New in Stone Fountains

Whimsical ceramic fountain sculpture depicting a pantless man.

Made out of concrete, this decoration from 20th-century Italy takes influences from Gothic architecture. With its face covered in vine leaves, this mascaron made in high relief repre...

This 19th century antique cast iron statue fountain. Fantastic, vibrant patina with traces of ancient paint.

A large 19th century Portuguese wall fountain. Finely sculted in Verona marble with a moulded star inlayed plint above the lobbed basin resting on a baluster plint. The dolphin snout...

An elegant and highly unusual figural fountainhead. Made from cast lead, this is a late 19th century / early 20th century piece of superb quality. The lady figure is standing upright...

A Greco Roman style vintage putto fountain with distressed verde patina, basin and fish motifs. Created with the traditional technique of the lost-wax (à la cire perdue) that allows ...

The large yard fountain is carved out of white marble in the classical style. The fountain feature stands on a cylindrical pedestal. The pool has a heig...

Very nice grey marble vintage wall fountain to place in to your garden.

Wall fountain out of hand-carved white marble with a stepped base, profiled basin and a tall rear wall.

Fountain believed to be from from Turkey or Greece, 19th century and 20th century elements. The fountain is in working condition. replaced with modern marble carving elements to spou...

Although when most people hear the word “gargoyle”, they probably envision small, winged creatures with grotesque visages. However, the phrase has a deeper meaning, encompassing any carved head (animal or human) that function as waterspouts. From the Early Renaissance (late 1400’s/early 1500’s), our gargoyle fountain spout features a human-like face with pointed ears, possibly representing a centaur or a satyr. The roughly rectangular block of marble was hand-carved in Arezzo, in the Tuscany region of Italy. All sides except the front of the cream-colored stone have a sawed finish, resulting in a rough texture. The back has been excavated, adding to the character of the gargoyle. A 1 ½” diameter hole has been cut all the way through, forming an open mouth of the gargoyle. The gaping mouth was often a symbol used to conjure images of devouring giants and used to remind people that they are susceptible to certain forces. Our 15th/16th century marble...

Bronze male sculpture signed. Fonderia Giorgio Sommer Calabritto Napoli Thomas, sculptor, lived and worked in the Naples area, and especially on Capri, from 1889 to 1906. Given this ...