Pair of Large Chinese Cloisonné Plique-à-Jour Bowls

A pair of small but exquisite Plique-a-jour cloisonné bowls with nearly identical design from Nagoya area in Japan circa 1900-20s. Maker's unknown but possibly by Ando company. The t...

A small Chinese cloisonne enamel bowl made with the technique of Plique-a-jour (means "letting in daylight" in French), a challenging method similar to small scale stained windows...

A small Chinese cloisonné enamel bowl made with the technique of Plique-a-jour (means "letting in daylight" in French), a challenging method similar to small scale stained windows or...

A pair of elegant vases of solid oiled bronze from the Meiji era, Japan (1868-1912). In a Classic Meiping shape, the pair has a mirrored inlay with gold, silver and red enamel that d...

A pair of antique Japanese Abumis, stirrup for horse-riding, in cast iron with elaborate silver inlay, circa 16th century Muramachi to Momoyama period. The prototype of Japanese abum...

A collection of three bronze bowls from Korean dated to 14-17th century (late Goryeo to early Joseon Dynasty). It consists of an early example with a slight curvy wall and a high foo...

A large pair of Japanese Cloisonne Enamel vases attributed to Honda Yasaburo, 19th century. Finley decorated with the rich enamel colors of orange and green, these vases are desig...

A Large Pair of Japanese Cloisonne Enamel Lanterns Attributed to Kaji Tsunekichi, Edo Period, 19th century Japanese cloisonne lanterns were made during the Meiji period, from the late 19th to early 20th century, and were often used as decorative lighting fixtures in temples and shrines. Kaji Tsunekichi (1866-1916) was a Japanese cloisonné artist who was active in the late 19th and early 20th centuries. He was born in Tokyo and learned the art of cloisonné from his father, Kaji Sataro, who was also a cloisonné artist. He was renowned for his mastery of the shippo-yaki technique, which involves creating intricate designs with thin wires on a metal base before filling in the spaces with enamel. Tsunekichi was known for his exceptional technical skills and his ability to create intricate designs with vibrant colors. His works often featured nature motifs, such as flowers, birds, and fish, which were rendered in a highly detailed and naturalistic style. He also experimented with new techniques, such as plique-à-jour, a type of cloisonné that creates a stained-glass effect. Tsunekichi's works were highly prized during his lifetime and continue to be sought after by collectors today. He won numerous awards for his cloisonné creations, including a Gold Medal at the 1900 Exposition Universelle in Paris. His works are characterized by their fine wirework, precise enamel application, and attention to detail. Some of Tsunekichi's most famous works include a pair of large cloisonné vases...

A large pair of Meiji Period Japanese Cloisonne Enamel Double Dragon Vases, 19th century. Japanese cloisonne enamel dragon vases are highly ...

A large pair of Meiji Period Japanese cloisonne enamel vases attributed to Goto Seizaburo, 19th century. These vases were made during the Meiji period (1868-1912) in Japan and are...

Large Meiji Period Cloisonne Enamel Koro Japanese, late 19th Century Height 88cm, width 76cm, depth 53cm This superb cloisonne enamel koro was made during Japan's Meiji period, and ...

A Magnificent Pair of Japanese Cloisonne Enamel Oviform Vases 19th Century Meiji period A Pair of Japanese cloisonné enamel oviform vases worked with silver wire and decorated wit...