19th Century Manner Statuary Marble Bullseye Fireplace Surround

A 19th century Georgian style statuary marble fireplace surround of good proportions and color, a profiled top shelf rests above a central tablet displaying a large urn, flanked by f...

A 19th Century Georgian Manner lightly veined statuary marble fireplace surround of good proportions. A deep break-front top shelf with channelled under moulding sits directly above ...

A substantial lightly veined white marble bullseye fireplace surround in the Georgian manner. A double corvetto moulded shelf rests above a...

A large and elegant Scottish, lightly veined statuary marble fireplace surround in the manner of William IV. A generous top shelf with rounded corners sits above a stepped full lengt...

A fine quality Statuary white marble fireplace with Italian Sienna marble inlay. The delicately carved frieze featuring scrolled leaves and bellflowers, with central female figures s...

An antique George III style Neoclassical statutory marble fireplace. This late 19th century fireplace was removed from a house in Jersey, and would certainly make for a statement pie...

An early Victorian Statuary marble fireplace with cast iron insert, c.1850, the central keystone flanked by spandrel panels carved in relief with foliage and flowers, with bead mould...

Provenance: 32 Belgrave Square, thought to have been installed by David Hicks. A late 18th century style chimneypiece in Statuary and Siena marbles of truly exceptional quality. The moulded shelf, carved with dentils and Egg & Dart, breaks forward above the central tablet and square corner blocks. The tablet depicts a scene of Bacchic putti dancing and revelling with music, some holding grapes and ewers of wine, one holding a Thrysus, a spear headed by an acorn often carried by Bacchus, to the right a putto has the legs of a goat, and centred with a putto riding a finely carved ram. The tablet flanked by a frieze decorated by alternating finger flutes inlaid with Siena, and carved finely carved bows and flowers. The cornerblocks, carved to the front with Roman urns, sit above composite Ionic columns, also inlaid with Siena flutes. The columns are fully detached in the round, on turned socle plinths above square footblocks. The convent Siena is of particularly noteworthy quality. The Ram is emblematic in classical and Georgian sculpture...