Terry Fincher Art

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

'The Carlton Hotel' 1955 (Slim Aarons Estate Edition) A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. Another gorgeous and typically 'S...

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

Untitled (Three Cowboys on Horseback) depicts 3 cowboys riding horses out in a Western landscape. The figures are silhouetted by the harsh sunlight. One of the cowboys is swinging hi...

Open Edition Blind stamp on print margin. Signed by Estate, titled, dated and copyright date in pencil on artist stamp. Paper size: 20 x 16 in., Image size: 18 3/4 x 14 1/2 in. Fram...

Bailarín II by Ricky Cohete From the "Bailarín" series Small size: 30 in H x 20 in W. Edition of 13 Unframed All prices are quoted as "initial price" and may change due to current s...

Untitled, from Women are Beautiful Portfolio, by Garry Winogrand is a black and white gelatin silver print of two women in matching outfits, walking through a park with people staring as they pass by. Edition of 80 Signed, numbered and misc. notations by Garry Winogrand Gelatin silver print Paper size: 11 x 14 in., Image size: 8 3/4 x 13 in. Printed 1981 From the Women are Beautiful Portfolio Garry Winogrand was an American photographer from New York. He is known for his extensive documentation of American life.. Winogrand was the recipient of the various Guggenheim Fellowships and a National Endowment for the Arts Fellowship. His work is included in the George Eastman Museum, Museum of Modern Art, the Whitney Museum of American Art and the Center for Creative Photography...

Signed in pencil on mount margin. Toned gelatin silver print. Framing not included. Western photographer, Bank Langmore, traveled extensively with cattle drives...

1953: A view of neatly arranged office and apartment blocks along Park Avenue in New York City. Archival Fiber print Estate stamped and hand numbered edition of 150 with certificat...

Cerro II. From the "Cerros" series by Ricky Cohete From the "Cerros" series Small size: 30 in H x 20 in W. Edition of 13 Unframed All prices are quoted as "initial price" and may c...

Calm Sea A view of the sea at dusk. by Stuart Möller Born in Kabul, part German and Anglo-Indian and having grown up all over the world, Stuart Möller is a fine art photographer w...

Jewish Refugees, Lydda Airport, Tel Aviv, Israel by Ruth Orkin depicts a window with three faces peering out into the world. A reflection of a large ship is cast onto these young fac...