Michael Kenna 'Trees-Richmond-Surrey-England', 1975

Horst P. Horst (German/American 1906-1999) Title 'Electric Beauty', (Blanche Grady), Paris, 1939. Signed in Pencil. Edition 5 of 10. Platinum Print Refere...

Andre Kertesz (Hungarian/American 1894-1985) Title: 'Montmarte', Paris, 1963 Gelatin silver print Signed in ink titled, dated '10-31-63' in artists hand in ink au verso 'Cork...

Weegee (Ukranian/American 1899-1968) Title: 'Cafe Romance', New York 1953 Gelatin silver print Signed, titled, dated in ink au verso 'Corkin Gallery' label au verso stamped "weegee the famous" au verso Image size: 11" x 13.5" Mat size: 21" x 24" Biography: Probably few policemen have seen as much violent sin as Arthur Fellig, better known as Weegee, did. Specializing in crime and catastrophe, Weegee’s work is regarded as some of the most powerful images of the 20th century. His profound influence on other photographers derives not only from his sensational subject matter and his use of the blinding, close-up flash, but also from his eagerness to photograph the city at all hours, at all levels: coffee shops at three in the morning, hot summer evenings in the tenements, debutante balls, parties in the street, lovers on park benches, the destitute and the lonely. No other photographer has better revealed the non-stop spectacle of life in New York City. During the 1930s and 1940s Weegee worked as a freelance news photographer in New York City, and was the first private citizen to gain access to police radio transmits. He lived across the street from Manhattan police headquarters waiting for the inevitable call that would announce another gangland execution, botched hold-up, or crime of passion. Weegee’s first book, Naked City, was a runaway success, making him an instant celebrity who suddenly had assignments from Life and Vogue. He was among the first to fully realize the camera’s unique power to capture split-second drama and exaggerated emotion. By the mid-40s, Weegee photographed...

This framed black and white photograph was done by the well-recognized Canadian photographer, Bruce Metcalfe in circa 1930 in the period Art Deco style. Bruce Metcalfe is known for h...

Ralph Gibson (American born 1939) Title: 'Artifacts' Full portfolio containing 10 photographs on fibre based silver gelatin photographic paper and clamshell box Each piece signed ...

Andre Kertesz (Hungarian/American 1894-1985) Title: 'Melancholic Tulip', 1929 Gelatin silver print Signed in ink titled, dated 'Feb 10 1929' in ink 'Corkin Gallery' and 'Niko...

An early vintage photography by British-American photographer Michael Kenna (1953-). "Scarecrow, Twyford, Oxfordshire, England". The gelatin silver print was printed in 1980. The ima...

Pencil Signed 1998 Photo by Michael Kenna "Beauty and the Beast" Limited Edition small run 14/45 Silver Gelatin Print Vaux-le-Vicomte Michael Kenna is known for his black and white...

This pool-side scene with its beautiful deep blue tones falls between landscape and interior. It is part of Michael Stuetz's "California" series of photographs scenes of seemingly ba...

Gelatin Silver Print Laid to Board. Signed, titled and dated 'Everybody Has Done His Business... But Some Keep Playing, Ettore Sottsass Jr. 1975'. Literature: The Complete Retrospec...

Vintage chromogenic photographic print by Franco Fontana with original dedication on the back. Signed and dated by the author at the base Franco Fontana: (Modena, Italy - December 9, 1933) is an Italian photographer, photojournalist and writer. He began photographing in 1961. A frequent photographer at the "Fotoclub", his activity is mainly amateur, even though he carries out aesthetic research on various themes. Very important will be those dedicated to the abstract expression of color, carried out in a period in which abstract art in photography was to be found exclusively in black and white. In 1963 he exhibited at the Third International Biennial of Color in Vienna; the year after Popular Photography publishes, for the first time, a portfolio with text by Piero Racanicchi. He held his first solo exhibitions in 1965 in Turin (Subalpina photographic society) and in 1968 in Modena (Galleria della Sala di Cultura). The exhibition in his hometown marks a turning point in his research. Its complex activity and the international importance of its production can be summarized in some figures. Over 70 books have been dedicated to him, published by Italian, French, German, Swiss, Spanish, American and Japanese publishers; he has exhibited in public museums and private galleries around the world - over 400 personal and group exhibitions he has held so far. His works are preserved in over fifty museums around the world, including: International Museum of Photography, Rochester; Museum of Modern Art, New York; Museum of Fine Arts, San Francisco; Museum Ludwig, Cologne; Musée d'Art Moderne de la Ville de Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; Kunsthaus Zurich; Civic Gallery of Modern and Contemporary Art, Turin; The Photographic Museum, Helsinki; Puskin State Museum of Fine Arts, Moscow; The University of Texas, Austin; Museum of Modern Art, Norman, Oklahoma; San Paolo Art Museum; Israel Museum, Jerusalem; Metropolitan Museum, Tokyo; Beijing National Gallery; The Australian National Gallery, Melbourne; The Art Gallery of New South Wales, Sydney - and private. He has received important awards and prizes, in Italy and abroad. He has collaborated and collaborated with magazines and newspapers: Time-Life, Vogue USA, Vogue France, Il Venerdì di Repubblica, Sette, Panorama, Epoca, Class, Frankfurter Allgemeine, New York Times. Among the many advertising campaigns signed...

Ger Van Elk, (Dutch, 1941-2014), "The Symmetry of Diplomacy", painted color photograph mounted on board, signed and dated lower right, editioned 15 of 60, ...