Pair of 1940s Japanese Painted Pagoda/Lanterns

A Pair of 19th century Japanese Kutani Porcelain baluster Vases with Nishikigoi (koi) Motif. Each of baluster form with a flared ruffled mouth, beautifully decorated with red coy fis...

A Meissen Porcelain articulated nodding head pagoda figure. 20th century, blue crossed swords mark on the neck, numbered 67827, painter 126D, body mark...

Pair of French Bisque Porcelain Hand Painted Figural Sculptures, Circa 1900 Depicting male and female fruit pickers

A Pair of 19th Century Vienna Hand Painted Porcelain Portrait Plates Depicting Two Renaissance Women Austria, Circa 1890 Unmarke...

A very fine and unusual pair of 19th century gilt-bronze mounted Sevres hand painted, jeweled porcelain portrait vases. Each vase decorated with a portrait of a young lady, flowers a...

A Pair of Large 19th Century French Sevres Style Ormolu Mounted and Painted Vases Each in baluster form with large ormolu mounts. The bod...

1940s pair of bronze polychrome enameled vases in Arabic style, using ornamental geometric and floral patterns.

A Large Pair of Japanese Cloisonne Enamel Lanterns Attributed to Kaji Tsunekichi, Edo Period, 19th century Japanese cloisonne lanterns were made during the Meiji period, from the late 19th to early 20th century, and were often used as decorative lighting fixtures in temples and shrines. Kaji Tsunekichi (1866-1916) was a Japanese cloisonné artist who was active in the late 19th and early 20th centuries. He was born in Tokyo and learned the art of cloisonné from his father, Kaji Sataro, who was also a cloisonné artist. He was renowned for his mastery of the shippo-yaki technique, which involves creating intricate designs with thin wires on a metal base before filling in the spaces with enamel. Tsunekichi was known for his exceptional technical skills and his ability to create intricate designs with vibrant colors. His works often featured nature motifs, such as flowers, birds, and fish, which were rendered in a highly detailed and naturalistic style. He also experimented with new techniques, such as plique-à-jour, a type of cloisonné that creates a stained-glass effect. Tsunekichi's works were highly prized during his lifetime and continue to be sought after by collectors today. He won numerous awards for his cloisonné creations, including a Gold Medal at the 1900 Exposition Universelle in Paris. His works are characterized by their fine wirework, precise enamel application, and attention to detail. Some of Tsunekichi's most famous works include a pair of large cloisonné vases...

Exquisite Hand Painted Japanese Satsuma Lidded Bowl A stunning lidded Japanese Satsuma bowl, likely Meiji period, completely hand painted inside and out. This could be used on your ...

This object is a stack of old Japanese copper drops. Item dates from the mid-Showa period (1940s-1960s). This type of object sometimes occurs when copper drops naturally accumulate and harden during the casting process at copper refineries. 'Accidental beauty...

Very old Japanese hippopotamus figurine. This figurine dates from the mid-Showa period (1940s-1960s). It is made by shaping it with a piece of wood and covering it with Japanese pa...

Old Japanese rubber glove mold. It is made of aluminum. This item is from the early Showa period (1920s-1940s). It is very rare. The texture of used aluminum is beautiful. I...