A Han (206BC -220AD) Glazed Hu Vessel

This pot most likely came from what is now modern Kansu, the corridor west of the Yellow River and in the T'ao River Valley region of northwest China and east Mongolia. The Hsia Chia...

A large Chinese terracotta tomb figure (Ni Yong) from the Eastern Han Dynasty (25-220 AD), likely from the area of modern-day Sichuan. It appears to depict a groom in full costume an...

A beautiful and rare pair of "Earth Spirit" guardians from the Shaanxi province region along the Yellow River valley of northern China. These figures were created from clay earthenwa...

Northern China has a settled history that goes back more than 5,000 years. All along the western reaches of the Yellow River settlements sprung up and some of the first evidence we h...

This finely crafted piece was made high in the mountains of Southeast China, Laos, Thailand and Burma (modern day Myanmar) by an indigenous hill tribe. The Hmong people are known for...

This finely crafted piece was made high in the mountains of southeast China, Thailand and Burma (modern day Myanmar) by an indigenous hill tribe. The Lisu people are know for their v...

The upper section of the vessel is broad and flat, intended to support a candle or an oil lamp, while the stem and base are robust, designed for stability and durability. The surface...

China, a large votive model of a stone ram, Han dynasty (206BC-220AD) Dimensions: 45cm, 18 inches high and 65cm, 26 inches length and 25cm, 10 inches wi...

We are delighted to offer for sale this exceptionally important and highly collectable museum quality original Chinese bronze ritual wine vessel and...

Slab pottery constructed barn workshop having a peaked roof – open walled form with a mechanical pounder and a large round covered storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. Condition: Intact, excellent condition, an unusual example. Provenance: The Living Torah Museum, Brooklyn; ex. Sands of Time, 2002. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. This fantastic piece is accompanied by a Certificate of Authenticity. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary...

Slab pottery constructed Model of a Paper Mill, in Green and Cream Color Glazed Terracotta having a peaked roof – open walled form with a mechanical pounder and a large round storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. The Iridescence is a refraction of the layers on the glass that produces multicolor hues & metallic luster, and only develops after one thousand years of being buried in the ground. An unquestionable mark of antiquity, impossible to falsify. Han Dynasty, dated 206 B.C-220 A.D. Condition: Excellent, wear commensurate with age, an unusual example. This fantastic piece is accompanied by a Certificate of Authenticity. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary records...

A 'Hu' is a type of large jar or pot that was commonly used in China for storage purposes, including holding liquids or dry goods like grains. This particular shape of pottery usually features a wide body and a narrow opening, and sometimes comes with a lid. The 'Hu' could also be more elongated with a slender neck, designed for easy pouring of liquids. The rainbow-like colors on this green-glazed surface come from changes that happen over hundreds of years while it's buried. This process is also known as "iridescence" and is often observed in ancient Chinese green pottery...