Antique Statuary Fireplace in the Georgian Style

A refined and well proportioned mid Georgian style fireplace in white marble. The barrel frieze with panelled centre, and elegant moulded jambs and shelf. A copy of an 18th century d...

A very fine quality English Georgian fireplace in Italian Statuary marble with Siena inlay. The moulded jambs with inlaid Siena marble surmounted by shaped Siena frieze and breakfron...

An English Georgian Statuary marble fireplace with Italian Siena inlay. The jambs with carved bell drops and foliage, with Siena inlay to ingrounds. The reeded frieze with Siena cent...

A good quality late Georgian antique fireplace. The statuary jambs inlaid with Italian Siena marble, surmounted by carved end blocks featuri...

An impressive antique pine and composition neoclassical style fireplace dating to circa 1870. With a distressed paint finish, this Georgian era fire surround will make a character fe...

An exceptional antique carved white statuary marble chimneypiece from the late Georgian period. With full free standing and fluted ionic columns under carved putti corner blocks. A substantial egg and dart cornice shelf...

A late Georgian Statuary and Convent Sienna marble fireplace, circa 1800, the shelf with a simple mould above frieze with plaque centred by a female mask, the corner blocks of putti ...

Provenance: 32 Belgrave Square, thought to have been installed by David Hicks. A late 18th century style chimneypiece in Statuary and Siena marbles of truly exceptional quality. The moulded shelf, carved with dentils and Egg & Dart, breaks forward above the central tablet and square corner blocks. The tablet depicts a scene of Bacchic putti dancing and revelling with music, some holding grapes and ewers of wine, one holding a Thrysus, a spear headed by an acorn often carried by Bacchus, to the right a putto has the legs of a goat, and centred with a putto riding a finely carved ram. The tablet flanked by a frieze decorated by alternating finger flutes inlaid with Siena, and carved finely carved bows and flowers. The cornerblocks, carved to the front with Roman urns, sit above composite Ionic columns, also inlaid with Siena flutes. The columns are fully detached in the round, on turned socle plinths above square footblocks. The convent Siena is of particularly noteworthy quality. The Ram is emblematic in classical and Georgian sculpture...