E. CLAVIER, Andirons with Eurasian Eagle-Owls, 1867 World's Fair

This splendid pair of candelabrum was made by Auguste-Louis Marquis (bronze maker) for the Maison Giroux circa 1855 in gilded, silvered and burnished bronze, the set on a cylindrical...

This lion vase was made by the Daum glassworks. This is a model that was presented at the Universal Exhibition which took place in Chicago in 1893, without a vermeil base. Founded in Nancy in 1878 by Jean Daum, the Daum glassworks was quickly taken over by his sons, Auguste and Antonin. From that moment on, increasingly technically complex creations were designed there. A so-called “rampant” lion in red agathe style, enhanced with gold, stands out against a red granite background, revealing in places a second layer of green glass. The back of the vase is entirely open onto this second green granite layer, decorated with decorations in an inverted chevron and evoking heraldry. The neck of the vase has the same treatment as the lion. Its base is vermeil (gilded silver). The vase is signed “Daum / Nancy / ☨”, under the base. The play of layers, colors and rendering of materials make this vase a fine example of the excellence of Daum glassware...

This exceptional monumental vase in porcelain of Paris, conceived in the spirit of the Sèvres Manufactory’s productions, is quite characteristic of the Napoleon III style . The long neck of the shape is extremely rare, as well as the gilt bronzes’ richness of ornamentation. Its dimensions and its important bronze mount indicate a ceremonial piece, of supreme luxury, comparable to those the Manufactory exhibited at the World's Fairs. Evoking the aristocratic art of the Ancien Regime in many ways, this vase pays tribute to the refinements of the 18th century, and could have been commissioned to decorate the mansion of a 19th century personality. Indeed, the “Celestial blue” background, embellished with gold arabesques, is characteristic of the porcelains from the Royal Manufactory of Vincennes as early as 1753, which became the Sèvres Manufactory. It is a famous blue, difficult to obtain, which served to decorate the first service delivered to Louis XV. The lively shapes of the bronze base also evoke the art of the ornamentalists in Louis XV’s time, such as Jean-Claude Duplessis or Gouthiere, who were in charge of drawing gilt bronze mounts for China porcelain. The bronze mount of our vase is hence very close to the Duplessis’ ornementations. The two espagnolettes, with sheathed busts of women...

This beautiful and original fireplace was made in the second half of the 19th century in Carrara marble. Originally put in an appartement in Tarare, near Lyon in France, it is very ...

Fabulous pair of Arts and Crafts Cast Iron Owl Andirons with glass eyes. Great detailing in the castings, heavy duty. In excellent vintage condi...

Pair of American cast iron perched owl andirons with original glass eyes and rear dog legs. Boston, MA, Late 19th century.

Pair of American cast iron owl andirons with the original glass colored eyes perched on scrolled branches. Boston, MA late 19th century.

Pair of 19th century chenets or andirons with a decorative eagle finial top and a brass fender. Dimensions: Chenets 24" H x 9" W / fender 26.25" W x 7" H.