Vintage 1910s Edwardian Couture Embroidered Beaded Sheer Net Art-Nouveau Vest

Incredibly chic Geoffrey Beene couture black and creme checkered wool coat dating back to his 1972 fall/winter collection. Geoffrey Beene made strong imp...

This timeless Norman Norell coat, in the chicest royal blue color, exemplifies his signature blend of couture level quality with quintessentially American style. This gorgeous garmen...

Incredibly gorgeous Yves Saint Laurent royal purple cotton-velvet pantsuit from his infamous 1979 Rive Gauche collection. Pieces from this decade are v...

This ultra-chic early 1970's Harella of England maxi coat will make any woman shine during cold months ahead. The fabric itself is gorgeous; vibrant teal blue-green midweight cotton-velvet. I love the matching brass buttons and long, lean cuffed sleeves. Shaped with a-line seams that flare out in a slight swing-skirt, the figure flattering cut adds fullness to the skirt without adding bulk in the hips. Complete with a back mock-belt and hidden pockets. The mark of a truly fashionable garment is that it remains current event 50 years later, as does this statement coat...

Chic Yves Saint Laurent leopard print cotton-twill trench jacket from the infamous Rive Gauche collection during spring-summer of 1989. Pieces from this collection are very rare and are true examples of fashion history. I adore the cuffed-sleeves and front duel pockets. The jacket features hidden buttons and a sexy back-slit. It is wearable and comfortable, yet has its own iconic elements. The best part of all is, the trench is in mint never worn condition! "In the mid-1970s the relevance of haute couture was seriously debated. The political and social upheaval of the 1960s, the emergence of a plethora of creative ready-to-wear designers, and the increasing preference for a sportswear approach to dressing as represented by American fashion were among the shifts in lifestyles and taste that appeared to sound the death knell of the calcified and elitist world of the maisons de couture. It was at this time that Yves Saint Laurent, haute couture’s preeminent practitioner, threw caution to the prevailing winds with a collection of unrivaled fantasy and luxury." Measurements Marked a EU 36 Bust: 40 inches Hips: up to 52 inches Sleeves: 24 inches Total Length: 42 inches This YSL designer...

This chic Norman Norell coat, in a timeless black color, exemplifies his signature blend of couture level quality with quintessentially American style. This gorgeous garment, dating ...

Fabulous early 1990's Terry Paris Versace style jacket. Beautiful decorative goldtone medusa head medallions. Lace embellishment. Goldtone button closure a...

Rare Schiaparelli Haute Couture Mandarin Black Quilted Faille Cape, 1951 Amazingly chic and modern quilted silk faille Haute Couture cape by Elsa Schiaparelli from the 1950's. M...

Schiaparelli Haute Couture Changeant Faille Jacket, 1938-39. "France gave me the inspiration: America gave me the approval" Elsa Schiapa...

"In difficult times, fashion is always outrageous" Elsa Schiaparelli,1930's. "Life has changed so much, A Schiaparelli was never made for the streets." Karl Lagerfeld, 1970's. 2 quotes,2 designers, 4 decades apart. 4 decades later. Although these quotes are highly debatable, especially in the context of today's high-low designer collabs and pop up retailing, iconic fashion endures. Whether now relegated to a museum exhibition, a collector's acid free box or a celebrity one nighter, these fashion artifacts from the french Haute Couture of the 1930's echo a time, pace and culture unrecognizable to most people today. Schiaparelli changed the definition of what it meant to be a designer at an important time in the evolution of the Haute Couture. Rather than simply making beautifully elegant garments (which she also did), she focused on the concepts behind the pieces. For her fashion was a fluid medium and she effortlessly blended fashion, politics and the fine arts. She was one of the most innovative and rebellious designers of the period working against what she considered the stale fashion currents of the day. She was elegant yet untrained. As a protege of Poiret, she gained entry into the world of Parisian fashion. While her rival Chanel was essentially uneducated and a “primitive” in the artistic circles in which she socialized, Schiaparelli’s impeccable social credentials as the daughter of an old and distinguished Roman family gave her a relatively easy entree into Paris society. She was a subversive, a punk, a desecrator, a collaborator, an innovator as well as the ultimate insider whose plans on design domination and creating "la zone rose" for the modern world were cut short by the advent of WWII. She was at the height of her influence and power showing 4 iconic collections in the last years of the decade. Fascinating to consider what the House of Schiaparelli could have brought forth in the following decades had the world not been swept away in turmoil at that moment. In the context of her short prewar career, few remaining masterworks have survived. The rare "moment" she created in the 30's lives on within each art piece, safelocked away within each stitch and sequin. Each design retains her spirit and legacy as a free thinking, modernist rebel who used the avantegarde as her platform in the most creative period of fashion design in the 20th Century. -------------------------------------------------------------------------------------- Rare and Important Elsa Schiaparelli Haute Couture...

Incredible and very rare Azzedine Alaia 2 pieces set in sting ray embossed leather from Spring Summer 1991 collection. This one of a kind set includes a cropped jacket that closes wi...

Chanel blue jacket Cruise 2013 - Versailles gardens - Look 35/71 on the show Jacket in blue cotton with central front zip, mandarin collar. White s...