Display case Massimo Osti Cargo, CP Company jacket with internal straps 1990s

In the heart of an art exhibition, there stands a mesmerizing resin display panel, an exquisite shrine to a bygone era of Italian fashion. With four delicate holes at its ends, it de...

This exceptional reversible coat by Ermanno Daelli Cortina is a rare example of refined Italian craftsmanship from the 1970s featuring a bold red leather side that exudes confidence ...

At the heart of an art exhibition, an extraordinary resin display panel stands proudly, a silent tribute to Raniero Gatinoni's iconic moments of Italian fashion in the 1990s. Precise...

This rare Aspesi "Mostacciolo" coat embodies the essence of functional elegance. Designed with a clean, minimalist silhouette, it reflects the brand's philosophy of quiet luxury and ...

Condition: 9/10. No noticeable flaws. Tagged size: S Shoulder: 18in Pit to pit: 21in Length: 26in Sleeve: 23in

Italian wood-carved sculptures with raincoat and jacket on metal coat rack Italian hand-carved wooden sculptures hanging on the coat rack and a suitcase standing next to the coat rack. The wooden coats hang loose...

Rare early 1990s Y's by YOHJI YAMAMOTO unisex army creek hooded cargo jacket! Heavy duty cotton, with signature Yamamoto style. Cargo pockets at each sid...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...