Foam Furniture

GAILLARD Claude Compétition chair, TT2000 range, DMU éditeur, France, circa 1960 Polished cast aluminum, fiberglass seat and back, restored foam and fabric (choice of fabric) Three...

Drawing inspiration from a multitude of classical references, the Montague Armchair is endlessly comfortable and has been used again and again in Samantha Todhunter Design projects, ...

Fantastic olivegreen velvet armchair, model baby. Black lacquered metal frame. Quite uncommon model, very elegant design lines , not to large so fits in many appartements for people ...

Sandra sofa designed by Annie Hiéronimus for Cinna after she joined the Roset Bureau d’Etudes in 1976. The inside of the sofa consists entirely of poly...

Yellow Mellow Pouf Yellow Mellow Pouf, a fun and colorful addition to your living spaces. Its vibrant color adds energy, while the soft details of its form highlight a neotenik style...

ENYO est une tête de lit en trois modules qui s'adapte à la taille de votre lit. Cette version est proposée en Velours Titan Nobilis, autres couleurs sur ...

Iconic Alky lounge chair designed by Giancarlo Piretti in the sixties for Anonima Castelli, Italy. The shape of the chair is construct with foam printed direct on a metal frame with ...

Inez counter stool and barstool by Crump and Kwash Upholstered seat top / premium foam cushion / solid wood base / hand rubbed oil finish / solid steel construction / durable powder coat finish / 360 degree rotating...

This leather pouf boasts a delicate ivory color that will infuse sophistication in any modern interior. It features a poplar wood structure padded with m...

Pillow computer (prototype) Sizes: width 137 cm, depth 109 cm, height 37 cm material: wood, PU-foam, faux fur, car paint, computer edition: prototype,...

Modularity taken to the limit. All the pieces in the Bandas collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

The little Bocca, drawing from the exact proportions of the original version, maintains the sinuous feel and sensuality of a woman’s lips, exactly as intended by Studio65 which designed it in 1970. But, unlike her big sister, she has decided to get rid of her fabric dress and be coated just like her other two little friends. This visionary and glamorous sofa has inspired artists and photographers as a much-photographed protagonist and the centre of attention in exhibitions all over the world. Now, it will become a sassy accessory in the most cutting-edge homes. As if in a fairy tale, the Gufram icons have become smaller and have now turned into Guframini! The most radical Italian design...

The miniature Cactus, one of the radical design symbols par excellence. Gufram offers its fans a version identical to the original designed by Drocco and Mello in 1972. The mini mold...

Contemporary chair, pouf, ottoman, touche-touche, France, 2020. Planet B is a contemporary functional art object created by the duo touche-touche. The one of a kind item was part ...

Zhou Yilun "Animal Chair" Contemporary Chinese design chair From the series "Animal chairs" Manufactured by R3PM3 Hangzhou (China), 2020 High density foam, PU coating Measurements: 80 cm x 70 cm x 100 H cm 31.5 in x 27.5 in x 39.37 H in Edition Unique piece Zhou Yilun (b. 1983, Hangzhou, China) lives and works in Hangzhou. Zhou graduated in 2006 from the oil painting department at China Academy of Art. His works are formed from a bricolage of identity, as he lifts and distorts techniques inherited from the Renaissance, Baroque, and Romantic eras—revisiting, perverting, and parodying their ideas for the new globalist regime. He has recently exhibited at the KWM artcenter in Beijing, China (2018), appearing in The Post Southern Song Dynasty...

special set of chair with stool, Madam Rubens, designed by Frank Willems, Eindhoven 20s. “The Madam Rubens is a full, mature lady after an extreme makeo...

Tadeas Podracky Vase From the series “The Metamorphosis” Manufactured by Tadeas Podracky Produced in exclusive for side Gallery Prague, 2021 Mixed media, plastic, wood, textile, foam, glass Measurements 65 cm x 70 cm x 92 H cm 25,6 in x 27,5 in x 36,2 H in Edition Unique Piece Concept The Metamorphosis collection seeks to enhance the emotional bond to our surrounding environment. During the Coronavirus outbreak Podracký returned to Prague his home town and spent a couple of months in a quarantine in his studio there. Access to materials was minimal but he turned this handicap into a research opportunity and started to work only with material found around the studio or that were easy to access, such as wood, textiles, trash such as old car parts, old ceramic pieces or broken glass sheets. Tadeáš realized that these materials had a certain authenticity and so began reevaluating the way he approached the materiality, challenging himself to dis-acknowledge deeply rooted principles of formal design, interrupting established practices of conventional construction methods. The designer was seeking the authenticity of expression and changed his design methodology based on the intuitive use of materials and emotional decisions regarding structure, shape and the construction process. The aim was to let the object grow through his hands by gluing and combining different elements, reminiscent of the process of a bird...

At the core of the “Branch-Ish Shelf” is one reoccurring element; the branch textured prints. Here, Schimmel and Schwiekle took an image of a natural branch into the 3D modelling sof...

Zhou Yilun Contemporary blue chair Chinese Contemporary design From the series "Animal chairs" Manufactured by R3PM3 Hangzhou (China), 2021 High density foam, PU coating M...

Great retro disco ball made out of individually cut square pieces of glass. Great condition. Illuminates beautifully. Has a metal ring at the top which is connected to a 3 foot long silver chain...

ENYO est une tête de lit en trois modules qui s'adapte à la taille de votre lit. Cette version est proposé en Velours Titan Nobilis couleur cappuccino, a...

Togo sofa by Michel Ducaroy for Ligne Roset. 5 pieces set Togo was designed in 1973. Five pieces set: three seater, twoseater, one seater, corner and pouf. The sofa is upholstered in...

Vintage Italian Mid-Century Modern lounge chair or club chair. Beautiful and unique shape. Made entirely from a foam structure with a wooden base and reupholstered in quality ochre c...

Pair of Vintage Italian Mid-Century Modern lounge chairs or club chairs. Modules can be used as a modular sofa or modular seating set. Beautiful and unique shape. A 1970 design and p...

Discover the timeless allure of our Art Deco club chairs, a pair that captures the sophisticated essence of the 1960s French Deco era. These chairs have been expertly restored and ne...

Suite of five designer armchairs in the style of Tito Agnoli and his 9000 (Novemila) model, published by Arfa. Metal frame and foam upholstered in fabric, black plastic legs. One cor...

New to the foley&cox HOME custom collection is the Warren sofa, shown here. Featuring clean lines and low profile, the contemporary sofa is made with solid wood frame, feather wrap ...

Custom T-back club chair with mahogany stretcher and tapered legs finished in espresso mahogany. Shown in a classic wool plaid by American Woolen Company and in durable off-white co...

La collection de tissus Titan by Nobilis est un Velours tramé bicolor. Une trame de deux couleurs crée une micro géométrie qui fait vibrer les couelurs. Ce velours soyeux au un style...

La collection de tissus Titan by Nobilis est un Velours tramé de deux couleur qui crée une micro géométrie qui fait vibrer les couleurs. Ce velours soyeux au un style urbain est très...

Double-sided pillow we made from a vintage Turkish Kilim. 16'' x 18''

Pillow made from a Kurdish jaff bagface rug backed in blue. 13'' x 17''

Pillow made from a vintage Turkish rag rug 16'' x 17''

ENYO est une tête de lit en trois modules qui s'adapte à la taille de votre lit. Cette version est proposé en Velours Titan Nobilis, autres couleurs sur ...

Just a Shelf is a freestanding shelf that tips to scales towards form and the reimagination of archetypal furniture pieces. The shelf is hand carved...

Gorgeous three-seater white leather Togo sofa designed by Michel Ducaroy for Ligne Roset from 2007. (2 available - another in separate listing). Designer Michel Ducaroy drew inspira...

Dining Chair Flock CS2 Designer: Kateryna Sokolova for Noom Model shown in the main pictures: Legs: Upholstered (wood as an option) Upholstery: Dedar, Nimbus col.006 The "Flock" c...

Very rare to find model of sectional sofa by Roche Bobois, made in France in the 1980s. Called "Super Lounge", this is a one-of-a-kind sectional sofa composed of 12 units that can be arranged as you wish, like the Mah Jong sofa from the same manufacturer. 4 folding backrest...

Chair Gropius CS1 Designer: Kateryna Sokolova Model in the main picture : Collection - Magic velvet, Color - Pink 2253 Dimensions: Height: 74 cm / 29,13 in Width: 57 cm / 22,44 in ...

This classic camelback sofa with a dramatic, swept-out, flared arm and a flared solid oak leg. The solitary seat and back cushion create a seamless and clean look. The piece is const...

Camaleonda sofa, designed by Mario Bellini and manufactured by B&B Italia in 1972. The set features two big modules with two backrests and one armrest. Green linen velvet upholster...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Large pillow made from a vintage Turkish Anatolian rug. Measures: 16 x 32''.

Extremely chic and versatile. This pair of fully leather-wrapped Italian corner chairs / armchairs by Antonio Citterio for B&B Italia can be positioned in a myriad of arrangements, i...

Large pillow made from an early 20th century antique Ersari rug with cotton back. 1'9'' x 2'3''

Large pillow made from a vintage Turkish Anatolian rug. Measures: 16 x 32''.

The Orixá armchair is a masterpiece of design that showcases the unique style and creativity of Ronald Sasson. The armchair is an embodiment of comfort a...

Mario Bellini “Le Bambole” two-seater sofa for B&B Italia, Mongolian faux-fur, Italy, 1971, set of two. This is a timeless Postmodern design icon. The starting point was a shopping ...

Tramawood 22 bench by Humberto da Mata Dimensions: L 170 x W 45 x H 45 cm Materials: Solid Freijó structure, foam, plywood and w...

The "Fox" bar stool stands out with its unique and captivating design, featuring a gently curved rear leg that elegantly resembles the tail of an animal. Expertly crafted by designer...

Ensemble de lit roche bobois année 70 , comprenant le double lit , les tables de lit ,ainsi que les repose verre en inox modele tres rare et de tres bonne qualité tout en nubuck

Iconic Alky lounge chair designed by Giancarlo Piretti in the sixties for Anonima Castelli, Italy. The shape of the chair is construct with foam printed direct on a metal frame with ...

Wicker Works Braided Rattan Club Chairs, New Upholstery, 1 Pair Available Offered is one pair of Wicker Works braided rattan club chairs which have been newly upholstered. These wonderful coastal chic...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

The FAMED BENCH...harmoniously combines brass and fabric brining a refined elegance and comfort to your home. Length: 59.1'' / Depth: 17.7'' / Height: 18.5'' -Brass -Registered Design. BRASS USE...

Vintage Set of 6 Mademoiselle dining or armchairs in the original black cotton upholstery and with transparent Lucite frames. Designed by Philippe Starck and made in Italy by Kartel...

Sophisticated, two-colored pouf with soft shapes and a clean idiom. The Dainty pouf can be used in any room of your home as extra seating or as a leg rest....

Anfibio sofa-bed by Alessandro Becchi for Giovannetti, 1972. Fully restored and upholstered with high-quality black Italian natural leather. Mattress upholstered with soft sheepski...