French Empire Period Ormolu Bronze Mantel Clock of Ceres, circa 1815

FRENCH RESTAURATION ORMOLU & PATINATED BRONZE FIGURAL MANTEL CLOCK OF ROMAN PHILOSOPHER HORATIUS Paris, circa 1820; silk-suspension movement signed "Etablissement Barbot de Paris" Item # 010CVX22A An incredibly fine Restauration period clock, it depicts a seated figure of the important Roman philosopher Horatius holding a scroll in his right hand while waving his hand over the results of war: ruins of a column and remains of an architectural mural...

ART DECO FIGURAL MANTEL CLOCK Anton Grath (Austrian, b. 1881) patinated and burnished bronze over marble signed "Anton Grath" and foundry marking monogrammed "HW" within an "H" to right side of base Circa 1925 Item # 203AXG01W A powerful figural clock of a partially nude male and female raising offerings of a laurel wreath and an empty vessel, they face one another before the bold architectural display of the clock flanked by coned finials. They are loosely symmetrical in garb, the burnished bronze capes flowing gently around and before them. The circular face of the clock rests on a pair of sleeping lions over a textured bronze rectangular plinth with a burnished bronze bas-relief of a young woman lying in the grasses of a setting sun raised on a variated marble base. This model was acquired formerly at the Sotheby's, New York sale on April 14th 2008, [Sale N08427, lot 155, achieved $ 5,000 USD] and the patina was enhanced at some point in the last fourteen years to include the parcel-burnished highlights in the figures. The right side of the base includes the signature and a monogrammed foundry mark (HW within an H). A very fine period example. Artist Listings & Bibliography: *E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 592-593 *The Dictionary of Western Sculptors in Bronze, Mackay, Baron, 1977, p. 166 *Art Bronzes...

FRENCH NEO-GREC BLACK MARBLE AND PATINATED BRONZE MANTEL CLOCK Edited by F. Barbedienne Fondeurs, Paris (faded engraving on dial), movement by Charles Boye circa 1880-1900 Item # 303...

A VERY FINE ART NOUVEAU DOMED ARCHITECTURAL TABLE CLOCK Edward F. Caldwell & Co., New York, circa early 20th century an unsigned documented example Item # 307PQH13X An incredibly ...

EMPIRE ORMOLU-MOUNTED BURL WALNUT CENTER TABLE With an original dished black marble top; France, circa 1815 Item # 101OPB21A A very fine Empire center table crafted of beautifully patinated burl walnut veneers over secondary woods, the table retains its original black marble top. This was turned to create the dished top with an integral raised rim. Over each of the three columns is a honeysuckle gilded bronze mount, each pillar...

Rare Pair of Louis XVI Period Ormolu Candlesticks, France, circa 1770 Item # C1040271 An incredibly fine pair of ormolu bronze candlesticks from the Wildenstein Collection, they fea...

Following a model by early 19th century Paris sculptor and bronzier Pierre-Philippe Thomire, and showcasing many of the neoclassical design elements common to the Empire Style popula...

Empire period ormolu and enamel Ceres mantel clock after Thomire. French, c.1810 Measures: height 46cm, width 38cm, depth 13cm. This superb mantel clock was made in the First Fr...

Antique (early 19th century) French ormolu bronze mantel clock in the Empire style depicting neoclassical maiden with child.

French Empire period ormolu mantel clock by Michelez French, circa 1815 Measures: Height 47cm, width 20cm, depth 15cm This beautifully formed and crafted mantel clock, dating to...

Ormulu pendule with depiction of friendship and love Paris (Lepaute, Thomire) fire-gilt bronze Empire around 1815 Dimensions: H x W x D: 44 x 36 x 13 cm French pendulum movement with eight days duration. Thread suspension and lock disc striking movement with strike on bell on the half and full hour. White enamel dial with Roman hour numerals and Breguet hands. Signature: LePaute & Fils / Hrl. du Roi (Pierre-Basile Lepaute (1750 - 1843) with his son Pierre-Michel Lepaute (1785-1849); from 1811 in joint workshop). Description: The extremely high quality pendulum shown here takes up a profound theme: Friendship, which combines with love and can thereby outlast time and death. As it is typical for the epoch of classicism, personifications and symbols are taken from the fund of ancient mythology and art and then developed further. The main figure is a young woman in an antique, girded garment, standing barefoot and with crossed legs next to an altar, on which she is leaning with her left elbow. She gracefully bows her head towards a tempestuously approaching Cupid, grasps his right hand with her left and draws him to her bosom, the seat of the heart. The delicate ambivalence of flying towards and being held culminates in the trustingly intimate look that the two cast at each other. The young woman personifies friendship, the winged Cupid love. As a sign of their intimate connection, two burning hearts appear on the altar next to the two, framed by the puffed scarf, which are closely bound together by a chain of flowers. Next to them, on the altar slab, one can see an erected book with the title "Amitie" (French: amitie, friendship). Supporting the book is a pomegranate held by a ring of pomegranate flowers. The bursting seeds spill out of the cracked skin. Since ancient times, the pomegranate and its blossoms have been dedicated to the goddess Persephone, symbolizing the underworld and death, but also life and fertility. The myrtle interwoven in the pomegranate flower wreath of "friendship" also has a far-reaching symbolic power: the plant was dedicated to the goddess Aphrodite, stands for virginity, and was and is therefore obligatory in the bridal wreath...

French Empire period gilt bronze mantel clock French, early 19th century Measures: Height 50cm, width 36cm, depth 12cm This mantel clock, wrought from gilt bronze during the French Empire period, features a rectangular base, set above four bun feet, the front of the base adorned with a gilt bronze relief panel...