Japanese black lacquered sword stand 刀掛け (katana’kake) with raden inlay

Nice black lacquer tea caddy (natsume) with a colourful hiramaki-e (low-relief design) of a folded yellow kimono with a silver and red chrysanthemum flower pattern. The base with a few golden stylized ‘fog’ streaks. The interior finished with shiny black lacquer. Including original wooden signed and sealed tomobako (storage box) with a leaflet about the artist Takahashi Masayoshi. Who became an independent lacquer artist in 1975 and lives in the town Yamanaka, Ishikawa prefecture. Period: Japan – Late Shôwa period/Heisei period (Late 20th century/Modern). Japanese natsume...

Uncommon ecru lacquer tea caddy (natsume) with a nice golden hiramaki-e (low-relief design) of cart wheels submerged in a wild swirling stream. The design...

Rare museum-worthy Japanese lacquered wooden festival support for a flag. In feudal Japan this kind of supports sat on the back of a horse or ox during pr...

An exceptional, oblong lacquer 3-tiered storage box with cover, reminiscent of a bento box, by Hiroshi Hayashi (1967). Covered in shiny gold and black l...

Pretty lacquer tea caddy (natsume) with refined hiramaki-e (low-relief lacquer design) showcasing a pine tree forest (matsu) at the base of a mountain. Executed in shades of gold lac...

Pair of magnificent hibachi (fire bowls) shaped like chrysanthemum flowers (kiku) and finished with high quality ‘bordeaux red’ lacquer. Each is carved from a solid piece of wood with fine elegant lobes representing the petals. The interior fitted with a copper lining, for the coals, with a nice patina. A pair of hibachi in this colour and with this kind of quality of Material is rare to find! In Japan chrysanthemums are believed to represent happiness, longevity, rejuvenation and nobility. Including original wooden tomobako (storage box). In Western culture these bowls are often used as decorative flower pots...

Beautiful Japanese Lacquered Tray with Raden Abalone Shell Decoration This beautiful Japanese lacquered tray is a stunning example of Japanese craftsmanship. It is made of high-qual...

A fine Japanese miniature kodansu constructed from Kaki wood (Persimmon) circa 19th century, late Meiji period. With its expressive exotic wood grains and exposed tenon construction,...

A Japanese four-case lacquer inro by a member of Kajikawa family circa 19th century (late Edo to early Meiji period). It depicts a nocturnal scenery of a meandering stream surrounded by bush clovers, where a full moon is reflected on the water. It was masterfully decorated in gold and silver maki-e using a combination of techniques including takamakie, togidashi and kirigane as well as aogai (abalone shell) inlays. The stream was set between the slightly elevated banks, adding to this piece a already strong three-dimensional composition. The interior was decorated in gold nashiji. It was signed on the bottom "Kajikawa Zou" (made by Kajikawa and a pot seal centered with "Ei" in Kanji. In one of the compartment, there is a katakana mark, appears to be a name, possibly the owner. Kajikawa clan was one of the most famous lacquer artisanal family established in the 17th century. Many well known members over the generations produced lacquer art in a wide range of formats, but two third were signed only with the family name such as this one. It is therefore not possible to pinpoint the exact author of this piece. Provenance: This inro was purchased as lot 349 in Christie's New York sale Japanese...

A Japanese black lacquer box with mother of pearl inlays circa early 20th century, end of Meiji period. It was likely to be used to store inkstone or other scholarly items. The piece displays several interesting characteristics that appear puzzling initially. First, the form is not typical Japanese, but more Chinese and Korean, with its scalloped base. Second, the decoration of MOP inlays also suggests a Korean and Chinese affiliation, especially with the linear borders and the scrolling cloud patters on the sides of the box. These two observations suggest that the box may be from Ryukyu Island instead of Japanese mainland. Third, strikingly in the center of the cover, a bold quarterly floral pattern outlined with MOP was filled with a striking mottled red lacquer using tsugaru nuri...

A lovely Japanese lacquer rectangular lacquer tray with a slightly scalloped corner and four L shape supporting feet by one of the most celebrated lacquer artist active in Edo period Hara Yoyusai (1772-1845). Yoyusai lived in Edo (Tokyo) and worked under the patronage of Lord Matsudaira. He operated a large workshop and had a very prolific output of lacquer objects. Most survived pieces being inro...

A rare Japanese Namban Lacquer domed coffer circa 1570-1610s of Azuchi-Momoyama to early Edo period. These types of lacquerware were made for export to ...