Fabulous French Gilt Bronze Chenets, circa 1880

Each with a recumbent winged sphinx with scrolling foliate arabesques to their back, upon a bow-ended rectangular gadrooned plinth, the frieze with a panel applied with entrelacs, on fluted toupie feet. Several models of chenets with sphinx exist, dating from the 1780s. An example with winged sphinxes with headresses and with female mask centering the frieze, attributed to either Pierre Gouthière or Pierre-Philippe Thomire, exists in several versions in the Louvre, Versailles and the Cleveland Museum of Art (see H. Ottomeyer/P. Pröschel et al., Vergoldete Bronzen, Munich, 1986, vol.I, p.276, fig. 4.11.14.). This model is based on a drawing by the architect François-Joseph Bélanger in the Bibliothèque Nationale, illustrated op. cit., fig. 4.11.13. Another type of sphinx chenet...

A fine pair of French 19th century Japonisme Louis XV style Gilt-Bronze and Marble Figural Chenets (Andirons) by BOUHON FRES, each depicting a flaming dragon atop an "L" shaped base surmounted with an allegorical gilt-bronze and marble urns with floral garlands and paw-feet, the base with a draped ormolu design and raised on tapered feet. Stamped: "B&H". Circa: Paris, 1890-1900. The bronziers Bouhon et Cie. Bouhon Frers. specialized in bronze-decorated fire-places and fire-fittings. These large and fine chenets are supreme examples of their output. The firm participated in the 1878 and 1900 Paris Expositions Universelles. Japonisme[a] is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872.[3] While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing.[4] Even the performing arts were affected; Gilbert & Sullivan's The Mikado is perhaps the best example. From the 1860s, ukiyo-e, Japanese woodblock prints, became a source of inspiration for many Western artists.These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and composition. Ukiyo-e prints featured dramatic foreshortening and asymmetrical compositions. Japanese decorative arts, including ceramics, enamels, metalwork, and lacquerware, were as influential in the West as the graphic arts. During the Meiji era (1868–1912), Japanese pottery was exported around the world. From a long history of making weapons for samurai, Japanese metalworkers had achieved an expressive range of colours by combining and finishing metal alloys. Japanese cloissoné...

Each with a different flying dragon raised on a scrolling base ending in a flaming urn.

Pair of antique French Rococo style gilt and patinated monumental bronze chenets/andirons with celestial globe applied with stars and extensive gilt bronze oak leaf decoration. Of mo...

An interesting pair of late 19th century gilt bronze chenets Each depicting Bacchus, wrapped in grape vines, flanked by a cherub and standing on a bronze base.

A fine and large French 19th century Louis XV style gilt bronze figural Chenet (andiron) and Fender Suite. The impressive fender surmounted on each end by a figure of playful battlin...