Capodimonte Late 19th Century Porcelain Pedestal Base Vase Pair

Satsuma Earthenware Gold Gilded Hand Painted Double Handle Vase Tags Marks Hallmarks: Satsuma Pattern: Gold Gilded Material: Earthenware Type or Style: Vase Crafted In: China Circa:...

Stylish Prada rain boots in talco white, featuring sport rubber upper and fabric lined interior, and a silvertone Prada logo plaque on the side. Made ...

Tressemanes & Vogt Antique Limoges France Hand Painted Collectible Spittoon Tags Marks Hallmarks: TRESSEMANES & VOGT Pattern: Flowers Material: Ceramic Type or Style: Spittoon Craft...

omen's wedge sandals by Narciso Rodriguez. This stylish shoe features black and white snakeskin and leather upper. US 7.5, EU 37.5 Heel height: 5.5 in / 14 cm Made in Italy Good c...

Red Valentino Slip On Stiletto Pink Leather Heels with Strap, Women's Pumps These pumps pink patent leather upper with button-closure ankle straps a...

Iconic Saint Laurent Paris black leather chelsea boots. EU Size 38. Leather upper and sole, made in Italy. Gently worn once, excellent condition. Some natural wear on sole. Comes...

This is the most adorable Tiffany & Co. vase and it needs to be yours! This beautiful hand-painted vase has the best Parisian charm. Would you ever imagine that butterflies and crickets could look more beautiful? The quality and love put into every piece of Tiffany will last you a lifetime and more. Grab this one of a kind vase to set upon your dresser, nightstand, coffee table, or shelves. Whatever you do with this cute but luxurious vase, put it in eyes view, because it will never fail to make you smile. This vase features an insect print with butterflies, grasshoppers, and ladybugs complimented with vibrant gold piping. Signed "Tiffany & Co." Set upon your fine china cabinet...

As a signed and 2002-dated limited edition, French architect and furnishings designer Jean Nouvel was commissioned to create this yellow-accented vase or aperitif glass for one of th...

Fabulous rare set of R & Y Augousti, Paris, inlaid bamboo motif, free form organic vases. Circa 1992. Their stunning patterns are identifiable by their worldwide clientele. These uni...

Introducing the Versace Rosenthal 1990s Le Roi King Sun Porcelain Vase, a mini masterpiece that transforms any space into an artful haven. Crafted with precision, this porcelain vase...

Antique colorful Steuben blown glass pieces featuring the "Moss Agate" technique designed by its co-founding artistic director Frederick Carder are unsigned and "all rare" according ...

This antique ArtDeco-period Steuben mostly purple glass vase designed by its co-founder Frederick Carder is a colorless-crystal-cased "Transparent Amethyst Bubbly" type with colorless crystal decoration including a rare cut lip-wrap with thick undulating application that adds up to a 3.5-inch-diameter flat rim, along with a smooth casing over a rare see-through twisted linear air-trap pattern with a wider 4-inch hip near the footless bottom. Weighing 625 grams, the short heavy vase is a hybrid matching Steuben shape-numbers 7273 with its variety of colorless cut-crystal lip-wrap decoration and 7036 with its colorless cut-crystal casing. These like forms were produced in multiple colors/shading and patterns with or without a foot and/or decoration in a wide variety of hybrid techniques that are characteristic of the designs by Carder. The 7000 series was among the last produced by Carder before his 30 years as artistic director since 1903 came to an end based on the board decision of Steuben parent-company Corning Glass Works to abandon color by 1933 and move forward using only progressive optical glass with colorless brilliance. The Carder Steuben Glass Association has published for its online shape-index a handful of approximately 10-inch-tall 7273/7036 versions, along with similar shorter shapes like the 8.25-inch 7083 vase and 7 5/8-inch 7206 "Bubbly" vase, along with the much earlier 1153 salt-and-pepper shakers of about half that size but of unlimited dimensions in a vague line drawing. A photo of one 1153-variation shows them with perforated metal caps at 3.5-inches tall in "Transparent Amethyst" like our vase, but with optic ribs instead of air-trapping. Despite the early line drawing, it is most likely that our vase was made in the late 1920s to early 1930s when Carder designed air-trap pieces with coarser glass particles and heavier crystal casing and applications. In the 1974-published book featuring only museum-quality glass works, Steuben: Seventy Years of American Glass Making, its pages 42-43 highlight a similar unmarked photographed Cluthra vase...