A Georgian Style White and Siena Marble Fireplace Mantel

An early to mid 19th c fireplace in Statuary white and jasper marbles. The fluted pilaster jambs stood on foot blockings, with Jasper marble ingrounds, surmounted by carve corner blo...

A large Georgian style antique 19th century fireplace mantel of simple yet elegant design in Antico Verde and Pencil Vein Carrara marble. The jambs in Carrara with Pilaster Antico ve...

A George III Irish, fireplace surround, in old English marble with a wide breakfront shelf, inlays of convent sienna and breche Violette marbles to the Jambs. The centre tablet with ...

A quality late 19th century Regency style fireplace, executed in Italian statuary white marble, with Sienna marble inner slips, capitals and mouldings. The jambs having fluted panels with carved husks, separated by a Sienna marble moulding with another carved panel of urns, tapering pedestals, swags and foliate detail. The end blocks again of carved urns, swags and bell drops. The centre tablet celebrating the arts, depicting putti drawing...

This is a Georgian revival marble fireplace. An English, fire surround with mantelpiece in the classical taste by Dominic Hurley, dat...

A very fine George III style white marble fireplace. The jambs with carved laurel leaves interspersed with berries inside beaded panels, surmounted by scrolled urn side blockings. Th...

A very smart late 18th century statuary and Spanish brocatelle marble chimneypiece, the central tablet carved with exquisite crossed leaf fronds and classical urn to the highest qual...

Provenance: 32 Belgrave Square, thought to have been installed by David Hicks. A late 18th century style chimneypiece in Statuary and Siena marbles of truly exceptional quality. The moulded shelf, carved with dentils and Egg & Dart, breaks forward above the central tablet and square corner blocks. The tablet depicts a scene of Bacchic putti dancing and revelling with music, some holding grapes and ewers of wine, one holding a Thrysus, a spear headed by an acorn often carried by Bacchus, to the right a putto has the legs of a goat, and centred with a putto riding a finely carved ram. The tablet flanked by a frieze decorated by alternating finger flutes inlaid with Siena, and carved finely carved bows and flowers. The cornerblocks, carved to the front with Roman urns, sit above composite Ionic columns, also inlaid with Siena flutes. The columns are fully detached in the round, on turned socle plinths above square footblocks. The convent Siena is of particularly noteworthy quality. The Ram is emblematic in classical and Georgian sculpture...