Japanese Antique Rag "BORO" 1800s-1860s / Abstract Art Wabi Sabi

This is a very old Japanese rag. This cloth has been used since the Edo period (1800s-1860s) to carefully and carefully mend bedding. It is a piece that shows the beauty of use very ...

This is a very old Japanese wooden mask. In Japan, it is called "Kamado-gami". It was made during the Edo period (1800s to 1860s). It is hand-c...

This is a very old Japanese wooden manger. It is from the Edo period (1800s-1860s). The material is cedar wood. This manger is made only in some areas in the Tohoku region of Japan. ...

It is a very old Japanese house of God. In Japanese it is called 'zushi'. It dates from the Edo period. (1800s-1860s) The material used is cedar. It has long been a favourite...

It is a very old Japanese house of God. In Japanese it is called 'zushi'. It dates from the Edo period. (1800s-1860s) The material used is cedar. It has long been a favourite in ol...

This is a very old Japanese wood carving of a god. It is called "Tenjin. Tenjin" is a general term for "a god who lives in heaven. This wood carving dates from the Edo period (1...

This is an old Japanese wooden board. It is a single board with beautiful wood grain. I think it was probably the top of an exhibition stand. It was already in this state when I fou...

Rare perfect antique collection Japanese Indigo Boro Futon cover : also to use. The rare antique boros are now valued as pieces of art, therefore they are...

Japan, Late 19th century Patched textile ‘Boro’. Measures: H 160 x W 117 cm.

A collection of late 19th/early 20th century indigo dyed ‘boro’ cloth fragments. Japanese, c. 1900. Mounted on anthracite grey card in box frames with black...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested ...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The auspicious composition features a group of red-crown cranes, the symbol of longevity. Three of them perch on the rock by the ocean (East Sea) an two of them are in flight. Additionally, two egrets frolic in the wave. Yuzen dying was used extensively to showcase the amazing details such as the waves and the gradual coloring effect. Embroidery was used sparsely to highlight areas such as the legs of the crane to render it more dimensional details. The piece has a red silk backing and still retains four blue tassels on corners as well as decorative stitches along the edges. Fukusa is a traditional Japanese textile...