Collection of Surrealist Dog Portrait Paintings in Period Attire, Set of 4

A unique original portrait painting of a dog named “Ike” by the late Oklahoma artist Clair Seglem. The artist captures this dog of Patricia Goetzinger ...

A monumental portrait illustration in pastel chalk on paper. Created by the late Oklahoma artist Clair Seglem, this striking piece of artwork is de...

A beautiful portrait painting of a woman in the buff. She sits in repose against a blue background and red floor. A blue shirt is draped across her legs. She has short dark hair, and...

A wonderful bohemian portrait painting of a woman in repose, by Oklahoma artist Clair Seglem. The subject in the painting is of a woman with ravishing yel...

Original portrait painting of a nude woman in robe. This lovely piece of art is tall and captures a woman in an open purple gown. She has messy blonde hair that reaches her shoulders...

A bright and bold modern piece, this painting is a striking example of artist Clair Seglem's love for color. A pair of mannequins seemingly come to life w...

Antique Victorian watercolor portrait painting of a young boy in a blue outfit, seated on a pink cloth covered chair. Measures: 11.75” x 0.5” x 16” / Sa...

This painting very much of the period of George Jamieson although with a contintal flavour It is worth considering this artist , He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College.[2] Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck.[3] This is, however, yet to be proven as his name does not appear to be noted on the Guild registers of the town.[4] Since Rubens was exempt from registering pupils, the absence of Jamesone's name does not mean that the painter definitely did not study there. Mary Erskine Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century.[5] Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620. Career Whilst in Aberdeen, Jamesone made a name for himself painting portraits of local academics and scholars from the city's two feuding colleges: King's and Marischal. In 1633, when Charles I made his grand royal visit to Edinburgh, Jamesone rose from local to national fame. For this occasion the painter was asked to decorate a highly elaborate triumphal arch with the portraits of all the past kings of Scotland.[6] He was also given the honour of painting the portrait of Charles himself. It has been said that the king was so pleased with the result that he gave Jamesone a ring off his own finger as a reward.[7] After hearing of the King's approval, many of the Scottish gentry desired to be painted by the now highly reputable George Jamesone.[3] One of his finest examples is that of Mary Erskine which is on display at the National Gallery of Scotland. Jamesone had homes and studios in Aberdeen (on Schoolhill opposite St. Nicholas Kirk) and in Edinburgh (on the Royal Mile right next door to John Knox House). Having two bases allowed him to meet the demands of hundreds of patrons from the north to the south of the country. Jamesone died in Edinburgh in 1644 and was buried in Greyfriars Kirkyard in the centre of the city. The grave is largely illegible but lies on the east wall of the original churchyard.[8] Legacy Lady Janet Stewart Jamesone's pupil, John Michael Wright...

Amazing vintage framed hand painted watercolor painting. Features a portrait of a lady laying with some blue clothes on.

#39707 Very large and impressive hand painted reproduction oil portrait painting on canvas after “Patricienne de Venise” (Patrician of Venic...

Two Paintings, Dog Portrait, XXth Century. Pair of Oil on canvas, XXth century painting, depicting dogs. Dimensions: h: 27cm, w: 35cm, d: 2cm.

Vintage (20th Century) oil painting of a brown and white dog in a field as a circular focal point framed in dark brown, on square, unframed canvas.