Venini Sconces “Poliedri” Carlo Scarpa Murano Glass Metal Iron, 1950, Italy
View Similar Items
Venini Sconces “Poliedri” Carlo Scarpa Murano Glass Metal Iron, 1950, Italy
About the Item
- Creator:Carlo Scarpa (Author)
- Dimensions:Height: 18.51 in (47 cm)Width: 11.42 in (29 cm)Depth: 5.52 in (14 cm)
- Sold As:Set of 2
- Style:Other (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950
- Condition:
- Seller Location:Milano, IT
- Reference Number:1stDibs: LU2924321628702
Carlo Scarpa
Carlo Scarpa was born in Venice in 1906 and became one of the leading figures of architecture and international design during the 20th century. At merely 21 years old — and still a student at the Academy of Fine Arts — Scarpa began working as a designer for master Murano glassmaker M.V.M. Cappellin. Within a few years, he completely revolutionized the approach to art glass.
In a short time, under the guidance of Scarpa, the Capellin furnace not only established itself as the top glass company, but above all it introduced modernity and international fame to Murano glassmaking. Scarpa created a personal style of glassmaking, a new vision that irreversibly changed glass production.
The young Scarpa experimented with new models and colors: his chromatic combinations, impeccable execution and geometric shapes became his modus operandi. Thanks to Scarpa’s continuous research on vitreous matter, Cappellin produced a series of high-quality glass objects, that saw the company revisiting ancient processing techniques such as the watermark and Phoenician decoration.
When he encountered the challenge of opaque glass, Scarpa proposed introducing textures of considerable chromatic impact, such as glass pastes and glazed glass with bright colors. Scarpa also collaborated in the renovation of Palazzo da Mula in Murano, the home of Cappellin. At the academy, he obtained the diploma of professor of architectural design and obtained an honorary degree from the Venice University Institute of Architecture of which he was director.
In 1931, Scarpa's collaboration with Cappellin ended, following the bankruptcy of the company because it was not able to withstand the economic crisis linked to the Great Depression. But Scarpa did not go unnoticed by Paolo Venini — in 1933, the young designer became the new artistic director of the biggest glass company in Murano.
Master glassmakers thought Scarpa's projects and sketches were impossible, but the passionate and curious designer always managed to get exactly what he wanted. Until 1947 he remained at the helm of Venini & Co., where he created some of the best known masterpieces of modern glassmaking. Scarpa’s work with Venini was characterized by the continuous research on the subject, the use of color and techniques that he revisited in a very personal way, and the development of new ways of working with master glassmakers.
At the beginning of the 1930s, "bubble", "half filigree" and "submerged" glass appeared for the first time on the occasion of the Venice Biennale of 1934. A few years later, at the Biennale and the VI Triennale of Milan, Venini exhibited its lattimi and murrine romane pieces, which were born from a joint idea between Scarpa and Paolo Venini.
In 1938 Scarpa increased production, diversifying the vases from "objects of use" to sculptural works of art. In the same year he laid the foundation for the famous "woven" glass collection, exhibited the following year. In the subsequent years, Scarpa–Venini continued to exhibit at the Biennale and in various other shows their the "black and red lacquers," the granulari and the incisi, produced in limited series, and the "Chinese," which was inspired by Asian porcelain.
Scarpa's creations for Venini garnered an international response and were a great success, leaving forever an indelible mark on the history of glassmaking. The last Biennale in which Carlo Scarpa participated as artistic director of Venini was in 1942. He left the company five years later.
The time that Scarpa spent in the most important glass factory in Murano would attach a great artistic legacy to the company. His techniques and styles were resumed in the postwar period under the guidance of Tobia Venini, Paolo's son. In the 1950s, after the departure of Scarpa, Fulvio Bianconi was the new visionary at the Biennials with Venini.
On 1stDibs, vintage Carlo Scarpa glass and furniture are for sale, including decorative objects, tables, chandeliers and more.
(Biography provided by Ophir Gallery Inc.)
- Venini “Carlo Scarpa” Poliedri Murano Glass Iron Brass, 1960, ItalyBy Carlo ScarpaLocated in Milano, ITVenini “Carlo Scarpa” Poliedri Murano glass iron brass, 1960, Italy.Category
Vintage 1950s Italian Other Chandeliers and Pendants
MaterialsMurano Glass
- VENINI Carlo Scarpa Chandelier Poliedri Murano Glass Iron 1955 ItalyBy Carlo ScarpaLocated in Milano, ITVENINI ChandelierCategory
Vintage 1950s Italian Other Chandeliers and Pendants
MaterialsMurano Glass
- Venini Carlo Scarpa Chandelier Murano Glass Brass Poliedri, 1950, ItalyBy Carlo ScarpaLocated in Milano, ITVenini Carlo Scarpa Poliedri chandelier Murano glass brass, 1950, Italy.Category
Vintage 1950s Italian Other Chandeliers and Pendants
MaterialsGlass
- Venini Carlo Scarpa Sconce Murano Glass Copper-Plated Brass, 1930, ItalyBy Carlo ScarpaLocated in Milano, ITVenini Carlo Scarpa sconce Murano glass copper-plated brass, 1930, Italy.Category
Antique Mid-19th Century Italian Other Wall Lights and Sconces
MaterialsMurano Glass
- VENINI “Carlo Scarpa “ Poliedri. Chandelier Brass Murano Glass Iron 1955 ItalyBy Carlo ScarpaLocated in Milano, ITVENINI Carlo Scarpa.Category
Vintage 1950s Italian Other Chandeliers and Pendants
MaterialsMurano Glass
- VENINI "Carlo Scarpa "Chandelier "Poliedri" Murano Glass 1955 ItalyBy Carlo ScarpaLocated in Milano, ITPoliedri Chandelier VENINI Carlo ScarpaCategory
Vintage 1950s Italian Other Chandeliers and Pendants
MaterialsMurano Glass
- Venini Glass Sconces Poliedri By Carlo Scarpa, 1950, ItalyBy Carlo ScarpaLocated in Vienna, ATSet of 2 glass wall lamps by Carlo Scarpa for Venini, Italy, mid-century Sold and priced individually Impressive 22" wall lamps with clear textured glass and slightly yellowish gla...Category
Vintage 1950s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsBrass
- Carlo Scarpa for Venini 'Poliedri' lamp in murano glassBy Carlo Scarpa, VeniniLocated in Milano, ITPendant lamp designed by Carlo Scarpa and produced by Venini from the Poliedri series. Metal frame and Murano glass elements, 1960s. In very good original condition.Category
Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsBrass
- "Poliedri" Sconces designed by Carlo Scarpa. Italy 1950By Carlo ScarpaLocated in Madrid, ESPair of wall lights with four lightpoints,“Poliedri” model designed by Carlo Scarpa, edited by Venini. Composed by Murano crystal pieces over a structure made in white lacquer metal....Category
Vintage 1950s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsCrystal, Metal
- Carlo Scarpa, Murano Glass Wall Lights, Venini, Italy, 1941By Carlo Scarpa, VeniniLocated in Milan, ItalyA glass wall lights designed by Carlo Scarpa and produced by Venini, Murano in 1941. Glass arms with brass supports.Category
Vintage 1940s Italian Modern Wall Lights and Sconces
MaterialsBrass
- Pair of Carlo Scarpa design for Venini Poliedri sconces amber clear blown glassBy Carlo Scarpa, VeniniLocated in London, GBPair of Scarpa Venini Poliedri wall lights, clear and amber color Poliedri glass components on white lacquered structure ca.1960 All glass components are in very good condition.Category
Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsMetal
- Elegant Murano Poliedri Ceiling Light, Carlo ScarpaBy Carlo ScarpaLocated in Gaiarine Frazione Francenigo (TV), ITElegant Italian ceiling light made from 84 beautiful Murano trasparent glasses "poliedri". Structure in gold and brass colored metal. Period: late xx century Dimensions: 17,70 in...Category
Vintage 1980s Mid-Century Modern Chandeliers and Pendants
MaterialsBlown Glass