Wood Living Room Sets

2 x Armchair (sz20) 1 x sofa (bz20) model Sandwich. Design by Claire Bataille and Paul Ibens for 't Spectrum collection from 1973-1974. 2 x Fauteuil (sz20) 1 x sofa (bz20) model Sandwich. Ontwerp van Claire...

An extremely rare set designed by Dutch designer Rob Parry, with a very elegant shape with a combination of rosewood, chrome metal and a seat, as if suspended in this structure. This...

Mid Century German teak and rattan chairs by Georg Leowald for Wilkhahn, 1960s, Set of 4 The chair frames are made from solid teak and rattan sits, in good vintage condtion, however...

Complete living room with a pair of armchairs and a three-seater sofa, Scandinavian production of the 1960s. Structure in maple wood with seat, backrest and armrests in fabric, detai...

Adorned in a luxurious petrol green upholstery, this unique set by georges van rijk for beaufort exudes a cool, confident vibe that’s both retro and refreshingly contemporary. The vi...

Objekt: Stahlrohr Sitzgruppe Entwurf: Willem Hendrik Gispen, Niederlande um 1935 Modell-Nummer: Tisch: 501 / Sessel: 107 Ausführung: Willem Hendrik Gispen, Niederlande um 1935 Maße i...

Set of 3 Italian Mid-century Modern Wooden and Green Velour Chairs, 1948 Coveted set of 3 chairs in perfect shape, beautiful details on the wooden structure and precious cushioning in great conditions. BBPR was a studio of architects, urban planners and designers, composed by Gian Luigi Banfi, Lodovico Barbiano di Belgiojoso, Enrico Peressutti and Ernesto Nathan Rogers. Founded in Milan in 1932, the studio was a vivid part of the debate of the modern movement, becoming one of the leading exponents and masters of the Italian design. The first important intervention project was designed in 1946, after the war and the loss of Banfi: the planning of the reconstruction of Milan. At the IX Triennale in Milan, when the birth of Italian design (1951) began, they organised the exhibition “The shape of usefulness” (with Francesco Buzzi Ceriani and Max Huber...

8 rosewood chairs with ebony profiles, 1950s.

Grands fauteuils by Olivier de Schrijver (born in 1958) in teak. Model Zen with teak wavy headband, comfortable armrests and base, curved seats, Belgium, 2020.

Gorgeous rattan sofa and loveseat settee pair handcrafted in Italy by wicker works. Made in the organic modern California coastal style and manner of Michael Taylor. Known as the cla...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modular ...

Upgrade your living space with the stunning Maison Regain sofa set. This large set surely is an eye-catcher and will beautifully merge comfort and style. Whether you're entertaining ...

Galapinhos Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Galapinhos modern sofa was designed to add the essence of nature into the interior spac...

Best Chair Design at the International Design & Architecture Awards 2021 Honorable Mention at the European Product Design Awards 2021 The Arches dining chair...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Extremely rare & stunning! This fully original ''Minerva seating group'' by Peter Hvidt & Orla Mølgaard-Nielsen for France & Daverkosen 1950. The design & luxurious feeling of this set are just superb. The combination of teak, rattan, wool & chrome are breathtaking. It looks stunning from any angle with the minimalist teak & chrome backrests so you can place it in the center of your room. The set has its original finish & original padded wool upholstery in grey/green. which remains in amazing condition! The FD516 coffee table...

Yngve Ekström was one of the most important figures in the evolution of the Scandinavian Modernism movement and co-founder of the furniture design company Swedese. This living room ...

The epitome of Mid-Century Organic Modern refinement. This iconic teak living room sofa set represents some of the best design and craftsmanship of the era. Invitingly relaxed and magnificently elegant. The sculpted teak wood, elegantly darkened with age, is complemented by chic tweed upholstery à la Coco Chanel...

Hollywood Regency Royal Style Handmade Fine Leather Chairs and Table Allow yourself to sit in the lap of luxury with our absolutely stunning chairs and table set The Royal Experience. This is indeed a regal chair...

Pair of Svante Skogh 1957 “Bodo” armchairs in Swedish oak PRODUCT DETAILS Dimensions: 75w x 72h x 62dcm Materials: oak wood, fabric Production: Saffle Mobler 1957 The coordinate...

An extremely rare and extraordinary set of 4 dining chairs in solid ash, highlighted details such as the butterfly shaped back rest. Seats and the curved back reupholstered in a grea...

Silhouette is a surreal reminiscence of a woman’s sensual curves that arise designed in an eye-catching dining chair. The joint dimension of people and objects represented by severa...

"Kiushu" armchair with wooden frame and fabric covering. The backrest is removable. Signs of wear on the legs. The Brick Red fabric and the fillings remain ...

This sofa was produced by the Brazilian company Celina Decorações in the 1960s. The sofa is made of solid Rosewood, with seats and backs upholstered with a gorgeous fabric 100% Organic Silk, from our collection Bossa Fabrics. The armrests have a rectangular design that favors the visualization of the beautiful veins of the wood, with upholstered sides. The base consists of four rectangular legs, providing lightness to this three-seat sofa. Celina Decorações signed one of the most modern lines of Brazilian furniture in the 1960s. Based in Rio de Janeiro, the Celina Decorações factory imposed high-quality standards, maintaining handcrafted characteristics. With a color pallet rooted in natural shades, our Fabric collection tells a bit about Brazilian biodiversity, through raw and natural materials and artisanal processes. For dyeing this textured fabric was used yerba mate...

Set of 5 French Empire-style (19th century) mahogany salon or living room set with bronze trim and red damask upholstery. Measurements: 2 arms 27½" W 28" D 40½" H 2 sides 22½...

In his designs, Percival Lafer sought ergonomy and comfort. The MP-61 sofa and armchair, from 1973, was the first two pieces designed by Percival Lafer that used a visible fiberglass...

Ole Gjerløv-Knudsen & Torben Lind for France & Søn, modular lounge set, Denmark, design 1962 Modern and beautiful colored modular lounge set designed by Ole Gjerløv-Knudsen & Torbe...

Fantastic Italian Mid-Century organic sofa and matching coffee table, fully made in bamboo, leather, and maple wood. The coffee table is completed by its original smokey bronzed glas...

This extremely rare sofa set created by the Polish company Paged in the 1972. The furniture was produced in cooperation with the Arab Republic of Egypt. This set consists of a sofa a...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modular ...

Wonderful living room set designed by Illum Wikkelsø for C.F. Christensen, Silkeborg, in Denmark, 1960, consisting of two armchairs, a three-seater sofa (with additional possible con...

An art deco set of a sofa with two armchairs by the world renowned former Czechoslovakian designer - Jindrich Halabala. Incredible restoration work. A strikingly beautiful set of v...

Product Description Full: Daybed/ 3-seater ‘Model Z’ designed by Poul Jensen and produced by Selig in Denmark in 1957 newly upholstered in faux fur. This lovely 3 seater couch also d...

Silk 3-seater sofa and armchair, Tommaso Barbi, 1970s Elegant, very sturdy. Only a few slight tears on the base, burns, and slight stains on the fabric. DESIGN PERIOD 1970...

Carlo Bartoli for Rossi di Albizzate, pair of two-seat sofa with pair of lounge chairs and coffee table, model 'Blop', original ve...

Set of 6 Italian Venetian-style (19th Cent) walnut high-back salon / living room set with carved cupid heads and gold upholstery. (3 side chairs, 2 arm ch...

A nine piece Italian, Louis XV style, gilt-wood Suite. This masterfully handcrafted set includes one sofa, two armchairs with matching footstools, and four chairs, all unified by a a...

Embrace the charm of the 19th century with this elegant French Rocaille Salon Set. Crafted from high-quality walnut with Cane Seat and Backrests, this Louis XV style set includes a s...

Selling this rare amazing big and cozy chair designed by Fredrik Kayser at Rastad & Relling Tegnekontor in 1952. This chairs is one of a few produced and was only sold at the Rastad ...

One of a kind seating set completely re-upholstered and restored. Cushions filled with goose feather's. 17 meter's of green relief velour was use...

New Stock ✅ Mid Century Ekornes Amigo Matching Stressless Two Seater Sofa and Armchair In Cream Leather Handsome and comfortable “Amigo” armchair and 2 seater sofa made in Norway b...

Illum Wikkelsø for CFC Silkeborg, pair of lounge chairs with ottoman and side table, leather, lacquered wood, metal, Denmark, 1970s Exiting and rare to come by modular sitting set d...

Selling two armchairs model Lobby designed by Torbjørn Afdal for Bruksbo Tegnekontor, 1957. Produced by Svein Bjørneng møbelfabrikk, Norway The chairs are reupholstered in woolen fa...

Wicker and wood Excellent condition Set of 6. In the style of Charlotte Perriand, purchased in France

Circa 1970, We offer this Mexican Miguelito Living Room Set in the style of Michael Van Beuren. Made in pine wood and recently professionally restored.

Three-piece seating group, consisting of a two-seater sofa and two armchairs. The seating furniture is made of solid teak and the seat and backrests are covered with ropes. The backr...

De Sede DS46 Sectional Sofa-Livingroomset in Strong Buffalo Leather, Switzerland 1970s Original De Sede DS 46 designer leather corner sofa, chair, and...

Elegant and classic authentic Italian neoclassical salon set with a sofa and two armchairs or fauteuils in incredible shape, sturdy and elegant! Louis XVI style carved fauteuils and...

Living room set composed of a sofa and 2 armchairs, in wood and covered in a gray fabric, from the 70s Good general condition: restored and reupholstered a few years ago, some trace...

Seating group from France, designed and manufactured during the 1960s. This corner sofa is made out of solid pine slats and the cushions are freshly re-upholstered in a green fabric....

Rare dining set, Galaxy Table and chairs, with exclusive upholstering, designed by Umberto Asnago - Giorgetti. 1980s

1930's Chinese style French work living room, hand-brush relacquered and reupholstered in Pierre Marie's Abondance in "Maubeuge" colorway fabric. Fabric is 80% recycled jacquard cotton, made in France...

We are delighted to offer for sale, this exquisite French Aubusson salon set is a stunning piece of antique furniture that will add elegance and charm to any room. The set includes ...

An imposing Empire-style salon comprising a mahogany sofa and eight chairs. They are richly adorned with gilded bronzes, with a rectangular pedimented back decorated with laurel leaf...

This majestic giltwood Chateau salon suite is from France and dates to circa 1880. There are four side chairs, two armchairs (fauteuils), and a canapé. All have square baluster legs and volute x-stretchers. All the wood has been richly sculpted and gilded, and motifs include scrolls, foliage, rinceaux, palmettes, beading, acanthus leaves and more. The armrests of the fauteuils and canapé are supported by large lion muzzles. The side chairs and canapé are all supported by cross stretchers, while the bright yellow upholstery is more recent, attached by large brass nailheads. The motifs are musical trophies encircled by foliate and floral motifs. French furniture of this style would have been first produced during the reign of Louis XIV, toward the end of the 1600s. A magnificent 19th century suite...

This modernist Carlton armchair with a footstool was produced by the Swedish company IKEA in 1963. This is a model with a high backrest. The frame is made of oak wood in a light shade of wood. The high backrest is slightly tilted, which affects the comfort when using it. The armchair with the footrest is upholstered in the original blue-gray fabric with a thicker weave. The set is a perfect example of Scandinavian design of the Mid-Century Modern era. Original IKEA furniture...

This elegant Georgian style trio is English made, done in a rich mahogany with beautiful curves in the design of the arms and back. The settee is covered in what appears to be the or...

Early 20th century 7 piece carved walnut salon suite circa 1920 Here we have a good quality salon suite ready to be recovered to bring it back to former glory. Set comprises of 1 la...