Japanese Meiji Koransha Blue Gold Red Porcelain Vase, Circa 1880

Exquisite Japanese large Meiji (circa 1880) decorative porcelain tea pot in a dramatic pentagon shape in vivid blue, red, turquoise and brown and generous gold details from the histo...

Japanese porcelain water bucket vase or teoke from early Meiji era, circa 1880, exhibiting beautiful hand-painting in underglaze cobalt blue and polychrome...

Beautiful Japanese hand painted Koransha Fukagawa porcelain decorative trinket, pill or jewelry box or serving dish from Meiji period (1868-1912) in a stunning shape. The mark Koran...

Japanese contemporary porcelain vase featuring gilded ring handles presents traditional Imari floral motifs against a fine crackle-glaze background on a beautifully shaped porcelain body. Bordered in blue and set off by a simple geometric design rendered in gold, the two scalloped panels depict peaches and pomegranates in shades of orange surrounded by green and brown foliage against a soft cream background. The pomegranates have burst open to reveal their ripened seeds. The two panels are connected by a traditional floral motif with golden peonies...

Exquisite pair of mid Edo period large Japanese Ko-Imari porcelain vases in an attractive baluster shape boasting intricate patterns of floral and highly detailed geometric motifs that beautifully intertwine on the body of the handsome vases, creating captivating landscapes in dark blue, orange and gold details throughout, which is characteristic of Imari porcelain from the Edo Period. The two scalloped cartouches on each vase with highly decorated and elaborate borders recreate the pine, plum and bamboo motif known as “Sho-Chiku-Bai” or the “Three Friends of Winter.” The impressive pine trees in cobalt blue decorated with gold details dominate the landscape on white background. The two small delicately scalloped cartouches appearing in the middle of the long neck of the vases depict playful rabbits among trees. The late father of the collector of this exquisite pair, who operated one of the leading kilns in the historic Imari-Arita region of Japan, travelled extensively to Europe in the early 1960s with a mission that he led, to purchase and bring back to Japan antique ceramics...

Japanese mid 20th century signed decorative porcelain vase (circa 1935,) from Showa period (1926 to 1985). It depicts an attractive safflower motif, an elegant scene hand-painted in purple and underglaze blue on a pure white background, on a beautifully shaped porcelain body. The artist's signature appears at the reverse side of the vase. This exquisite vase is in excellent condition. The late father of the collector of this exquisite pair, who operated one of the leading kilns in Imari-Arita region of Japan, travelled extensively to Europe in the early 1960s with a mission that he led, to purchase and bring back to Japan antique ceramics...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A finely decorated and glazed Japanese porcelain vase by Makuzu Kozan (1842-1916) circa 1900s Meiji Period. The vase is of a classic bottle form with baluster body and short neck. It was decorated with underglaze white magnolia blossom on a pleasant celadon background. The stamens of the flower were artistically rendered in a low relief, giving the design a realistic appeal with the dimension. Miyagawa Kozan...

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

Large Japanese Imari Porcelain Vase, Meiji Period, Circa 1880 An exceptional Japanese Imari porcelain vase stands tall at an impressive 29 inches in height, dating back to the 1880s...

A good pair of large antique Japanese Meiji period porcelain lidded jars, circa 1880. The jars having ribbed dome shaped lids topped with lion-dog (Komainu) finials, the baluster shaped jars also of corresponding ribbed form. The lids and jars are skillfully hand-decorated in the Imari palette with blue & iron red floral decoration over a white body, on one side are a pair of floral cartouches on another side is a fan shaped cartouche. Condition is very good indeed, no damage or restoration, a very handsome pair of 19th century Japanese Imari lidded jars...

We are offering a beautiful Japanese porcelain figural owl wall pocket vase dating from the Meiji Period. Great details and form. This would have moun...