‘Adam’ Chair by Kerstin Horlin-Holmquist in Off-White Bouclé

Pair of Soriana lounge chairs by Afra & Tobia Scarpa for Cassina, Italy 1969. The chairs still have their original leather upholstery which gives them a lot of character. The origina...

Italian fifties reclining garden chairs, Italy 1950s. Elegant classic yet modern design made from strong white lacquered metal. Eye catching des...

Lounge chair mod. 'Carrera' in leather by De Pas, D'Urbino & Lomazzi for BBB Bonacina, Italy ca. 1965. Iconic model and hard to find as a single lounge ch...

Beautiful pair of ‘806’ armchairs by Carlo de Carli for Cassina, Italy, 1955. Elegant curved shape with nice distinctive sharp tapered Italian walnut wooden legs. The chairs are full...

Italian lounge chair, 1950’s. Elegantly curved bent wooden frame with sleek Mid-Century Modern boomerang shapes finished in black lacquer. The round shaped seating tilts backwards wh...

Stunning pair of lounge chairs, France 1950s. Impressive bold shapes and interesting lines with cilinder shaped Oak wooden legs. The chairs are fully reconditioned and are upholstere...

Fantastic lounge chair designed model Little Adam by leading Swedish midcentury-era designer, Kerstin Horlin Holmquist. The chair was a part of a design-series named "Paradiset" desi...

Kerstin Hörlin-Holmquist "Little Adam" chairDesigned in 1958 and Produced by Nordiska Kompaniet. NOTE: We Have Another Chair Waiting to Be Reupholstered....

"Little Adam" chair by Kerstin Hörlin-Holmquist Designed in 1958 and Produced by Nordiska Kompaniet. NOTE: We Have Another Chair Waiting To Be Reupholste...

The “Little Adam” chair model is from the timeless and iconic Paradise Collection from the Triva Series, which was created in 1958 by Kerstin Hörlin-...

The “Little Adam” chair model is from the timeless and iconic Paradise Collection from the Triva Series, which was created in 1958 by Kerstin Hörlin-...

These “Adam” models are from the timeless and iconic Paradise Collection from the Triva Series, which was created in 1958 by Kerstin Hörlin-Holmquist during her time as a designer at Nordiska Kompaniet. The name is inspired by “Paradiset” – the Swedish name for Eden. This pair holds a soft simplicity and a uniqueness in its appearance - light, clean lines with an air of romance. Without worrying about short-lived trends and what other people thought, Hörlin-Holmquist created the peculiar shape of these chairs that is only increasing in popularity. Thanks to her unique vision, these chairs have an unmistakeable backrest that flows down to form the armrests. While the armrests sit low, therefore opening the seats, the chairs still give the impression of hugging the sitter. The upholstered bodies elevate the visual comfort, with stitch tufted backrests that are festooned with orange, symmetrically arranged cross stitches. The upholstery is a premium, light Italian fabric with a soft touch that complements the aesthetic of Hörlin-Holmquist’s design. Similarly, the stained and tapered beech legs pair perfectly with the sculptural and organic form of the bodies. Kerstin Hörlin-Holmquist had a unique and humanistic design vision, and thanks to her uncompromising attitude, these “Adam” easy chairs have become iconic. Condition: In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium Italian fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 30.71 in W x 33.46 in D x 36.61 in H; Seat Height 16.14 in 78 cm W x 85 cm D x 93 cm H; Seat Height 41 cm About the Designer: Kerstin Hörlin-Holmquist was born on May 30, 1925 in Arvika, Sweden. She was a Swedish modernist architect and designer. Hörlin-Holmquist graduated from Stockholm’s Konstfack in 1952, and before that she studied and worked in England. She often worked with her husband Erik Holmquist, and together they modelled and created the pieces together. A key aspect for the couple was always to test their designs in their own home before completing a project. "I think both furniture and textiles, wherever they end up, must be kind, gentle and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in..." Hörlin-Holmquist worked and studied in England from 1946-1947 immediately after the war, where she also studied art history and became fascinated with the classic English upholstered furniture...