Rare 17th Century Japanese Export Lacquer Medical Instrument Box

A Japanese export Nagasaki lacquer tobacco box with the portrait of Napoleon Bonaparte Edo-period, circa 1810 The box in black lacquer on copper, ...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

An extremely fine and important Japanese lacquer cabinet with gilt-copper mounts for the European market Edo period, late 17th century The pictorial style decorated rectangular...

A fine Japanese export black and gold lacquered pictorial-style dish Nagasaki or Kyoto, 1680-1720 The dish with wide flat rim of Keaki wood (Zelkova species) in black lacquer with...

A set of four extremely rare and important pictorial-style Japanese export lacquer bottles Edo-period, circa 1650-1680 H. 15.5 x W. 6.9 x B. 7.6 cm (each) The bottles with red cop...

Japanese Namban lacquer transition-style coffer with two drawers Kyoto/Nagasaki, circa 1650 The cartouches with gilt and red decorations of leaves...

A very fine Japanese maki-e lacquer decorated tabako bon, or smoking box, late Edo Period, mid-19th century, Japan. The elegant smoking box of black lacquer decorated with a wonderful gold lacquer takamaki-e design of a gnarled and elegantly twisted plum tree with branches in full bloom. A border of golden cranes in flight to the top. The smoking box, called a tabako bon, is comprised of an open section at the top with inset with two cylindrical metal canisters...

A gorgeous Burmese carved and gold leafed teakwood stand and cover for a kammavaca manuscript, late 18th or early 19th century, Burma. The manuscript chest is heavily rococo influenced, speaking to the French presence in the region at the time. The carved teak stand is formed as a raised platform set upon four large scrolling acanthus leaf feet, with carved flour-de-lis to the apron. The cover for the stand is also carved from teak, and features a series of rectangular cartouches, each set with a red foil backed glass "gem", surrounded by shell inlay, and embellished with green and silver foil backed glass sequins. The top of the cover features the same design motif, with the addition of thayo lacquer design elements, and is strongly reminiscent of Tibetan manuscript...

A large Theravada Buddhism scripture book from Burma, circa late 19th century-early 20th century. The book opens to continuous folding pages that is accordion like. Ink scriptures in curvy Burmese language were handwritten on both sides of the pages. The papers are bind by two lacquered wood covers with elaborate design that features relief scrolls and mini mosaic...

Rare 17th Century Cedar Shrine. Straight box with padded doors. Interior with decorative arch in the shape of a portal. Dimensions in centimeters: 52cm W x 26,50 cm D x 71 cm H. Th...

The 'ishime' lacquered case consisting of two conforming molded sections with one sliding overtop the other, both sides decorated with hand painted gilt, silver & burnt dark russet (kasshoku) lacquers, depicting motifs in low relief of a rat with an acorn on one side and two acorns on the opposing. In Japanese culture rats are considered auspicious symbols of fertility & wealth, acorns symbolize prosperity & growth. Signed with characters and a mon on one edge. Takamaki-e is a lacquer technique in which metallic powders such as silver, gold, copper, pewter etc., are used in combination with lacquer & clay-dust to build up motifs in low relief. Please note that the color tones & hues of the lacquered motifs appear somewhat more vibrant in the images due to ambient lighting conditions. Regarding the opinion stating the superior quality of this fine example being likened to works associated with those by Shibata...

Two anatomical copper engravings by Francesco Valesio. From De humani corporis fabrica libri decem Evangelista Deuchino, Venice: 1627. Laid paper.