American Art Deco Table Attributed to Eugene Schoen

The January 1935 issue of Plaisir de France featured two dining tables by Jansen. The editors saw fit to present the same photograph of one of the two once again in the book Decoration de France, a 1949 compilation of articles and images previously published in the magazine. This photograph shows the table before an antique Chinese screen, extravagantly set with Lalique glass, and a fantastical Misia...

This 1930s French chandelier adapts an Ancien Regime form to Cafe Society taste. The arms are3 trimmed with cut-glass arabesques, the frame is steel rath...

When new in the 1920s, this glamorous pair of 1920s chairs, which graft Asian and Art Deco styles, evoked the exotic orient for occidental buyers. Althou...

This haunting image by Eugene Berman was painted on a sheet of paper cut in the shape of a heart, mounted to a paint-speckled ground, encircled with metal shavings, and placed in a frame of the artist’s own devising. Berman wrote the title, Radiograph of a Heart, on the back. It refers to the medical X-rays that doctors had recently come to rely on. Yet Berman’s point seems to be that while a heart can be monitored scientifically, the emotions associated with it lie beyond the power of medical science. Russian by birth, Berman fled St. Petersburg during the Revolution and settled in Paris. Later, as a Jew, he fled the Nazi advance and took refuge in New York and Hollywood. His peace of mind, however, was shattered by the suicide of his wife, actress Una Munson (who played Belle Watling in Gone With the Wind). That distressing event — “Don’t follow me” she admonished in her suicide note...

This Boiceau desk bears his stamp, and was entirely veneered in amboyna, an exotic burlwood named for Ambon, the Indonesian island where it was harvested. The naturally squiggling patterning of the veneer provides an overall surface decoration. The top alone has no fewer than 60 small book-matched squares of it – ten across and six deep – creating a kaleidoscopic effect in subtle monochrome. Applied decoration is minimal. It consists of two inlaid pairs of griffins in boxwood and purplewood facing off across braziers on both the front and the back of the desk, and blind-tooled Greek keys trimming white-leather-topped shelves that slide out to either side. These decorations introduce no color, and, in lying flush with the surface, leave the sleek form undisturbed. Boiceau even eliminated drawer pulls, necessitating a lock and key for each drawer. Born in Lausanne in 1881, Boiceau descended from French Huguenots who had settled in Switzerland. Prominent as bankers, lawyers, businessmen, and diplomats, the Boiceaus were a cosmopolitan family. Ernest studied painting in Munich, and then painting and architecture in Paris at the École des Beaux-Arts. In 1900 he embarked on a ten-year European sojourn, painting landscapes and portraits along the way. In 1910 he resettled in Paris, became interested in textiles, and established an embroidery workshop that catered to the stage and haute couture. Among his clients were the Folies Bergères, the Comédie-Française, and the Paris Opéra, and the fashion houses of Worth and Molyneux. He also made embroidered table linens, wall hangings, and upholstery fabrics. In a 1913, at an embroidery exhibition in Paris at the Musée Galliera, he presented a boudoir in collaboration with curtains, upholstery fabrics, and a tapestry, embroidered in modern abstract designs. In 1925 he launched a couture line, and branched out to design finely crafted objects and furniture made in rare woods, like ebony and Tasmanian oak...

This pair of walnut-veneered, black marble and brass neoclassical pedestals bear a striking resemblance to those that appeared in the rooms decorated in by Eleanor Brown of McMillen ...

A fine French Art Deco rectangular palisander dining or writing table attributed to Dominique (André Domin & Marcel Genevrière) Provenance: Lazard bank in Paris.

Stunning matched pair of Art Deco lamp tables, exotic mixed woods, retain original finish, overall good condition, minor veneer loss, custom designed attributed to Eugene Schoen and ...

Fantastic French Art Deco dining table, writing table, or bureau plat attributed to Jules Leleu (French 1883-1961). The rectangular table features dramatic round column corners and a...

Art Deco table by J. Halabala from 1960s. Art Deco table by the famous Czech designer J. Halabala, 1940. Jindrich Halabala, (a Czech designer ranked among the most outstanding cre...

Art Deco table by J. Halabala from 1960s. Art Deco table by the famous Czech designer J. Halabala, 1940. Jindrich Halabala, (a Czech designer ranked among the most outstanding creat...

Attributed to FIAM of Italy. Three pieces attached by steel discs, bent glass legs and a solid structure. This is a wonderfully chic desk or dining table for...