18th Century Statuary White Marble Fireplace Mantel

This plain simple however chic country fireplace surround is in bicolor stone and comes from the Burgundy region. The straight lines in the solid blocks...

This color full original antique fireplace surround has an arbalette design on the fronton. It was crafted during the Regency Period. The front is a solid block of marble. The rich c...

This is a bespoke original antique French fireplace mantel (fireplace) in white statuary marble from the Louis XVI period, 18th century. Exquisite carving. It is still in great condition and ready to be installed. A vintage mantlepiece...

Exceptional original French chimney mantel in perfect condition. The fronton is one solid piece of marble. decorated with macarons and an amazing movement. a very raffinated piece. I...

A monumental, 18th century, Italian Baroque fireplace mantel in statuary marble. The frieze, with a beautifully decorated central cartouche, is supported by solid panelled demilune j...

An elegant late 18th century period Louis XVI Statuary marble fireplace. The panelled frieze and jambs with trailing vine leaves, the frieze with centre motif of scrolls and leaves, ...

A fine quality 18th century French Louis XVI statuary marble fireplace, the frieze delicately carved with running frieze of foliage and berries with urn centre. Fluted jambs with car...

Provenance: 32 Belgrave Square, thought to have been installed by David Hicks. A late 18th century style chimneypiece in Statuary and Siena marbles of truly exceptional quality. The moulded shelf, carved with dentils and Egg & Dart, breaks forward above the central tablet and square corner blocks. The tablet depicts a scene of Bacchic putti dancing and revelling with music, some holding grapes and ewers of wine, one holding a Thrysus, a spear headed by an acorn often carried by Bacchus, to the right a putto has the legs of a goat, and centred with a putto riding a finely carved ram. The tablet flanked by a frieze decorated by alternating finger flutes inlaid with Siena, and carved finely carved bows and flowers. The cornerblocks, carved to the front with Roman urns, sit above composite Ionic columns, also inlaid with Siena flutes. The columns are fully detached in the round, on turned socle plinths above square footblocks. The convent Siena is of particularly noteworthy quality. The Ram is emblematic in classical and Georgian sculpture...