Very Finely Carved and Gilded Wood Napoleon III Marquise en Corbeille

Pair of French Napoléon III Curule Armchairs Moulded, carved, blackened wood, enhanced with gold. Open-banded back decorated with interlacing, X-bas...

A French Napoléon III Large Pair of very decorative hand-painted polychromed Porcelain Plaques with Orientalist scenes, with traditional costumed characters. In the manner of Rudolf Ernst (1854-1932), the famous Orientalist painter: One Representing “Le marchand d’oranges”, the Oranges merchant, the other one “Le fumeur de Narguilé”, the hookah smoker. Both signed L.Lagrange, one dated 1908 and located Dijon In originals wooden frames Napoléon III Period Plaque dimensions H 43 cm L 33 cm Total dimensions H 57,5 cm L 48 cm Rudolf Ernst (1854, Vienna-1952, Fontenay-aux-Roses, France) Best known for Ottoman Empire paintings...

A French 19th Century Cornucopia Gilt-Bronze Cartel, by Susse Frères Paris An Ormolu Cartel in the shape of an escutcheon, with a circular white enamel dial, signed Susse Frères/A Paris, Arabic numerals for the hours and for the minutes. It's bordered by a frieze of pearls and surmounted by a falling laurel knot with a drapery in the lower part and flanked by cornucopias adorned with flowers and fruits. Rectangular base decorated with a garland of knotted flowers dying in a tapered, fluted barrel and damping, in the upper part, a flowery Medici vase. Louis XVI Style Circa 1870 Original gilding uncleaned The Susse company, a worldwide reknown foundry, began to cast pieces as soon as the first half of the 19th Century. Awarded medals...

19th Century French Pair of chiseled and gilded bronze wall-lights, the fluted barrel, from which acanthus leaves escape in scrolls forming two arms of light, and crowned with a fire pot, neck-shovels with twisted flutes, heart, hoes with leaves of water. Circa 1880 Parisian quality work of the late nineteenth century after a model by Jean-Charles Delafosse (1734-1791), famous french architect, ornamentist and painter. Original gilding Electrified H 40 cm L 36 cm P 20 cm The model of our sconces takes the creations of 18th century bronzers who were directly inspired by the drawings of Jean-Charles Delafosse in the 1760s. In particular, the collection of engravings...

A French 19th Century Pair of Large Rectangular Curule Stools Gilt and carved wood, decorated with interlace frieze, acanthus leaves and rosaces The 4 feet linked by a gadrooned stretcher. Louis XVI Style Napoléon III Period In the manner of Georges Jacob (1739-1814) Attributed to Maison Jansen Circa 1900 Used Petit Point Tapestry Upholstery Maison Jansen, the French luxury: Opulence, refinement, audacity of style marriages… so many words agree with Maison Jansen. Through this name, a whole era sounds like a reminder of a certain French chic… Some names evoke immutable images, atmospheres... Like Jansen, for example. Let’s close our eyes… The 1960s and 1970s are at their peak. France is doing well. It is a country of full employment where everything seems possible. Within the international Jet Set, a carefree crowd of movie stars, public figures, literary idols and crowned heads, we love the Maison Jansen, its taste for styles struck with a good quality exuberance, and its brilliant side. It all began in 1880, when the Dutchman Jean Henri Jansen founded the epon-ymous house in Paris. Jansen is part of the continuity of these world-famous furniture manufacturers and companies that operated under the Second Empire and at the time of the Universal Exhibitions, as the ‘Escalier de Cristal’ teaches. At that time, the Union Centrale des Beaux-Arts appliqués à l'Indus-trie and the Société du musée des Arts Décoratifs merged to form the Union Centrale des Arts Décoratifs. Supported by both gallery owners, collectors and manufacturers, this organi-zation gives the «la» to the whole profession, and in the prevailing politico-ideological slump (France was defeated by Prussia in 1871 and Napoleon III is in exile), the ‘Union Centrale des Art Décoratifs’ focuses production on the celebration of past styles. While this nostalgia evokes memories of an era that we imagine more stable, an innovative exoticism will be all the rage: the reign of Turkish style and Japonisme. The Jansen house masterfully rushed into the «exotic» trend, but quickly de-veloped a style derived from the ornamental splendor of the eighteenth, then a little later, so-called «imperial» styles mainly intended for royal families. Af-ter the First World War, J.H Jansen was joined by the cartoonist Albert Cazes, by Stéphane Boudin and by Pierre Delbée, who successively directed the house when it disappeared in 1929. At the end of the Kennedy era, Boudin complete-ly redecorated the White House, at the request of the First Lady, Jackie, who had fallen in love with his work after discovering it at Malmaison. In 1971, Jansen joined forces with Leleu-Deshays and continued its quest for excellence. From 1969 to 1979, the dandy decorator Serge Robin took the reins of the house, granting it an eclectic and luxurious style: he revisited the great eras of French art, from the Renaissance to Louis XVI, by modernizing them with more contemporary pieces in Plexiglas or wrought iron. His recomposed and sophisticated style met with resounding success. When Jackie Kennedy, who became the wife of the great Greek shipowner Aristotle Onassis, moved to France, the young architect married Louis XVI-style furniture to modernist designs from the 1950s. When the Shah of Iran decided to celebrate the 250th anniversary of the Per-sian Empire in 1971, Serge Robin and his teams turned to the grandiose and ephemeral setting of Persepolis. A hundred semi-trailers then left the work-shops on Rue Saint-Sabin to reach Tehran. At the same time, Princess Soraya of Iran commissioned her a sumptuous palace for Avenue Montaigne, the princes Faisal bin Fahd of Arabia and Mubarak Al-Sabah, and the Agnelli snatched it. On the French side, he puts his talent at the service of Brigitte Bardot, for whom he completely revamped the Madrague and the Lannes boulevard. Serge Robin embodies all the audacity of the name Jansen with the most im-probable weddings. With him, Plexiglas tables, Japanese chairs from the 50s, gold thread curtains, zebra sofas...

Very Fine French 19th Century Pair of Candlesticks In ormolu, very finely chiseled and decorated with knotted garlands, branches of leafy flowers, spokes of hearts, leaves of water...

A fine Napoleon III Carved Giltwood Armchair In The Manner of Michel-Victor Cruchet. This fine fauteuil is richly carved with foliage, shells and 'C'-Scrolls and is upholstered 'a chasis' with floral Beauvais tapestry. The generous proportions, ornamentation and the modified Louis XV style of this grand fauteuil is in the manner of Michel Victor Cruchet who supplied related chairs to the Duke of Nemours for the Pavillon de Marsan in 1842. French, circa 1850. Michel-Victor Cruchet Michel-Victor Cruchet (1815-1899), was a celebrated sculptor, carver and ornamentalist. Working with the cabinet-makers Ringuet-Leprince, Thuiller and Maigret he was a supplier of the Garde-meuble providing many pieces of furniture to the households of both King Louis-Philippe and Emperor Napoleon III. Important commissions included audience seating for the Duke of Nemours at the Pavillon de Marsan, in a neo-Louis XV style; Gothic furniture for the Tuileries Palace for Princess...

Beautiful antique French Napoleon III marquise chair This extremely rare 19th century antique French Napoleon III marquise chair, also affectionately...

In cream paint with a shaped crest rail with leafy finials, reeded arms with acanthus leaves and raised on tapering cylindrical reeded legs with floral tops. In a striped pink floral...

Marquise in lacquered, gilded and carved wood in the LXV or Rocaille style, with its curved legs and armrests ending in scrolls. French work realized in the Napoleon III period, cir...

A pair of French Napoléon III period painted wood armchairs from the mid 19th century, with carved floral and foliage décor. Created in France at the beginning of Emperor Napoléon III's reign, each of this pair of fauteuils features a slightly slanted back, adorned with carved flowers and foliage on the crest. Two open arms with splaying extremities rest on a seat measuring 28" W x 21" D x 15" H. The seat, back and arms' upper section have been reupholstered with a neutral toned fabric complimenting the lines beautifully. Each fauteuil is raised on four cabriole legs decorated with flowers on the knees, and connected to one another through a curving apron, carved in the front. Painted in a soft color, this pair of Napoléon III French armchairs...

Napoleon chair with high rolled arm and back. Upholstered on a wooden frame, material is velvet.