Charles Paillet "Medaille D'or" Bronze of Two Playful Goats

A Pair of Chinese famille verte laughing twins 'HeHe Erxian' biscuit group, Kangxi (1662-1722), the two boys with jovial expressions and seated upon an openwork rock-base studded wit...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...

Japanese Meiji Genryusai Seiya bronze elephant and tigers, circa 1890. This moving and detailed bronze grouping depicts a savage attack by two viscous...

Francois Raoul Larche (1860-1912) LA SEVE or Métamorphose de Daphné Gilt Bronze Art Nouveau Sculpture Cast, Gilt Bronze or Marble base France, c. 1900, Signed "Raoul Larche," number...

Charles Paillet (French, 1871-1937) bronze Bronze Figure of a Mother Dog with Two Puppies, Maternite, the recumbent dog with two hungry pups, dark brown...

'Goat' bronze sculpture created by Studio Rinat Design, molded and cast in bronze in the lost wax process. The sculpture is available to order in other patinas and in gold finish. Li...

Lave d'or sculpture, by Jean François Reboul, made of concrete, pigments and golden copper foil. A “Certificate of Authenticity” provided by the gallery. Dimensions: D 16,92'' x H 5...

Napoleon III whimsical bronze of a playful dog & cat, Nice detail, fine casting of a dog and cat engaged in play on incised brick floor, unsigned.