Eugene Berman Collage in Original Frame

This trompe l'oeil drawing depicts the artist's tools -- a black and a red crayon, and a folding steel ruler that was painted with silver pigments, which have blackened with age. They're shown on a sheaf of papers that include a medieval manuscript page, a musical score, and a group of prints. The unifying theme is the artistic patronage of the Medici, the Grand Dukes of Tuscany, who intermarried with the Habsburgs, who were the Holy Roman Emperors. Among the papers are prints by Stefano Della Bella, the Florentine artist who worked for the Medici. They depict a negro page with a horse, and portraits of Lorenzo Lippi...

This Mughal miniature was painted at one of the princely courts of India. It depicts a raven-haired princess in a gold-trimmed saffron-colored silk sari. Under a glowering evening sky she dawdles on a white marble terrace, with a pet fawn on a leash, before a landscape dotted with buildings nestled amongst trees beyond a river. Her hair, falling loosely about her shoulders, rather than carefully dressed on her head, indicates that she is a maiden. The overall mood is one of expectancy. Perhaps walking a pet and catching an evening breeze is a pretext to escape palace scrutiny for a lovers’ assignation. In Mughal India tender sentiments were a bridge to the erotic – and if this seems contradictory, so too is the balance of realism and caricature, and naturalism with the schematic. Both are hallmarks of miniatures painted in this place and time. The earliest Mughal Indian miniatures date to the 16th century. They were inspired by those painted at the refined Moslem courts of the neighboring Persian empire. They incorporated figures in spite of the Moslem faith’s proscription against depicting the human form. Such was the nature of sophisticated courtly life everywhere that beauty and pleasure trumped systems of morality. This was no less the case at the provincial Indian courts, where our miniature, marked by a charming pictorial naiveté, was most likely painted. Yet the artist was undeniably accomplished. His command of perspective, introduced by Jesuit missionaries in the 17th century, is seen in the landscape, which rolls back to a distant horizon, contrary to the flat two-dimensional ones following Indian-painting traditions. And if Mughal artists were influenced by Western art, the compliment was returned by Rembrandt and Sir Joshua Reynolds, among others, who collected Indian miniatures (as did, perhaps, Giovanni Bellini who painted in Mughal style the famous miniature of a Persian man...

Emilio Terry -- architect, interior, and furniture designer -- was the inventor and sole-practitioner of what was drolly referred to as his “Louis XVII style...

This large Art Deco table is attributed to the Austrian born New York designer Eugene Schoen. The mahogany carcass is veneered in Macassar, and surfaced with a sheet of black opaline...

This mercury-glass mirror was made in 19th century Italy, and has a greyish tinge that endows it with mystery. Stylistically, it harks back to 17th century mirror-framed mirrors, whi...

This faceted, geometric sculpture by the contemporary New York artist John Torreano dates to the mid-1980s.

Eugene Berman (1899–1972) An untitled stage design, ink and wash on paper. French, circa 1950. Signed lower right: EB.

Pen, ink and gouache on paper, painting "The Temple of Dendur' by Eugene Berman. Signed and dated, 1964. Framed size is 28.25 x 22.25.

Gouache on paper costume design for Annabella, for the John Ford play: "Tis a Pity She's a Whore" by Eugene Berman signed with the cypher (E.B.), dated 1942 and annotated. Pencil ske...

Framed original, one-of-a-kind mixed media collage work on paper by Contemporary Black artist Ilana Harris-Babou. Additional Information: This cheeky, colorful and contemporary mixed media collage is composed from images of seating Harris-Babou culled from interior design magazines and catalogues. The artist implements gouache paint, graphite pencil and bright pigments to create these bold statement pieces. This piece is one of a series of five unique works that can be sold in a group, and each is matted and framed in a white wood frame. In the artist's own words, "I'm interested in the traces our bodies leave behind. Recently, I was sitting on a subway seat...

Marcel Vertes 1898-1962 Hungarian/ French Artist and illustrator/ a rare Original Gouache c. 1940 Titled 2 Figures In Original House of Heydenryk NYC a frame. This lovely gouache dep...

Framed original, one-of-a-kind mixed media collage work on paper by Contemporary Black artist Ilana Harris-Babou. Additional Information: This cheeky, colorful and contemporary mixed media collage is composed from images of seating Harris-Babou culled from interior design magazines and catalogues. The artist implements gouache paint, graphite pencil and bright pigments to create these bold statement pieces. This piece is one of a series of five unique works that can be sold in a group, and each is matted and framed in a white wood frame. In the artist's own words, "I'm interested in the traces our bodies leave behind. Recently, I was sitting on a subway seat...