Ai Weiwei, the Silk Scarf ‘Cats and Dogs’

Papercutting is a traditional Chinese art going back 2,000 years. The colored, intricately cut papers are used as a story-telling medium in fes...

Papercutting is a traditional Chinese art going back 2,000 years. The colored, intricately cut papers are used as a story-telling medium in festivities, for prayers, and as everyday ...

“Elvis who?” was photographer Alfred Wertheimer’s response when, in early 1956, an RCA Victor publicist asked him to photograph an up-and-coming crooner from Memphis. Little did Wertheimer know that this would be the job of his life: just 21 years old, Elvis Presley was—as we now know—about to become a legend. Trailing him like a shadow, Wertheimer was given unlimited Scope to get up close and personal with Elvis; even as the singer was seducing young women in dark hallways, he allowed the photographer to record his every move. Wertheimer took nearly 3,000 photographs of Presley that year, creating a penetrating portrait of a man poised on the brink of superstardom. Extraordinary in its intimacy and unparalleled in its Scope, Wertheimer’s Elvis project immortalized a young man in the very process of making history. (Just a month after he shot Elvis recording the “Don’t Be Cruel”/“Hound Dog” record, it became the first ever to top all three Billboard charts.) This Collector’s Edition of just 1,706 numbered copies signed by Wertheimer brings together his most remarkable Elvis shots from 1956, along with a selection of his historic 1958 pictures of the star being shipped off to an army base in Germany. Though many of Wertheimer’s photos of Elvis are among the best known, nearly half of the photographs in this book have never been published before. Each chapter is illustrated with an original poster created for this book by Hatch Show Print, one of the oldest letterpress print shops in America. In business since 1879, Hatch printed posters for vaudeville, circuses, and entertainers on world tour in the early 20th century; and created many of the powerful woodblock images that helped define the look of country music in the 1940s and rock and roll (including many early Elvis posters...

No pain, no gain. The most memorable moments since the birth of pro football in America. The best of sports photographer Neil Leifer’s 10,000 rolls of football pictures, including hundreds of previously unpublished images. Presented in a custom slipcase and limited to a total of 1,500 copies signed by the photographer, this Collector’s Edition is a companion to Neil Leifer’s instant sell-out success, Ballet in the Dirt: The Golden Age of Baseball, published by seller in 2007. In 1958, sports photographer Neil Leifer took the picture that remains one of his most famous to this day. The day he got the shot - Alan Ameche’s game-winning "Sudden Death" touchdown - was Leifer’s 16th birthday. This game, called "The Greatest Ever Played," signaled football’s emergence as America’s new national pastime; formerly half-empty stadiums welcomed sold-out crowds seemingly overnight, while football surpassed pro baseball and college football in national television ratings. Starting then, on any given Sunday Leifer was most likely shooting a football game somewhere in America. His 1961 photo of legendary Giants quarterback Y.A. Tittle dropping back to pass landed Leifer his first cover for Sports Illustrated and cemented his close connection to the sport. While best known for his iconic photograph of Muhammad Ali towering over a fallen Sonny Liston, and for the enormous diversity of subjects he covered in and out of the sports world, it is his football pictures Leifer considers his best. This collection represents the best of his best, culled from over 10,000 rolls of film on the sport, including hundreds of previously unpublished pictures. It’s impossible to conceive of Peyton Manning hovering over an impromptu wood fire on the sidelines during a blizzard, but Leifer captured Tittle’s Giants doing exactly that during the coldest game in his living memory (the 1962 Championship in New York, a game "far colder than the famous Ice Bowl"). From Vince Lombardi...

This numbered Art Edition of 1,000 copies (Hardcover book, 36 x 36 cm, 572 pages) is accompanied by an exclusive, square format reproduction of the Arlecchino coffee table designed b...

Fiber-based gelatin silver print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. In 1964, famed writer Ken Kesey and his band of Merry Pranksters set off across America on a “Transcontinental Bus Tour,” headed for the New York World’s Fair. Kesey’s journey, in the company of his Merry Pranksters, lies at the heart of The Electric Kool-Aid Acid Test, an as-if-first-hand account of the group’s antics and ethos by Tom Wolfe, wunderkind of the New Journalism movement. This Art Edition presents Wolfe’s era-defining text in letterpress, along with facsimile reproductions of his manuscript pages, ephemera of the period, and photographs of the acid scene by Lawrence Schiller and Ted Streshinsky. The accompanying print, Me and My Shadow, by Lawrence Schiller, was photographed at the Hollywood Acid Test on February 25, 1966. As the first photojournalist to capture the acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their experiences with LSD starting in late 1965. At first, he was a fly on the wall as groups of friends tripped in the privacy of their homes. By early 1966 he had met the Merry Pranksters and was invited to the Acid Test in Hollywood. During the Test, Kool-Aid laced with a heavy dose of LSD was served up from an industrial-sized pot. Participants turned on the Grateful Dead’s music and tuned in to the burgeoning psychedelic scene. Schiller’s image of a tripster “freaking freely” with his own shadow—long believed to be Neal Cassady—appeared in Life magazine in March 1966 in a photo essay which served to introduce the nation to the sweeping new LSD epidemic. For Flaming Lips lead singer Wayne Coyne...

Red Moschino Scarf framed in sleek black. This stylish piece features a striking love heart with a peace sign in the middle, exuding an aura of love and harmony. Crafted with meticul...

HERMES silk carré scarf "Astres et Soleils". This scarfs brings across the life of the Maya and Aztec with an opulent terracotta shade and green whimsical design on a ocher and wh...

Very beautiful 19th century Chinese embroidery with nice design and beautiful colors, entirely hand embroidered with silk and metal on ...

Very beautiful 19th century Chinese embroidery with nice design and beautiful colors, entirely hand embroidered with silk and metal on ...

Antique Plangi and Tritik Silk Shawl, Palembang, Sumatra. A rectangular silk textile with decoration by means of plangi (rainbow tie-dye) and tritik (stitched and gathered resist) pr...

Handsome vintage Japanese obi in orange silk with gold and silver lamé and brocade flower and leaf design. It is in wonderful vintage condition. We have detected a small dark spot on...