Vintage Japanese Wakasa Lacquer Cover for Paintings with Silk Braid Tie

A Japanese Wakasa lacquer folder to carry poems and paintings. It has a silver raised Togidashi maki-e design of cherry blossom, created by lay...

A vintage Japanese Tsuzuri bako, writing box. with an unusual, deeply carved relief of Japanese sarcandra glabra, a woody herbal sub-shrub native to Asia with deep green glossy leave...

An unusual hexagonally shaped antique Japanese three-tiered o-bento box with a carrying tray decorated with a classical Rimpa style gold and silver Maki-e lacquer design of gently sw...

An antique black lacquer document box with an exquisitely detailed, finely wrought design from The Tale of the Genji depicted in gold maki e across the lid. Internally, the box is de...

A high quality, antique, Japanese black lacquer document box. It has an external design of gold maki e plum blossoms. In Japanese culture plum blossom symbolises the beginning of Spring, having its own festival, the Ume Matsuri, alongside the more famous cherry blossom festival...

A Japanese red lacquer cabinet with a design of magnolias on a black background across the two double doors. The surface is textured, with the doors opening to reveal internal shelvi...

A Japanese red burgundy, gold and black lacquer box with round corners and silk cloth interior lining, circa early-20th century, 1920s, Japan. Box was desi...

A fine Japanese miniature kodansu constructed from Kaki wood (Persimmon) circa 19th century, late Meiji period. With its expressive exotic wood grains and exposed tenon construction,...

A Japanese black lacquer box with mother of pearl inlays circa early 20th century, end of Meiji period. It was likely to be used to store inkstone or other scholarly items. The piece displays several interesting characteristics that appear puzzling initially. First, the form is not typical Japanese, but more Chinese and Korean, with its scalloped base. Second, the decoration of MOP inlays also suggests a Korean and Chinese affiliation, especially with the linear borders and the scrolling cloud patters on the sides of the box. These two observations suggest that the box may be from Ryukyu Island instead of Japanese mainland. Third, strikingly in the center of the cover, a bold quarterly floral pattern outlined with MOP was filled with a striking mottled red lacquer using tsugaru nuri...

A Japanese four-case lacquer inro by a member of Kajikawa family circa 19th century (late Edo to early Meiji period). It depicts a nocturnal scenery of a meandering stream surrounded by bush clovers, where a full moon is reflected on the water. It was masterfully decorated in gold and silver maki-e using a combination of techniques including takamakie, togidashi and kirigane as well as aogai (abalone shell) inlays. The stream was set between the slightly elevated banks, adding to this piece a already strong three-dimensional composition. The interior was decorated in gold nashiji. It was signed on the bottom "Kajikawa Zou" (made by Kajikawa and a pot seal centered with "Ei" in Kanji. In one of the compartment, there is a katakana mark, appears to be a name, possibly the owner. Kajikawa clan was one of the most famous lacquer artisanal family established in the 17th century. Many well known members over the generations produced lacquer art in a wide range of formats, but two third were signed only with the family name such as this one. It is therefore not possible to pinpoint the exact author of this piece. Provenance: This inro was purchased as lot 349 in Christie's New York sale Japanese...

A Japanese fan-shaped lacquer box with tassels, red exterior with slightly scalloped cover. The interior is fitted with seven smaller fan-shaped trays ...

Tebako box with three compartments in golden and nashi-ji lacquer, decorated with golden, red, and kirigane lacquer, golden persimmon tree leaves, among rocks. The compartments are of increasing size from the top. The decoration is in continuity. Persimmon has been cultivated in southern China for more than 2500 years and is believed to have been introduced to Japan in the 8th century. The veneer is a tree with very hard wood, similar to ebony. According to a legend, one specimen survived the atomic bombing of Nagasaki on August 9, 1945, close to the epicenter. It is therefore in Japan a symbol of strength and longevity. It is also the national fruit of the country. It is eaten as a traditional dish during New Year's Day celebrations. Tebako literally means "portable box...