Framed Tibetan Thangka Vaisravana Jambhala

An antique Tibetan Thankga depicting Amitabha and surrounding deities, circa late 19th century. The center Amitabha is in a meditation form holding a black beggar's bowl. In the Mahayana Tradition of Buddhism, Amitabha is a celestial Buddha: the Buddha of Infinite Light and the principal Buddha in Pure Land Buddhism, a branch of East Asian Buddhism...

A woven silk Kesi panel depicts Kirtimukha from Tibet circa the second half of 20th century. Beautifully woven from short weft silk with superb coloring and ...

A stunning antique Tibetan Thangka with an embroidered border, circa mid to late 19th Century. It depicts Yamantaka or Vajrabhairava, a wrathful manifestation of Manjusri, the bodhisattva of wisdom, and in other contexts functions as a dharmapala, or 'Dharma-protector'. The buffalo head deity Vajrabhairava is one of the three principal meditation deities of the Gelug School. He is shown with nine faces in the Yab Yum...

An antique Tibetan Thangka with polychrome pigments on cloth, circa mid to late 19th century. It depicts Yamantaka, also known as Vajrabhairava, who is a wrathful manifestation of Manjusri, the bodhisattva of wisdom, and in other contexts he also functions as a dharmapala, or 'Dharma-protector'. The buffalo head deity Vajrabhairava is one of the three principal meditation deities of the Gelug School. He is shown with nine faces in the Yab Yum...

An impressive Japanese embroidery tapestry circa 1890s Meiji period, presented with brocade border on linen canvas in a Lucite shadow box. The stunning design features three dragons coiling and flying in the clouds. The high relief technique used to render the dragons using mostly the silver threads gives this piece a tremendous sense of motion. The most auspicious mythological creature in Japan and China, dragons were a very popular motif in textile art. In this particular piece, it is the impressive size, the superb craftsmanship, the profuse use of silver threads and near perfect condition that set it apart. Japanese Meiji textiles were widely exhibited in the west during turn of the 20th century at the international exposition. It was used to showcase the Japanese aesthetics with the techniques at their pinnacle. These expositions solidified the country's images overseas and felled the Japanese craze in the west, which turned out to be a long-lasting influence on the western art. Many pieces were purchased and stayed in the west. It is likely this estate piece was from one of the expositions based on its high quality. For two similar dragon tapestries...

Antique Chinese brocade dragon panel from Imperial Qing Dynasty circa 19th century, beautifully presented with a linen mat and in a silvered wo...

A finely painted Tibetan Thangka featuring the five wealth gods Jambhala. In the center the most powerful Yellow Jambhala sits on a lotus throne in the vajra position with his right ...

A Tibetan Thangka Depicting The Bhavacakra Early 20th century, Color on cloth. A thangka showing the bhavacakra with the ancient five cyclic realms of samsara in Buddhi...

Tibetan Thangka, Kuan yin (Avalokitshvara), finely painted with colored inks on silk. It is all hand painted with Tibetan natural mineral color painting material which can last for a...

Rugs woven in this particular type of cut-loop technique follow a tradition which dates to the earliest forms of pile weaving. Each of the four panels is woven individually and are t...

A rare and unusual Tibetan rug woven with the wool yarn obtained by unravelling the so-called 'Nambu' skirts, which are typically decorated by multicolored stripes. The unravelled ya...

Tibetan sleeping carpet (Khaden) With medallions composed from clusters of the inedible and sacred Lumpang fruit. The Lumpang symbolizes happiness and longevity thus carpet was orig...