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A Carved White Ware 'peony' vase, Song-Yuan dynasty

About the Item

The vase is raised on a slightly splayed foot and flanked on the tall cylindrical neck by a pair of mask handles. The body is molded with lotus scroll pattern between a floral scroll band and an petal lappet band. Period : Song-Yuan Dynasty(960~1368) Type : Vase Medium : Qingbai Ware Provenance : Acquired in late 1990s, Hongkong Reference : 1) Smithsonian National Museum of Asian Art - Accession Number F1984.18 2) Ashmolean Museum, Oxford - Accession no.LI1301.295 3) Sotheby's London 1 November 2023 - Important Chinese Art - Lot67 (Price : 5,080 GBP / Type : Closely related) 4) Christies Amsterdam 19–20 JUN 2012 - The Decorative Arts Sale, incl. Fine Paintings - Lot252 (Price : 4,375 Euro / Type : Closely related) * Qingbai Ware Qingbai ware, which translates to "blue-white ware," is a type of Chinese porcelain that was made at the Jingdezhen and other kilns in the porcelain-producing regions of China, primarily during the Song dynasty (960–1279) and continuing into the Yuan dynasty (1271–1368). It is known for its translucent quality and the pale blue-green glaze that characterizes most of its pieces. The qingbai glaze was achieved using a small amount of iron in a reduction-fired atmosphere, which produced the subtle blue-green tint. The body of qingbai ware is typically made of a fine, white porcelain that is often referred to as 'artificial jade' due to its resemblance to the esteemed stone. The thinness of the body and the high firing temperatures used contributed to the translucent quality of the finished product. Qingbai ware includes a range of items such as bowls, cups, vases, and ewers. The designs are usually simple and elegant, with an emphasis on the graceful lines and form of the objects. Decorative motifs, when present, are often incised, carved, or molded in relief and can include floral patterns, dragons, phoenixes, and other symbolic elements drawn from Chinese culture. Over time, the technology and techniques used to produce qingbai ware evolved, leading to innovations in glaze and decoration that would influence later types of Chinese porcelain. Despite these changes, qingbai ware remains a distinguished example of the potters' art in Song and Yuan China, reflecting the refined aesthetic and cultural values of the period.
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    Located in seoul, KR
    This jar features a carved design, which is typical of Cizhou ware. It has a creamy white and brown color scheme, and the prominent decoration of lotus flower, which is a common motif in Chinese art and culture, symbolizing purity and enlightenment. The carving technique involves coating the vessel with a layer of white slip (liquid clay), then carving away parts of it to create the design, revealing the darker clay body beneath. This technique allows for a strong contrast between the background and the carved motif. Period : Song-Yuan Dynasty Type : Jar Medium : Cizhou Ware Size : 21.5 cm(Height), 11cm(Mouth Diameter) Provenance : Acquired in 1999, Hongkong * Cizhou Ware Cizhou is the name given to a number of stonewares, grey or buff, of varying degrees of hardness, with painted, incised or carved decoration on a clay slip. These stonewares were not only made in the region of Cizhou, Hebei Province, but in several provinces of China during the Song, Yuan and Ming periods. The great centres of production were in the north of China in the provinces of Hebei, Henan and Shanxi. Cizhou wares seem to have been very popular, made for a clientèle of rich merchants, at a period when the paintings of famous...
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