Brutalist Style Concrete Table and set of Four Chairs, England 1960s

With a smoothed pebbled stone top and gracefully curved, blue-painted wrought iron trestle base, this mid-20th-century French Bistro table brings timeless elegance to any space. Comp...

This early 20th Century French oval dining has a later wooden top as a testament to craftsmanship, weathered yet resilient. Beneath, an intricate scrolling iron base, reminiscent of ...

This set of 1940s French iron and metal garden furniture dining set includes four side chairs and a square table, all adorned with weathered whi...

Petite faux bois cast stone bistro or side table for the garden. Featuring a collection of mushrooms at the base. Mid-20th century. Wear consistent with age and use.

Incredible outdoor table and chairs set consisting of four chairs with a matching table, all made of solid concrete in Switzerland, circa ...

Striking brutalist dining set made of solid blackened ash in the 1960ties. The Set consists of 1 table and its 4 benches. The ensemble comes f...

Stunning outdoor set consisting of four chairs with a matching table, all made of solid concrete. Round saucer seat with angular legs. Incredible modern design with very fantastic pa...

This rare pair of planters was made by the Swiss designer, Willy Ghul in the 1950's in naturel fiber cement. It's the edition « Eternit AG/Elo, 1954 » which is shaped as an abstract triangle reminding a tooth shape. Willy Guhl was part of these historical designers historiques who have contributed to the international reputation of the Swiss design. He was one of the big representative of Neo-Functionalism. From a carpenter father, he follows a furniture maker formation in the Kunstgewerbeschule of Zurich – School of applied arts of Zurich here he teaches from 1941 -, and becomes the director of the interior architecture department 10 years after. He leads in the late 1940's pionneer reaserches in the plastic furniture field. He develops then a knowledge about moulding technical that we allow him to reveal himself by transposing them on a new material : the Eternit, also called fibercement, which he is one of the first to use in Europe. The Eternit is a kind of cement reinforce by asbestos and with a fiber texture which allows to create audacious pieces with new shapes. It takes the aspect of larges slabs to which it is possible to give a shape as long as they are not dried. Produced in the origin for the industry, it's a cheap material with an important resistance, so perfectly adapted for the fabrication of external furniture.