19th Century Fountains

A wonderful and most decorative French 19th century patinated Cast Iron fountain, signed Salin Fondeur. The two level fountain is raised on a hexagon base with Coeur de Rai designs below reeded panels of rosettes and cat tails. Above is a baluster shaped fut with large scrolled acanthus leaves flanking chandelles and fluted designs. The hexagon shaped bowl has gadroon shapes below and above additional reeded panels with rosettes. At the top stands a charming cherub wrapped in a classical garment with his two hands holding...

This darling green painted stone frog is the perfect way to liven up any garden. Ripples in the skin and ridges along the back give it a wonderfully realis...

A very large South Indian hand-hammered copper vessel with rolled and riveted handles from the 19th century. The stand shown in the picture is not included.

Antique Stone Oval Basin overall dimensions: APPROX - 36W” x 22.5D” x 19”H Beautiful texture and patina.

A superb French 19th century cast iron fountain of a maiden, signed A. Durenne, Sommevoire. The fountain is raised by a circular base where the signature is displayed. Above is a bea...

A handsome 19th century Italian bird bath in Verde Maurin marble. The wonderfully proportioned bath is raised by a square base below the moulded baluster column. The circular shallow...

Monumental 19th century French water pump fountain made by Louis Jonet. This large cast iron piece would have been mounted above a large stone trough to catch water. Reminiscent of t...

Cast iron wall fountain signed by Val D´osne Foundry, France, late 19th century.

A Fine and Large French 19th Century Cast-Iron Fountain Figure Modeled as a Nude Maiden Seated on a Rocky Outcrop Holding a Cornucopia in Her Raised Right Hand, by J.J Ducel. Cast-Signed "J.J. DUCEL Me de FORGES, PARIS". Circa: Paris, 1880. A retailer of fine cast-iron ornaments, J. J. Ducel was recorded as supplying cast-iron works through Paris as early as 1810 in the Pas-de-Calais. The factory was sold in 1878 to the Fonderie de la Haute-Marne and all of the firm's models were subsequently bought by the Val d'Osne foundry. However, prior to the firm's sale, critics at the 1867 Paris Exposition Universelle proclaimed that "Ducel is the great manufacturer of works in cast-iron, to whom Paris is so largely indebted for the grace and elegance that supply so many of the adornments of its streets". Ducel, Val d'Osne and other associated foundries produced both bronze and cast-iron statuary. Cast-iron is corrosive, whereas non-ferrous bronze does not suffer the same detrimental effects of weathering and is therefore a superior and more expensive material. Height: 51 1/2 inches (130.8 cm) Width: 22 inches (55.9 cm) Depth: 30 inches (76.2 cm) The foundry of Val d'Osne became highly regarded for the varied nature and quality of its castings in the second half of the 19th century. Commonly known after 1870 as simply Val D'Osne, the company was originally founded by J.P.V. André in Val d'Osne 1835 and developed rapidly, absorbing smaller foundries in the Haute-Marne area east of Paris. The foundry contributed to the London International Exhibition of 1851, where a bronze fountain cast with classical figures attracted much attention. André also specialised in fancy castings and architectural fittings. His Paris adress was at 14 Rue Neuve, Menilmontant. In 1855 the Barbezat & Cie Foundry was born out of the André workshop. In 1867 Barbezat & Cie changed its name to Houille & Cie. Then, in 1870, it changed its name to Société Anonyme du Val d'Osne. With the change of name came the change of casting mark and adress: Fonderies d'Art du Val d'Osne, 58 Bd Voltaire, Paris or simply Val d'Osne. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought-iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for indoor/outdoor statuary...

A life-sized antique bronze fountain-head modeled as a boy holding a duck. The water spouts out of the ducks mouth. It would work well simply a...