny Nelson also studied at the Lacoste School of the Arts in France and Maine College of Art. She completed a Residency at Byrdcliffe Art Colony from 2004 – 2008 and has exhibited regionally and nationally for many years. Nelson currently teaches workshops and an ongoing weekly class at the Woodstock School of Art.
More about the artist:
Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally including, Tria Gallery, Manhattan, NY; Hidell Brooks Gallery in Charlotte, North Carolina; Carrie Haddad, Hudson, NY.
SELECTED EXHIBITIONS:
Solo Shows:
2019 Carrie Haddad Gallery, Hudson, NY
2019 Hidell Brooks Gallery, Charlotte NC
2018 Light Waves, Hidell Brooks Gallery, Charlotte NC
2017 New Works, Carrie Haddad Gallery, Hudson NY
2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC
2013 Traveling Light, Tria Gallery, Manhattan NY
2012 New Work, Smink Modern, Dallas TX
2012 New Work, Carrie Haddad Gallery, Hudson NY
2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY
2010 New Paintings, Chace-Randall Gallery, Andes NY
2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ
2008 The Light Between, Chace-Randall Gallery, Andes NY
2007 New Work, Carrie Haddad Gallery, Hudson NY
2006 Of Line and Light, Chace-Randall Gallery, Andes NY
2006 Abstractions, Gallery 100, Saratoga NY
2005 Spring Collection, Coffey Gallery, Kingston NY
2005 New Work, Carrie Haddad Gallery, Hudson NY
2004 Summer, Omega Institute, Rhinebeck NY
2004 New Work, Carrie Haddad Gallery, Hudson NY
2003 Paintings from Shady, Coffey Gallery, Kingston NY
2001 Fisher Studio Art Gallery, Annandale-on-Hudson
Group Exhibitions:
2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC
2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA
2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY
2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC
2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC
2013 AD Boston Art Fair, Gold Gallery, Boston
2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY
2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA
2012 Tria Gallery Summer Exhibition, Manhattan, NY
2012 AAF NYC, Tria Gallery, Manhattan, NY
2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA
2011 AAF NYC, Tria Gallery, Manhattan, NY
2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY
2010 Art Hamptons, Tria Gallery, Manhattan NY
2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA
2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA
2009 Curators Choice, Chace-Randall Gallery, Andes NY
2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY
2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA
2009 Small Works, Anne Irwin Fine Art, Atlanta GA
2009 Winter White, Tria Gallery, Manhattan NY
2009 Contrasts, Anne Irwin Fine Art, Atlanta GA
2009 AAF NYC Tria Gallery, Manhattan NY
2008 Summer Cocktail, Tria Gallery, Manhattan NY
2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY
2007 Faculty Plus One, Columbia Greene Community College, Hudson NY
2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY
2007 One New Work, Chace-Randall Gallery, Andes NY
2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY
2006 Beach, Gallery Yellow, Cross River NY
2006 Flow, Kleinart/James Gallery, Woodstock, NY
2006 Group Exhibition, James Cox Gallery, Woodstock NY
2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY
2005 Group Exhibition, Chace Randall Gallery, Andes NY
2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY
2005 New Talent, Alpha Gallery, Boston MA
2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY
2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY
2003 Senate House Show, Kingston NY
2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY
Juried Exhibitions:
2004 Woodstock Artists Association, Woodstock NY
2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY
Selected Collections:
Warren Bierwirth, Paris, France
Cecilia Greene, New York NY
Helen Chapman, New York NY
Michael & Sheila Faharty, New York NY
Christopher Dlutowski, New York NY
Jim & Dianne Footlicke, New York NY
Laurent Gaudry, New York NY
Nancy Seigal, Boca Raton FL
Holli Gersh, Boca Raton FL
Kenneth & Margaret Uhle, Ridgefield CT
Dr. Lee Sider, Mt. Tremper NY
Friedrike Merck, Woodstock NY
Weston & Julia Blelock, Woodstock NY
Miller Howard Investments, Woodstock NY
Kingston Hospital, Kingston NY
Media:
Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017
Jenny Nelson's chaos, Hudson Valley One, 2017
A Conversation with Artist Jenny Nelson,, Blog Talk Radio...
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French Argentine Modernist 74.46 Abstract Expressionist Painting
By Sergio de Castro
Located in Surfside, FL
Sergio de Castro (15 September 1922 – 31 December 2012) was a French-Argentinian
Sergio de Castro was born in Argentina, in an aristocratic family of Spanish origins (Galicia and the Basque Country), the House of Castro. His father was a diplomat, which is why, from 1923 until 1932, Castro lived in Switzerland with his parents and his two sisters. During these years he visited cities like Lausanne, Geneva and Turin.
In 1933 he entered a Jesuit school in Montevideo and he started studying music. He discovered poetry by learning to speak and write in Spanish. He was specially touched by the works of César Vallejo. Through the years Castro would become close friends with writers like Octavio Paz, Julio Cortázar, Samuel Beckett, Kostas Papaioannou and Georges Schéhadé. Later, during a trip to Uruguay, he met Joaquín Torres García, with whom he studied painting and monumental art from 1941 until 1949. In 1942 he moved to Argentina, where he would live until 1949. Castro was also friends with other artists like Nikos Hadjikyriakos-Ghikas, Maria Helena Vieira da Silva and Arpad Szenes.
In 1945 he found a job as a secretary in the Astronomy Observatorium of the city of Córdoba, where we also worked as the assistant to the musician Manuel de Falla in Alta Gracia, until his death in 1946. In 1945 and 1946 he had a grant from the French government to study musical composition. During the year of 1946 he had an exhibition in New York City among other members of Torres Garcia's workshop. That same year he traveled to the northeast of Argentina and the south of Perú to study pre-columbian art with Gonzalo Fonseca, Julio Uruguay Alpuy and Jonio Montiel.
In 1949 he started teaching History of Music in the new music school of the city of La Plata. His work as a musician drew attention from relevant figures such as Wilhelm Furtwängler, Aaron Copland and Juan José Castro. He quit this job when he got a grant from the French government to improve his musical studies in Paris, where he settled in November 1949. Since 1951 he devoted himself exclusively to painting.
In 1955, his friend the German writer and translator Edith Aron introduced him to Julio Cortázar, who would become a close friend of him. Castro inspired the character of Etienne in Cortázar's novel Rayuela (Hopscotch). In the book is featured the intimate friendship of the protagonist, Horacio Oliveira, with his companion in the Serpent Club, whom he often visited in his studio in Paris. In 1960 he won the Hallmark Prize in New York. In 1979 he obtained the French nationality.
In 1980 he showed his works at the Argentinian pavilion in the 39th Venice Biennale. He was associate professor in the Human Sciences Faculty of the University of Strasbourg from 1981 until 1986. In 1997 he became Officer in the Ordre des Arts et des Lettres. In 2006, Sergio de Castro made a 220-work donation to the Fine Arts Museum of Saint-Lô. He was also a close friend of the musician Alberto Ginastera, who made reference to Sergio de Castro and his first works in his notes on modern Argentinian music. Castro died 31 December 2012 in Paris. He is buried in the Montparnasse cemetery, in Paris, close to his dear friend Samuel Beckett.
Monumental works
Two wall paintings for the Martirené Pavilion of the Hospital Saint-Bois (1942), in Montevideo (Uruguay), in collaboration with Joaquín Torres García and his disciples, among which Castro was the youngest.
The Creation of the Universe (1956–1958), 6m x 20m stained-glass window. Castro worked with painter and glass-maker J. J. K. Ray (1898–1979) in Paris.
Selected Exhibitions
1952 Galerie Jeanne Castel Paris
1954 Galería Bonino Buenos Aires and Galerie Pierre Loeb, Paris
1956 Galerie Rive Gauche, Paris
1958 Matthiesen Gallery, London
1959 documenta 2 Kunst nach 1945 Kassel
1961 Matthiesen Gallery, London
1963–64 Galeria Lorenzelli, Bergamo and Milano
1964 Galería Bettie Thommen, Basel
1965 Kunstverein Hamburg Retrospektive
1966 Musée d'Art et d'Histoire, Fribourg, Switzerland (retrospective)
1966 Recklinhausen, Variationen über ein Thema, Städtische Kunsthalle
1970 Retrospektiven in Oslo, Kunstforering, and Kunst Industriemuseet, Copenhagen, Kunstforening, Oslo, Kunstforening, Holstebro
1972 Wildenstein Gallery, London Landscapes of Light
1974 Galerie Jacob, Paris
1975 Kunsthalle Bremen, Retrospektive, Berlin Tempelhof, Kunstamt (Berlin Festival)
1975–76 Retrospective exhibition the Musée des Beaux-Arts de Caen (68 artworks from 1956 to 1966), France
1979 Hommage à Pierre Loeb, Musée d'Art Moderne de la Ville de Paris
1980 39th Venice Biennale
1987 French Institute London. Museo de Arte Moderno de Buenos Aires
1988 Galerie des Ambassades y Galerie Galarte, Sergio de Castro, Natures Mortes, 1958–1965. Paris/ Bayeux, Diocesan Museum of Sacred Art
1989 Galerie des Ambassades, Paris
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Category
1970s Abstract Expressionist Sergio de Castro Art
Materials
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French Argentine Modernist 74.47 Abstract Expressionist Painting
By Sergio de Castro
Located in Surfside, FL
Sergio de Castro (15 September 1922 – 31 December 2012) was a French-Argentinian
Sergio de Castro was born in Argentina, in an aristocratic family of Spanish origins (Galicia and the Basque Country), the House of Castro. His father was a diplomat, which is why, from 1923 until 1932, Castro lived in Switzerland with his parents and his two sisters. During these years he visited cities like Lausanne, Geneva and Turin.
In 1933 he entered a Jesuit school in Montevideo and he started studying music. He discovered poetry by learning to speak and write in Spanish. He was specially touched by the works of César Vallejo. Through the years Castro would become close friends with writers like Octavio Paz, Julio Cortázar, Samuel Beckett, Kostas Papaioannou and Georges Schéhadé. Later, during a trip to Uruguay, he met Joaquín Torres García, with whom he studied painting and monumental art from 1941 until 1949. In 1942 he moved to Argentina, where he would live until 1949. Castro was also friends with other artists like Nikos Hadjikyriakos-Ghikas, Maria Helena Vieira da Silva and Arpad Szenes.
In 1945 he found a job as a secretary in the Astronomy Observatorium of the city of Córdoba, where we also worked as the assistant to the musician Manuel de Falla in Alta Gracia, until his death in 1946. In 1945 and 1946 he had a grant from the French government to study musical composition. During the year of 1946 he had an exhibition in New York City among other members of Torres Garcia's workshop. That same year he traveled to the northeast of Argentina and the south of Perú to study pre-columbian art with Gonzalo Fonseca, Julio Uruguay Alpuy and Jonio Montiel.
In 1949 he started teaching History of Music in the new music school of the city of La Plata. His work as a musician drew attention from relevant figures such as Wilhelm Furtwängler, Aaron...
Category
1970s Abstract Expressionist Sergio de Castro Art
Materials
Paper, Oil
Sergio De Castro art for sale on 1stDibs.
Find a wide variety of authentic Sergio de Castro art available for sale on 1stDibs. You can also browse by medium to find art by Sergio de Castro in oil paint, paint, paper and more. Much of the original work by this artist or collective was created during the 1970s and is mostly associated with the abstract style. Not every interior allows for large Sergio de Castro art, so small editions measuring 37 inches across are available. Customers who are interested in this artist might also find the work of Armand Rottenberg, Claude Tétot, and Sandra Detourbet. Sergio de Castro art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,800 and tops out at $2,800, while the average work can sell for $2,800.