More Asian Art, Objects and Furniture

A large Japanese Imari vase Of baluster form with a long narrow neck enameled in underglaze blue and iron red with catfish and flowers; signed. M...

This is an old Japanese large wooden Daruma. It is from the Meiji period (1860s-1920s). It is made from a large cedar tree. It is rustic and beautiful, with traces of hand-carving...

For Paradise pendant lighting design, the miracle of each silk cocoon being formed by its creator is taken and exploited to the full by illuminating it from within with two light sou...

19th century sterling silver Malaysian Dagger. Original carved mahogany wood handle. Sterting silver carved crown. Damascene steel. The kris is an asymmetrical dagger with distincti...

Monumental Chinese serpentine jade carved pagoda censer, early 20th century. A masterfully carved Chinese serpentine pagoda censer. The base of the...

This is a very old Japanese elephant wood carving. This wood carving dates from the Meiji period (1860s-1920s). We estimate the material to be cedar w...

Elemental pendant light with the diffuser composed around a large flattened tetrahedron structure, which is then clad with superfine extruded rattan. A large piece requiring 7 day...

Transcendence 1 is a sophisticated pendant light first launched at Maison et Objet, Paris in January 2023. Flux lines of luminescence that have been created in a new composite Material developed by Ango are formed into a diaphanous cloud realised with light. The random configurations and differing intervals and intensity of the gossamer light Material beautifully modulate the light from the central light source. The new composite Material, is the culmination of years of experimentation where tree bark fibre is combined with a unique natural plant derived stabiliser that has been lightened with a small amount of white pigmentation. Extremely lightweight, durable and washable Product name: Tanscendence 1 (per piece) Type: Main voltage modular pendant light...

Mid-20th century hand-painted lacquered wood and heavy paper large decorative fan. Vintage Asian Extra Large Hand Painted Folding Fan Art. Stunning vintage Asian large hand-painted folding wall fan chinoiserie. In good vintage condition! This amazing Chinoiserie chic Hollywood Regency style wall fan would look fabulous anywhere to add those special vibes to any decor. Monumental Chinese folding fan that is extra large when fully opened. This is a vintage piece from the 1960s most likely. The colors are still incredibly vivid and the folding mechanism works. This makes a wonderful sculptural wall decoration. The fan is ready for installation with two threaded hooks on the reverse side This hand painted gilt monumental folded Chinese Export fan...

Very old Japanese large wooden carving of a horse. It dates from the Edo period (1800s-1860s). It is made of cedar wood. In Japan, there is ...

Chinese guardian lions, or imperial guardian lions, are a traditional Chinese architectural ornament. Typically made of stone, they are also known as stone lions or shishi (石獅; shíshī). They are known in colloquial English as lion dogs or foo dogs / fu dogs. The concept, which originated and became popular in Chinese Buddhism, features a pair of highly stylized lions—often one male with a ball and one female with a cub—which were thought to protect the building from harmful spiritual influences and harmful people that might be a threat. Used in imperial Chinese palaces and tombs, the lions subsequently spread to other parts of Asia including Japan (see komainu), Korea, Philippines, Tibet, Thailand, Myanmar, Vietnam, Sri Lanka, Nepal, Cambodia, Laos, and Malaysia. There has been extensive interaction between Chinese mythology and Confucianism, Taoism, and Buddhism. Elements of pre-Han dynasty mythology such as those in Classic of Mountains and Seas were adapted into these belief systems as they developed (in the case of Taoism), or were assimilated into Chinese culture (in the case of Buddhism). Elements from the teachings and beliefs of these systems became incorporated into Chinese mythology. For example, the Taoist belief of a spiritual Paradise became incorporated into mythology as the place where immortals and deities used to dwell. Sometimes mythological and religious ideas have become widespread across China's many regions and diverse ethnic societies. In other cases, beliefs are more limited to certain social groups, for example, the veneration of white stones by the Qiang. One mythological theme that has a long history and many variations involves a shamanic world view, for example in the cases of Mongolian shamanism among the Mongols, Hmong shamanism among the Miao people, and the shamanic beliefs of the Qing dynasty from 1643 to 1912, derived from the Manchus. Politically, mythology was often used to legitimize the dynasties of China, with the founding house of a dynasty claiming a divine descent. Mythology and philosophy. Further information: Chinese philosophy True mythology is distinguished from philosophical treatises and theories. Elaborations on the Wu Xing are not really part of mythology, although belief in five elements could appear. The Hundred Schools of Thought is a phrase suggesting the diversity of philosophical thought that developed during the Warring States of China. Then, and subsequently, philosophical movements had a complicated relationship with mythology. However, as far as they influence or are influenced by mythology, divides the philosophical camps into two rough halves, a Liberal group and a Conservative group. The liberal group being associated with the idea of individuality and change, for example as seen in the mythology of divination in China, such as the mythology of the dragon horse that delivered the eight bagua diagrams to Fu Xi, and methods of individual empowerment as seen in the Yi Jing (Book of Changes). The Liberal tendency is towards individual freedom, Daoism, and Nature. The relationship of the Conservative philosophies to mythology is seen in the legendary Nine Tripod Cauldrons, mythology about the emperors and central bureaucratic governance, Confucianism, written histories, ceremonial observances, subordination of the individual to the social groups of family and state, and a fixation on stability and enduring institutions. The distinction between the Liberal and Conservative is very general, but important in Chinese thought. Contradictions can be found in the details, however these are often traditional, such as the embrace by Confucius of the philosophical aspects of the Yi Jing, and the back-and-forth about the Mandate of Heaven wherein one dynasty ends and another begins based according to accounts (some of heavily mythological) where the Way of Heaven results in change, but then a new ethical stable dynasty becomes established. Examples of this include the stories of Yi Yin, Tang of Shang and Jie of Xia or the similar fantastic stories around Duke of Zhou and King Zhou of Shang. Mythology exists in relationship with other aspects of society and culture, such as ritual. Various rituals are explained by mythology. For example, the ritual burning of mortuary banknotes (Hell Money), lighting fireworks, and so on. A good example of the relationship of Chinese mythology and ritual is the Yubu, also known as the Steps or Paces of Yu. During the course of his activities in controlling the Great Flood, Yu was supposed to have so fatigued himself that he lost all the hair from his legs and developed a serious limp. Daoist practitioners sometimes incorporate a curiously choreographed pedal locomotion into various rituals. Mythology and practice, one explains the other: in these rituals, the sacred time of Yu merges with the sacral practice of the present. Various ideas about the nature of the earth, the universe, and their relationship to each other have historically existed as either a background or a focus of mythologies. One typical view is of a square earth separated from a round sky by sky pillars (mountains, trees, or undefined). Above the sky is the realm of Heaven, often viewed of as a vast area, with many inhabitants. Often the heavenly inhabitants are thought to be of an "as above so below" nature, their lives and social arrangements being parallel to those on earth, with a hierarchical government run by a supreme emperor, many palaces and lesser dwellings, a vast bureaucracy of many functions, clerks, guards, and servants. Below was a vast under ground land, also known as Diyu, Yellow Springs, Hell, and other terms. As time progressed, the idea of an underground land in which the souls of the departed were punished for their misdeeds during life became explicit, related to developments in Daoism and Buddhism. The underground world also came to be conceived of as inhabited by a vast bureaucracy, with kings, judges, torturers, conductors of souls, minor bureaucrats, recording secretaries, similar to the structure of society in the Middle Kingdom (earthly China). Chinese temple Dogs...

“Tea Pot” woodblock print Contemporary Japanese woodblock print Vibrant colors Signed in pencil: Noboru Tsurutani Edition: 37/50 in pencil. Silver metal frame. Image Dimensions...