Yukio Fukazawa Signed Limited Edition Japanese Abstract Aquatint Etching Print

A fantastic and quite rare Mid-century Modern abstract etching by Japanese artist Shozo Kamatsu. The work is hand-pencil signed, dated (1964), and numbered (4/10) by the artist ...

A wonderful abstract Japanese print. Intense composition and colors. Signed, dated (December 1990), numbered (8/30) and titled in Japanese by the artist. Appears to be printed ...

A truly beautiful and engaging work by Japanese Kyoto printmaker artist Yukio Katsuda (1941-) titled "No. 154 Saga Toriimoto" The serigraph print is h...

A truly beautiful and engaging work by Japanese Kyoto printmaker artist Yukio Katsuda (1941-) titled "Thatched Roof No. 152" The serigraph print is ha...

A fantastic print by Japanese artist Makoto Ouchi from his narrative cube series. The print is pencil signed, titled in Japanese and numbered (60/60). It was framed by Kato Framing...

A beautiful and rather whimsical etching by famed Japanese artist Keiko Minami who was known for her pictograph-like aquatints/etchings with a playful, childlike aesthetic. This work features a pair of birds - perhaps herons - sitting serenely in a natural landscape reed-filled body of water as a gentle breeze blows by. The etching is on thick wove paper and is hand-signed and numbered (23/50) in pencil by Keiko along the lower margin. A rather rare image and size. Would make for a great addition to collectors of Minami's work or Japanese / Asian art or make for an eye-catching stand-alone accent artwork in about any setting. Minami had many solo shows including: 1960 Minami Keiko Exhibition, Nichido Gallery 1990 Minami Keiko Exhibition: The World of Fairy Tales in Copperplate Prints, Takaoka Art Museum 2005 Birds, Trees and Girls: The World of Copperplate Poetry: A Memorial Exhibition for Minami Keiko 2011-12 100th Anniversary of Keiko Minami Exhibition — Touring Kyoto, Takaoka, Kichijoji, Sakura, Tatebayashi 2016 Keiko Minami Exhibition: Along with the Work of Ichi Ogawa in the Wind, Musée Hamaguchi Yozo/Yamasa Collection 2017 Keiko Minami Copperplate Exhibition: Holding a Flower Basket, Musée Hamaguchi Yozo/Yamasa Collection 2019 Keiko Minami Exhibition: Koto, Koto. Kotori, Musée Hamaguchi Yozo/Yamasa Collection 2020 Where you can meet delicate colors beyond that tree: Keiko Minami Exhibition, Musée Hamaguchi Yozo/Yamasa Collection 2021 The Fairytale of Lines: Keiko Minami and Copperplate Painters, The Museum of Modern Art, Gunma 2021 Traces of Butterflies: Exhibition Commemorating the 110th Anniversary of Keiko Minami's Birth, Musée Hamaguchi Yozo/Yamasa Collection. Her work can be found in numerous collections and museums including: Albright-Knox Art Gallery, Buffalo Harvard Art Museums, Cambridge The Krannert Art Museum...

Collection of abstract Japanese calligraphy prints, possibly after Sofu Teshigahara, Japan, circa 1970s. These were from a collection that we purchase...

Collection of abstract Japanese calligraphy prints, possibly after Sofu Teshigahara, Japan, circa 1970s. These were from a collection that we purchase...

Sir Claude Francis Barry artwork aquatint etching "towers san gimignano tuscan" hand signed years ’30 perfect measure;26 inch x 22 inches 66 cm x 56 cm.

Japanese Woodblock Print of Asakusa Kannondo Temple by Tsuchiya Koitsu C1930 Measures- 20.5''H x 15.75''W x .5''D

An antique Japanese Edo period diptych woodblock print from the early to mid 19th century, signed by Utagawa Kuniyoshi. Immerse yourself in the Japanese Edo period artistry with this antique 19th-century diptych woodblock print. Signed by the artist, this captivating piece is a striking depiction of a tranquil interior scene, rendered in a soothing color palette of blue, pink, and black tones. This print comprises two panels, assembled under glass in a custom frame to form a cohesive narrative. The scene captures a specific moment in time, presenting a man surrounded by four women and a child, beautifully adorned in traditional Japanese garments. The intricate details of their clothing are a testament to the artisan's skill, bringing an element of authenticity and depth to the scene. On the left, three women sit in a state of relaxed conversation, while another stands, graciously offering a tray. Adding intrigue, two additional women can be spotted peeking through a slightly open window, one cleverly concealing her face behind a fan. A child, smaller in stature, sits attentively in front of the man, further enhancing the scene's narrative quality. A signature from the artist adds an additional layer of authenticity, making this piece a must-have for collectors of antique Japanese art...

Recently deceased, world -renowned artist Ed Moses, created this unique Silkscreen print in 1990 for the California Heritage Museum. The print consists of two attached sheets of paper. The bottom sheet is hand made Seikishu rice paper. The top sheet is 100% acid-free rag paper. The image on the top sheet is a collage made from several Japanese newspapers that Ed designed. His similar LA Louver prints used real newspaper that over time self-destructed. A silkscreen print with bold red and black cross-hatching was designed after the two pieces were attached. This unframed piece is signed by the artist, dated and numbered, and each print has his unique “chop” mark on the bottom right hand corner and Wasserman’s Silkscreen Co. blind stamp. Bio Ed Moses earned his B.A. and M.A. from UCLA. He has received numerous awards, including a National Endowment for the Arts Fellowship and a John Simon Guggenheim Fellowship. Since his debut at the Ferus Gallery in 1958, Moses has had over one hundred solo exhibitions at some of the art world’s most prestigious galleries and museums, including the Los Angeles County Museum of Art and a major retrospective at the Museum of Contemporary Art in Los Angeles. His work was recently included in the show of Los Angeles Art at the Centre Pompidou in Paris. Moses is represented by Charlotte Jackson...