A French Napoleon III Large Pair of Orientalist Porcelain Plaques, 1908

Pair of French Napoléon III Curule Armchairs Moulded, carved, blackened wood, enhanced with gold. Open-banded back decorated with interlacing, X-bas...

19th Century French Pair of chiseled and gilded bronze wall-lights, the fluted barrel, from which acanthus leaves escape in scrolls forming two arms of light, and crowned with a fire pot, neck-shovels with twisted flutes, heart, hoes with leaves of water. Circa 1880 Parisian quality work of the late nineteenth century after a model by Jean-Charles Delafosse (1734-1791), famous french architect, ornamentist and painter. Original gilding Electrified H 40 cm L 36 cm P 20 cm The model of our sconces takes the creations of 18th century bronzers who were directly inspired by the drawings of Jean-Charles Delafosse in the 1760s. In particular, the collection of engravings...

Pair of polychromed hand painted porcelain with Japonisme floral decoration Ormolu-mounted with open-worked base and rim Louis XVI Style circa 1880.

A French 19th Century Cornucopia Gilt-Bronze Cartel, by Susse Frères Paris An Ormolu Cartel in the shape of an escutcheon, with a circular white enamel dial, signed Susse Frères/A Paris, Arabic numerals for the hours and for the minutes. It's bordered by a frieze of pearls and surmounted by a falling laurel knot with a drapery in the lower part and flanked by cornucopias adorned with flowers and fruits. Rectangular base decorated with a garland of knotted flowers dying in a tapered, fluted barrel and damping, in the upper part, a flowery Medici vase. Louis XVI Style Circa 1870 Original gilding uncleaned The Susse company, a worldwide reknown foundry, began to cast pieces as soon as the first half of the 19th Century. Awarded medals...

A French 19th Century Pair of Large Rectangular Curule Stools Gilt and carved wood, decorated with interlace frieze, acanthus leaves and rosaces The 4 feet linked by a gadrooned stretcher. Louis XVI Style Napoléon III Period In the manner of Georges Jacob (1739-1814) Attributed to Maison Jansen Circa 1900 Used Petit Point Tapestry Upholstery Maison Jansen, the French luxury: Opulence, refinement, audacity of style marriages… so many words agree with Maison Jansen. Through this name, a whole era sounds like a reminder of a certain French chic… Some names evoke immutable images, atmospheres... Like Jansen, for example. Let’s close our eyes… The 1960s and 1970s are at their peak. France is doing well. It is a country of full employment where everything seems possible. Within the international Jet Set, a carefree crowd of movie stars, public figures, literary idols and crowned heads, we love the Maison Jansen, its taste for styles struck with a good quality exuberance, and its brilliant side. It all began in 1880, when the Dutchman Jean Henri Jansen founded the epon-ymous house in Paris. Jansen is part of the continuity of these world-famous furniture manufacturers and companies that operated under the Second Empire and at the time of the Universal Exhibitions, as the ‘Escalier de Cristal’ teaches. At that time, the Union Centrale des Beaux-Arts appliqués à l'Indus-trie and the Société du musée des Arts Décoratifs merged to form the Union Centrale des Arts Décoratifs. Supported by both gallery owners, collectors and manufacturers, this organi-zation gives the «la» to the whole profession, and in the prevailing politico-ideological slump (France was defeated by Prussia in 1871 and Napoleon III is in exile), the ‘Union Centrale des Art Décoratifs’ focuses production on the celebration of past styles. While this nostalgia evokes memories of an era that we imagine more stable, an innovative exoticism will be all the rage: the reign of Turkish style and Japonisme. The Jansen house masterfully rushed into the «exotic» trend, but quickly de-veloped a style derived from the ornamental splendor of the eighteenth, then a little later, so-called «imperial» styles mainly intended for royal families. Af-ter the First World War, J.H Jansen was joined by the cartoonist Albert Cazes, by Stéphane Boudin and by Pierre Delbée, who successively directed the house when it disappeared in 1929. At the end of the Kennedy era, Boudin complete-ly redecorated the White House, at the request of the First Lady, Jackie, who had fallen in love with his work after discovering it at Malmaison. In 1971, Jansen joined forces with Leleu-Deshays and continued its quest for excellence. From 1969 to 1979, the dandy decorator Serge Robin took the reins of the house, granting it an eclectic and luxurious style: he revisited the great eras of French art, from the Renaissance to Louis XVI, by modernizing them with more contemporary pieces in Plexiglas or wrought iron. His recomposed and sophisticated style met with resounding success. When Jackie Kennedy, who became the wife of the great Greek shipowner Aristotle Onassis, moved to France, the young architect married Louis XVI-style furniture to modernist designs from the 1950s. When the Shah of Iran decided to celebrate the 250th anniversary of the Per-sian Empire in 1971, Serge Robin and his teams turned to the grandiose and ephemeral setting of Persepolis. A hundred semi-trailers then left the work-shops on Rue Saint-Sabin to reach Tehran. At the same time, Princess Soraya of Iran commissioned her a sumptuous palace for Avenue Montaigne, the princes Faisal bin Fahd of Arabia and Mubarak Al-Sabah, and the Agnelli snatched it. On the French side, he puts his talent at the service of Brigitte Bardot, for whom he completely revamped the Madrague and the Lannes boulevard. Serge Robin embodies all the audacity of the name Jansen with the most im-probable weddings. With him, Plexiglas tables, Japanese chairs from the 50s, gold thread curtains, zebra sofas...

"Ce qu'évoquent les Livres" Allegory of the Literature Oil on canvas Signed on the lower part beside parchment 111 x 133 x 2 cm Framed 125 x 146 x 7 cm Provenance: Collection Georges AUBRY, brother of the artist Bibliography: Illustrated in catalogue «Regards de peintre» , Suzanne AUBRY-CASANOVA, 1997, p.104 After trying years of forced confinement due to the war, he composed this allegorical fresco on the theme of Literature, Science and Arts was painted by Émile Aubry for his younger brother Georges Aubry, who had intended it for his library. This work, composed on the theme of the book it symbolizes, in its diversity by allegorical characters, he cannot help ordering the painting around Art, which he places at the top of the scale of human...

Orientalist KPM Porcelain plaque of interior scene German, 20th century Frame: Height 71cm, width 64cm, depth 4cm Plaque: Height 50cm, width 39cm, depth 0.5cm Painted in the Or...

KPM style porcelain plaque of Orientalist Bazaar scene German, 20th century Measures: Frame: Height 78cm, width 53cm, depth 5cm Plaque: Height 60cm, width 35cm, depth 0.5cm This fin...

Orientalist porcelain plaque in the style of KPM German, 20th century Measures: Frame: Height 64cm, width 53cm, depth 4cm Plaque: Height 54cm, width 43cm, depth 0.5cm This fine and exceptionally large porcelain plaque...

Orientalist porcelain plaque in the manner of KPM German, 20th century measures: Frame: Height 54cm, width 74cm, depth 3cm Plaque: Height 40cm, width 60cm, depth 0.5cm This fine and exceptionally large porcelain plaque...

A pair of monumental and rare Antique German hand-painted polychrome enamel and raised gold porcelain plaques depicting orientalist/Turkish women standing in castles of exquisite cra...

Porcelain plaque painted with Orientalist figure by K.P.M. German, circa 1900 Measures: Frame: Height 38cm, width 32cm, depth 6cm Plaque: Height 22cm, width 17cm, depth 0.5cm T...