Amazing Japanese silver teapot and cover, dragon spout Meiji period 19TH century

Antique early 20th Century exceptionally rare Chinese solid silver teapot, of traditional round form, the body finely engraved in traditional Chinese style, suggesting this teapot was made for the Chinese market. The body engraved with bamboo and butterflies , the unusual handle imitating bamboo, the removable lid set with a peach finial (Peaches are the symbol of longevity). According to Daoist lore, the peaches of immortality grew in the garden of the Queen Mother of the West - Xi Wangmu. the spout with a hedged cover in the shape of a lingzhi mushroom and a FU symbol of good furtune. the top frieze is decorated with 8 Chinese symbols: a scroll, a Ruyi scepter, a qin, The Endless Knot, a pendant, an old book, a wrist rest, and two overlapping squares. The teapot is very unusual, fine and exceptionally crisp. it is made of heavy Gauge silver and the attention to detail and design is simply outstanding. "WU HUA...

the body of this small marvelous vase is painted with a scene of a puppet show vendor with his wood backpack, on top of the backpack there are toys and dolls, he is surrounded with a group of 6 children, and on the background you can see a village. on the other side of the vase there is an amazing painting of flowers and on the sides there are two amazing strong pine trees, the amorphous background is decorated in a "Tortoiseshell" color and design that gives it a real character and which is quite rare to see on satsuma pottery. all the vase is over richly overpainted over the glaze with gold, which gives it its depth and realism. signed Kyoto Kinkozan zo, and sealed Kinkozan zo Kyoto’s Satsuma: The painting technique used in Kyoto’s Satsuma-style ware is said to be the invention of the sixth generation Kinkōzan Sōbei (1824–1884). The Kinkōzan were a famous family of Kyoto Awataguchi potters who made ceramics that were used at Shōren'in, a temple closely tied to the imperial family, and by the shoguns of the Edo government. In fact the shogun is said to have granted them the name Kinkōzan. With the upheavals at the end of the Edo period, however, and the reforms of the subsequent Meiji government, the potters lost their traditional patrons and had to develop new markets. Just at that time, the visit of a certain Westerner is said to have decided them to embark on overseas trade. By 1870, they had perfected Kyō Satsuma...

Amazing and scarce JUDAICA object, we have here one of the most touching jewish objects we had for a long time, this small silver dowry box was made in Algeria in the early 19th century, it is all covered with symbols of jewish faith and of couples, the sliding lid has 2 flanking birds with hamsa (protective hand) on each side and a flower vase in the middle. one side shows two flanking lions with a tree in the middle and the other side shows again two big and two small birds with a flower bowl in the middle, front side has a key hole and next to it there is the Hebrew inscription ס״ט״" which says Siman tov or in English "a good sign" it is taken from the wedding blessing, underneath the lock there is another inscription with the name ״עזיזה בת אברהם בן חמו״ which is the name of the bride, her father and her grandfathers name. the box is full marked a lot of times with the silversmith mark, every side of the box is marked. this box was probably ordered by the grooms family to hold the jewelry they are giving to the bride as dowry, this type of objects are rare and there are just a few of them on museum collections. DOWRY (Heb. נְדֻנְיָה), the property a wife brings to her husband at marriage; the Yiddish equivalent, nadn, is from the same root. The custom of nedunyah became clearly defined and institutionalized only in the talmudic period. In biblical times, mohar (מֹהַר), whereby the groom bought his wife from her father (Gen. 24:53; Ex. 22:15–16; Hos. 3:2), was the accepted practice. It was then customary that the groom give the bride gifts, and that she bring certain property to her husband's home upon marriage: slaves, cattle, real estate, etc. (cf. Gen. 24:59–61; 29; Judg. 1:14ff.; I Kings 9:16). Evidence of the custom of nedunyah is to be found in Tobit (7:14; 8:21) and in the Assuan papyri (Cowley, Aramaic, nos. 15, 18). Gradually, mohar was superseded by the ketubbah custom according to which the husband merely assumed the responsibility of compensation to his wife in case he divorced her: he had to pay her 200 zuzim if she had been a virgin at the time of marriage, and 100 zuzim if a widow or divorcée (see *Ketubbah). By talmudic times, the institution of nedunyah was prevalent; the father gave a dowry to the bride since the daughter was excluded from paternal inheritance. Fifty zuzim (equivalent to the worth of 180 grams of silver) was the minimum amount a father was obliged to give to his daughter (Ket. 6:5). Parents usually gave much more, according to their social standing. Community funds provided the dowry for an orphan or a very poor girl (ibid.; cf. Sh. Ar., YD 251:8). In case of her father's death, the brothers of a minor girl were obliged to give her the minimum dowry, and the court estimated how much her father would have given her above the minimum dowry. The sum was then taken out of the father's estate and given to the daughter upon majority (Ket. 6:6; 68a–69b). In the absence of such an estimate, each daughter was entitled to receive one-tenth of the value of her father's estate in money, or in valuables (Yad, Ishut, 20:4–7; Sh. Ar., EH 113:4). If the father was unable or unwilling to pay the promised dowry at the betrothal ceremony, the groom could refuse to marry his bride (Ket. 13:5; Ket. 108b–109a). Insistence on exact payment of the promised dowry, however, was frowned upon by later rabbinic authorities (Rema to Sh. Ar., EH 2:1). In certain communities it was customary for the groom's father to make a dowry contribution equal to that of the bride's father (Ket. 102b). The dowry, whether given in real estate, slaves, money, or chattel was recorded in the marriage contract (the ketubbah) and in some instances one-third or one-fifth of the actual value of the dowry was added to the sum mentioned in the ketubbah. Based upon a decree enacted by *Simeon b. Shetah (first century C.E.), the Talmud ruled that the husband and his entire property were liable for compensation as stipulated in the ketubbah, either in case he died (when she collected the sum specified in the ketubbah from the heirs) or in case he divorced his wife (Ket. 82b). For the status of the dowry and the husband's rights and obligations, see below. The rabbinic enactments (Takkanot Shum) by R. Jacob *Tam and by the rabbinic synod of the communities of Speyer, Worms, and Mainz (Germany) stipulated that if a woman died...

this plate has a creme white background, the center painted with a man holding a lamb before a cityscape, probably a depiction of Jerusalem by someone who never actually visited the city or even see it, under the man there is the word Passover "פסח" the rim with the order of the Seder, and some grape vines between them. Passover, also called Pesach ( Biblical Hebrew: חַג הַפֶּסַח‎, romanized: Ḥag haPesaḥ), is a major Jewish holiday, one of the three pilgrimage festivals, that celebrates the Biblical story of the Israelites' escape from slavery in Egypt. Pesach starts on the 15th day of the Hebrew month of Nisan which is considered the first month of the Hebrew year. The Hebrew calendar...

This 84 silver cup was made in Europe, in Poland or parts of Poland that are in modern Russia in the 19th century, the interesting and important in this cup types is that they were s...

Important Handmade sterling silver Kiddush goblet by Bezalel School, Jerusalem, circa 1910-1913. On round base decorated with silver filigree and Cabouchon shaped green agate applications. The base fitted with Bezalel mark. The upper portion is all adorned with amazing filigree work, the base and the actual cup adorned with swirling filigree designs, in the middle there are 3 roundels, made in another technique of hammered silver, similar to the works that were produced in this time all over Europe, in the middle of each roundel there is a perfectly centered Cabouchon green agate. This work is attributed to Yehia Yemini. The goblet is marked on the base, with the earliest silver mark of the school that just say "Bezalel" in Hebrew. Yehia Yemini : Was one of the biggest and must famous Bezalel silver...

A rare Japanese bark tree large cloisonné box on metal from the Meiji period. Usually bark tree cloisonné was on porcelain (totai Shippo) A very attracti...

Quality work, amazing workmanship with absolutely fine details bronze cloisonné enameled teapot depicting the scene of a flying dragon with vivid colors of yellow, light golden green...

Quality work, amazing workmanship with absolutely fine details bronze cloisonné enameled teapot depicting the scene of a flying dragon with vivid colors of yellow, light golden green...

A very fine and intricately decorated Japanese cloisonné box and cover, Meiji period, late 19th century, Japan. The lidded trinket or jewelry...

A large and elegant Meiji period bronze vase with floral decoration and original patina, unsigned. Japan, last quarter of the 19th century.

Large antique (19th century) Japanese patinated bronze centerpiece vase with fine reliefs depicting cranes in flight above the sea with waves and temple gate representing the Itsuku...